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…and was carrying what I can only say was a magic electric gun. He told me to stop brushing my teeth and lie down and he began to shoot the government soldiers around us. […] I’m telling you all this to tell you that this was the last day I played drums in the palace. I was arrested and I stayed in jail for a couple of weeks. Then, in 1966, I got employment at the Kyambogo music department for Peter Cooke (who was head of the music department at t…
The Best of Singing Wells 2011 Album
…A collection of some of our favourite tracks from our trip in 2011. NOTE: some of the tracks on this album also feature on the release ‘The Batwa of Kisoro’ under different titles. …
Kangema Mwomboko Dancers Group
Kangema Mwomboko Dancers: led by Maina Kirhoro. From the Kikuyu ethnic community. They are from Kiangunyi Village, Muguru Sub-location, Kangema District. The group has 45 members and was started in 2000, but the original Mwomboko style was started in 1943. This is a ‘pairing’ dance style, inspired by colonial masters but adapted locally. Mwomboko, Peter Mwangi is the lead singer and plays the accordion. George Kinyua plays the Karing’aring’a (…
Irimbene Cultural Dancers and Self-Help Group Group
… Irimbene Cultural Dancers and Self-help Group, formed in 2000 with 21 young men, and is led by Edward Kiogura. They play in the Authi style and are from the Ameru ethnic community, from the Irimbene Village, upper Kiungone Sublocation, Abogeta West Division. The group uses Mbere (shakers) worn by Bernard Nkonge, Ginfold Mbae, Amos Munthi and Fraras Ikunda. They also use a flute, Coro, which is performed by John Mwiti….
Kaniini Kaseo Group
…trunk of a banana tree; it says that the trunk can’t be climbed by boys. Mutongoi: This is a song sung to a political leader in the area. The song praises the politician and asks the people to vote for him – he’s Kyonekana na nengwe. His name means, “if seen give it to him”. Kolleji or College: This is sung in the Itheke genre. The song praises a local politician (Major Mutina Muluvi) who takes graduate students to work at Equity Bank and high sch…
Kigane Traditional Dancers Group
… Kigane Traditional Dancers, from Kigane Kithurini and Ngatia villages, Suri Location, Bogeta Division. They are 11 men, 12 women, led by Cyrus Kirigia. Their style is Kwimbo, and the songs ares sung to celebrate the harvest mostly in August and March. They are from the Ameru ethnic community and use the Kibere (leg shakers) and Vilingi (whistle)….
Otieno Aloka Group
…ka is a musician best known in Kenya for his hit song ‘Kanungo Eteko’. In our session with the Ohangla group he plays the orutu, the second major instrument of Luo music. The orutu consists of a hollow wooden box that has monitor lizard skin stretched over one side. The string used to be made from fibers of the sisal plants but is now made from a variety of repurposed materials, including bicycle brake cables. When played with a bow, orutu creates…
Kirundo Group
…forming with a well known drummer and teacher of music. This band has been together for 2 years. Songs: Mwaludeje – Tradition after the harvest. New composition. Mjomba – Uncle, celebrating the good hunt. New composition Uye – Come Back Please, used at a wake after someone is buried. New composition. Uringe – Be Proud. Old Traditional song Kyaso – old traditional Zanzibarian song of celebration Mnyamwana – Respect for women. New Composition. They…
All field reports have now been published and provide links to youtube videos! Story
…You can now see all Field Reports for February 2018 trip to Kenya. If you want to link directly to youtube videos you can do in field reports or go direct here. A detailed account of the trip written by Kahithe Kiiru is available here….
Chibite Group
…he Gogo style of music which relies on the Zeze (stringed instruments made from gourds) and Ilimba (a lamellophone, or modified thumb piano). We will spend a lot of time with Chibite over the next two days and meet many different family members. For this first recording in Boma, the line-up was Ndahani Bwani, the older brother, his sister Ndekwa and two daughters Grace and Leah. They played 4 songs: Dunia Nigahira Samamba: St…
Hunter Allen Staff Profile
…irected and edited Singing Wells’ first Lost Song Books documentary, which told the story of our repatriation project in 2014. The project involved the returning of recordings by Hugh Tracy to the Kalenjin and Luo communities from which he recorded in the 1950s. Hunter graduated from the University of Cambridge in 2015 and aspires to continue a long and fruitful relationship with Singing Wells. Most recently he joined the rest of the team in filmi…
Day 9 – Sunday 9th July 2017 Story
…ists of two arms and a cross‐bar.” Through a group interview, we attempted to compare them in: size (size of resonator; length of arms and per extension of strings); materials of fabrication (types of wood); body parts (any specific additional parts and why); strings number; playing techniques (position of instrument; hands positioning and fingers involved in playing; plucking techniques); tuning and sound (central string, sound spectrum, twin str…
Day 1 – Saturday 1st July 2017 Story
…local nyatiti players; ‐ Discussion on whether a good nyatiti maker needs to be able to play the instrument as well; ‐ Names of currently best nyatiti makers in the area, according to Meshack and mention of several masters who passed away; ‐ Discussion on playing positions (traditionally played while seated on a stool, some contemporary artistes play while standing as well) and its cultural and symbolic importance; ‐ The practice of praising peop…
3. Background of the Naizungwe drums Story
…ded traditional value systems that had come with foreign civilization also took their toll, causing erosion of the traditions. Can you describe the style of this tradition? It is percussive. The central concept is polyrhythms interlocking. Drums play loudly. The louder the better because loud is power, strength. People who have a healthy life are energetic and they often express that through music and dance and more. How are the drums played? The…
Conclusion: Challenges and Recomendations Story
…anager, and the fixer or any other individual that might act as the translator from vernacular languages into English during field recording. If this function is to be filled by the fixer (which was the case in this first recording mission), I believe he should be informed and prepared in advance accordingly. I mention this because we have noted that a lot has been ‘lost in translation’, hence data collection objectives and ways of achieving them…
The Singing Wells podcast #3 Podcast
…Here is podcast number 3. In this podcast, we look at the development of Abubilla Music – one of the partners in The Singing Wells project – from initial idea, to music label. There are interviews with members of the SMCC, and music from the SMCC, Louise Calf, Gus Warriner, Tati Kalveks, Chris Kozlowski and Ketebul artist Winyo. Click here to download the podcast….