Day 9 – Sunday 9th July 2017 Story
…ion (types of wood); body parts (any specific additional parts and why); strings number; playing techniques (position of instrument; hands positioning and fingers involved in playing; plucking techniques); tuning and sound (central string, sound spectrum, twin strings, accompanying instruments in both traditional context and modern instrumental ensemble, technical innovations and developments); transmission methods; community occasions played in;…
Conclusion: Challenges and Recomendations Story
…tion and treatment of the skin for the instruments; Preparation of the material used to attach the bridge; Final construction and assembly of the instrument. All of these stages are evidently impossible to do and/or film in one day, and we had to therefore substitute the demonstration of some of them with their description in an interview. If we had done detailed preparations for the field and a recce, we could have informed the makers of all the…
Group 1: Inganzo Ngari Group Story
…November 2012. It was a celebration dance with many steps to honour their rich and historic culture. Next we had the Intore – which means a traditional warrior dance. This was a manifestation of each warrior showing the king what he’s made of – his talent, his weaponry, and judging by the performance, his incredible dance and performance skills. But one of the coolest parts of this was the costumes: all the dancers were decked out in headpieces t…
The Singing Wells podcast #3 Podcast
…Here is podcast number 3. In this podcast, we look at the development of Abubilla Music – one of the partners in The Singing Wells project – from initial idea, to music label. There are interviews with members of the SMCC, and music from the SMCC, Louise Calf, Gus Warriner, Tati Kalveks, Chris Kozlowski and Ketebul artist Winyo. Click here to download the podcast….
FAQ’s Page
…us. We pay a recording gratuity on the day of the recording. This amount varies based on a number of factors such as the number of members in the group and the number of songs we record. In the event of any music we record making money directly (through sales, sync licensing or performance royalties) we will endeavour to channel this money back to the original performers. Can I buy the music you have recorded? A selection of our music is available…
Albums Introduction Page
…h the music of the area we were recording in. Each album also contains a number of extra tracks that weren’t strictly part of the archiving recordings we were making. These recordings are of ‘Influences’ sessions – where a popular musical artist has joined us on our trip to collaborate with the groups we record. In the event that we have invited one of the musicians back to the Ketebul Studios in Nairobi to record, we will also include these rec…
The Kalenjin of Kenya Album
…2012. Also recorded in the same session were the Chebonet Group and the Teriet Band. We also have a short snippet of The Masirtaret – a performance that was sadly cut short by rainfall – one of the perils of recording outdoors. The Sila Dancers began the day in Sila, followed by the Lomut Traditional Dancers and the Lomuge Group. The day recording the Pokot tribes was rounded off firstly with Kalomoywa, (the group are represented on the album wit…
Field Recording Report by Kahithe Kiiru Story
…songs. This group also presented songs linked to shiremberitual, a characteristic burial/memorial ceremony organised upon death of a community hero. As we waited for the next group to arrive and set up, we recorded an acoustic session with our Influences artist – Fadhilee Itulya. He played for us four of his original compositions: “Mama”; “Shombo”; “Umbeba” & “Wango”, as well as talked about his experience of Signing Wells. We recorded two more sm…
Day 1 – Saturday 1st July 2017 Story
…and allow for comparison. Other pertinent information provided by Rapasa during our drive to Kisumu included the types of trees used for nyatiti (with vernacular terms), the symbolism behind nyatiti’s shape (resembles the traditional Luo hut shape), symbolism of the number (8) of strings of the nyatiti, his tuning techniques and order of string tuning, together with the story of his personal attachment to his instruments collection (owns 14 nyatit…
Group 8: Abutazi Story
…to the inanga and its sound and all it does for them. We loved this double number so much we recorded it twice. Makare (“Call Me Makare”) – This is named for Fox Makare, the rapper of the group, who raps the song about himself. And it goes straight into Amananga (this song is inspired by a South African music style called Amapiano, but they’ve done their own Rwandan version on the inanga, hence “Amananga”). The song Amananga is another ode to the…
3. Background of the Naizungwe drums Story
…aizungwe became extinct because clan meetings ceased to take place in the original manner. Other factors that eroded traditional value systems that had come with foreign civilization also took their toll, causing erosion of the traditions. Can you describe the style of this tradition? It is percussive. The central concept is polyrhythms interlocking. Drums play loudly. The louder the better because loud is power, strength. People who have a health…
Group 4: Urugangaze Ballet Story
…arrior Dance”) – another traditional dance that we saw with the Inganzo Ngari group, this warrior dance had plenty of fun solos as the warriors showed off their skills to one another, chatting in between so it had the feel of a scene, not just a dance. As with the other Intore we saw, there was a group accompanying the dance on the amakondera (horns). A couple of facts we learned about the Intore today: firstly, the Intore name is derived from the…
Mchele Mchele Sanaa Group Group
…This group, from the Sukuma community, was formed in 2010 and performs with a number of styles: Bukomia Lume, Buchheye, Wigashe. Their instruments are: Ng’oma (Drums), Pembe (animal horns, large impala), Firimbi (flute), and Njuga (shakers). …
Day Four: January 21 2019 Mwanza Story
…(like the Zeze from earlier and Orutu from Kenya). He is an extremely cool cat, who we actually discovered walking the streets with his instrument during the RECCE. We recorded five performances: Changamoto: This is about life’s challenges Mawazo Gakwira: About deep worries Nkewane nsanja: girlfriend got pregnant and came to singer for papers Tudumishe mila: about honouring our culture Raisi Ametamka: politicians must support education https://yo…
Day Zero: 6 March 2022 – Travel To Stream Story
…Cliffe Munyasa. Nick Abonyo was the tour’s coordinator and Spade was our driver. The drive was slow and uninterrupted with only one stop for lunch in Nakuru. We reached Kisumu City just before dusk and settled down for dinner at Kalongolongo restaurant, run by a close friend. After a meal of fish and ugali (the local staple made from corn), we were entertained by our very own artiste Makadem (also known as Ohanglaman) who was touring the lakeside…
Page
…om coconut shells…” Unyago: This is music by women by women and was used during rites of passage. Originally, these were ‘secret songs’ and filled with metaphors that would explain about sex and love and all the wonderful and difficult parts of marriage. As this music moved from the secret rites to more public performance, you find the audience laughing at all the double meanings. To be more specific, the women are laughing and the men are scratch…