Day Two: January 19, 2019 From Tarime to Buturi to Bariadi Story
…them: Omweko (about a drought that caused great hunger in the village in 2017) Majirani: about neighbours, where the band remembered times when all neighbours used to support one another Maria: A story about a woman that abandoned her kids Mazingira: a song about the environment and the need to protect the environment. Examples included stopping use of plastics and keeping your waste water away from your drinking water. Magic Moment: We recorded…
Field Recording Report by Kahithe Kiiru Story
…trative areas of Samia district. Ekhunjwe ya Abasamia was formed in April 2008 with common focus on using music as a tool for community development. The group promotes traditional African values and acts in both education and local economy. Members also engage in traditional crafts like basket weaving and jewellery making for exhibition and sale. Their chairman, Mr. Bwire, also chairs the County Culture Committee and says he is “biased towards eth…
Likembe Instrument
…8-10 likembe players in each performance. Their likembes range from 6 to 20 inches, with the largest played on an over turned tub so that the bass notes resonate. They play songs about war and disease which so often affected their communities in the recent past. We next came across the likembe when we encountered the Macedonia Band, also with 8 likembe players. Their bass likembe was a huge 3 ft box. This group was a particularly inspiring as the…
Page
…no better than the other Batwa so I thank you for choosing me. I am happy 1000 times over. My message represents the rest of the Batwa people. I listened to the recording of my song – it was so nice, so sweet.’ The day ended with her joyfully dancing to her own record, with her newborn baby in her arms. It was a moment that made so much of the work put in by the entire team completely worth it. And it has inspired us to continue searching for more…
Day 9 – Sunday 9th July 2017 Story
…ypes of wood); body parts (any specific additional parts and why); strings number; playing techniques (position of instrument; hands positioning and fingers involved in playing; plucking techniques); tuning and sound (central string, sound spectrum, twin strings, accompanying instruments in both traditional context and modern instrumental ensemble, technical innovations and developments); transmission methods; community occasions played in; taboos…
The Singing Wells podcast #3 Podcast
…Here is podcast number 3. In this podcast, we look at the development of Abubilla Music – one of the partners in The Singing Wells project – from initial idea, to music label. There are interviews with members of the SMCC, and music from the SMCC, Louise Calf, Gus Warriner, Tati Kalveks, Chris Kozlowski and Ketebul artist Winyo. Click here to download the podcast….
Albums Introduction Page
…h the music of the area we were recording in. Each album also contains a number of extra tracks that weren’t strictly part of the archiving recordings we were making. These recordings are of ‘Influences’ sessions – where a popular musical artist has joined us on our trip to collaborate with the groups we record. In the event that we have invited one of the musicians back to the Ketebul Studios in Nairobi to record, we will also include these rec…
The Kalenjin of Kenya Album
…ith Ben Kisinja on the Burkandit, recorded in Kapsokwony on the 5th March 2012. Also recorded in the same session were the Chebonet Group and the Teriet Band. We also have a short snippet of The Masirtaret – a performance that was sadly cut short by rainfall – one of the perils of recording outdoors. The Sila Dancers began the day in Sila, followed by the Lomut Traditional Dancers and the Lomuge Group. The day recording the Pokot tribes was rounde…
Conclusion: Challenges and Recomendations Story
…ecording mission is quite satisfactory. Considering the limited time and a number of challenges encountered, I believe we managed to accomplish most of the set objectives and bring back an extensive amount of data and video/sound materials of very good quality. However, there is space for improvement. I think that team work was successful, although division of roles, more particularly on the data collection part on the project, was initially blear…
Liwambwe Group
…Tumpete Mwana: ‘Soothing the baby’ Apelambe: About a doctor who has all the medicines to heal, but the singer asks, why he couldn’t save his own wife Dede: ‘Grasshopper’ …
FAQ’s Page
…ideo has a donation button associated with it and you can donate £1, £5, £10,£20 or £50 to help support a music group you particularly like. Find us on YouTube here. If I support you where will the money go? How do I know it will be well spent? Donations to Singing Wells can be made through The Abubilla Music Foundation. Your donation will be restricted for use in East Africa to support the project goals. You can specify just how much you would li…
Mchele Mchele Sanaa Group Group
…This group, from the Sukuma community, was formed in 2010 and performs with a number of styles: Bukomia Lume, Buchheye, Wigashe. Their instruments are: Ng’oma (Drums), Pembe (animal horns, large impala), Firimbi (flute), and Njuga (shakers). …
Day 1 – Saturday 1st July 2017 Story
…yatiti’s shape (resembles the traditional Luo hut shape), symbolism of the number (8) of strings of the nyatiti, his tuning techniques and order of string tuning, together with the story of his personal attachment to his instruments collection (owns 14 nyatitis). Upon our arrival to Kisumu City, we had another semi‐formal interview that would birth ideas for other hypothesis and arguments to follow up on. We met Meshack Okoth Okumu, who was to be…
3. Background of the Naizungwe drums Story
…ties were and still are organized on clan system. One ethnic society has a number of clans where each clan has a leader – clan leader. Each of those clans had identifying regalia and one of them are drum rhythms that symbolize the general belief of that clan. The Basoga ethnic society from the Eastern region of the country is organized according to clans. Eleven clans are royal; they are the leaders and the rest are not. One of the clans is the ba…
Day Four: January 21 2019 Mwanza Story
…chele Sanaa Group: This group, from the Sukuma community, was formed in 2010 and performs with a number of styles: Bukomia Lume, Buchheye, Wigashe. Their instruments are: Ng’oma (Drums), Pembe (animal horns, large impala), Firimbi (flute), and Njuga (shakers). We recorded five performances: Ntale Atabihyala: ‘The boss, who is always wrong, wants to be always right. Just accept it’ Ba Tanzania (Malima): Praising country, encouraging farmers and h…
Day Zero: 6 March 2022 – Travel To Stream Story
…ew offices at the GoDown Arts Centre on Kayahwe Road off Dennis Pritt by 9:00am. It took us an hour to load the van with the equipment and our personal effects. On our team was Tobias Odhiambo (or Shunkyz as he is known in the music circles) as soundman in charge of the technical aspects of the recordings. Shunkyz was assisted by Fiston Lusambo, a Briton of Congolese origin and guitarist with the London-based Afriquoi Musical group. The video sect…