Albums Introduction Page
…nfluences’ sessions – where a popular musical artist has joined us on our trip to collaborate with the groups we record. In the event that we have invited one of the musicians back to the Ketebul Studios in Nairobi to record, we will also include these recordings. The albums are available to download through our Bandcamp store in your choice of formats. The proceeds from the sale of our albums will be fed back to the musicians involved in the reco…
Field Recording Report by Kahithe Kiiru Story
…e Wanga (AbaWanga) are a sub-group of the Luhya people famous for their historical Kingdom. The Wanga Kingdom was the most highly developed and centralised kingdom in Kenya’s history before the arrival of the British and the colonialization of the area. Today, the Wanga, who live mainly in Kakamega County, retain the Nabongo as their cultural monarch. The Mumias United Group counts 38 members and refers to their style of music as imbira. This is b…
Day Four: January 21 2019 Mwanza Story
…five performances: Ntale Atabihyala: ‘The boss, who is always wrong, wants to be always right. Just accept it’ Ba Tanzania (Malima): Praising country, encouraging farmers and hard work – this song had an incredible beat. Ng’oma ya Asilia: a traditional song Ali Nilihali: A lady turned down Man 1 because he was poor and settled on Man 2 who was even poorer. Meanwhile Man 1 got rich and lady came back to him and the song asks, “So how did it end u…
Mchele Mchele Sanaa Group Group
…This group, from the Sukuma community, was formed in 2010 and performs with a number of styles: Bukomia Lume, Buchheye, Wigashe. Their instruments are: Ng’oma (Drums), Pembe (animal horns, large impala), Firimbi (flute), and Njuga (shakers). …
3. Background of the Naizungwe drums Story
…ded traditional value systems that had come with foreign civilization also took their toll, causing erosion of the traditions. Can you describe the style of this tradition? It is percussive. The central concept is polyrhythms interlocking. Drums play loudly. The louder the better because loud is power, strength. People who have a healthy life are energetic and they often express that through music and dance and more. How are the drums played? The…
FAQ’s Page
…billa Music Foundation. Your donation will be restricted for use in East Africa to support the project goals. You can specify just how much you would like to spend and on what. For example, you could sponsor a song, a group or a whole field recording day during our next field visit in East Africa. Or you could sponsor one of our annual CD/DVD collections. Either way, we guarantee that your money will be spent on the ground in Africa. (Note: repres…
Day 1 – Saturday 1st July 2017 Story
…tionally in the past there was a separation between vocalists and nyatiti players (not the same person); ‐ Term controversy (thum as opposed to nyatiti, is in fact a generic term for music in Luo language) and hypothetical historical explanation; ‐ Mention of “Koblong”, a tune known by almost all players, often used for teaching cause of its strong combinations; ‐ Traditional positioning of player within a homestead when playing at ceremonies; etc…
Conclusion: Challenges and Recomendations Story
…, photographs, audio and video materials that could complement individual stories and demonstrate the evolution of the instrument and/or of its playing techniques). On that same note, I believe a preparative work session should be organised between the researcher and Project Manager, and the fixer or any other individual that might act as the translator from vernacular languages into English during field recording. If this function is to be filled…
Day 9 – Sunday 9th July 2017 Story
…ion (types of wood); body parts (any specific additional parts and why); strings number; playing techniques (position of instrument; hands positioning and fingers involved in playing; plucking techniques); tuning and sound (central string, sound spectrum, twin strings, accompanying instruments in both traditional context and modern instrumental ensemble, technical innovations and developments); transmission methods; community occasions played in;…
The Singing Wells podcast #3 Podcast
…Here is podcast number 3. In this podcast, we look at the development of Abubilla Music – one of the partners in The Singing Wells project – from initial idea, to music label. There are interviews with members of the SMCC, and music from the SMCC, Louise Calf, Gus Warriner, Tati Kalveks, Chris Kozlowski and Ketebul artist Winyo. Click here to download the podcast….
Page
…Africa is a treasure trove of musical talent, instruments and styles. The stories that we have heard, through song or interviews, have far exceeded our expectations for the project. What started as a tiny experiment into recording a few groups performing in their villages has grown into something far beyond what we imagined. What we have captured in our videos and audio recordings is extraordinary artistry and musicianship, reflecting years of tra…
The Kalenjin of Kenya Album
…rs and the Kewamoi Women Dancers both featured. The latter – a nice addition to the lineup, as the field day coincided with World Women’s Day. Eddie Grey was part of the team for the recordings, and he joined a number of groups to join them for Influences recordings. Two of these have been included on the album – his guitar playing accompanying The Elimu Cultural Promoters and the Kewamoi Women Dancers….
Day Zero: 6 March 2022 – Travel To Stream Story
…ical aspects of the recordings. Shunkyz was assisted by Fiston Lusambo, a Briton of Congolese origin and guitarist with the London-based Afriquoi Musical group. The video section was manned by Patrick (Sapat) Ondiek assisted by Drix Muyeshi and Cliffe Munyasa. Nick Abonyo was the tour’s coordinator and Spade was our driver. The drive was slow and uninterrupted with only one stop for lunch in Nakuru. We reached Kisumu City just before dusk and sett…
2. Naizungwe Drums – progress report 1 Story
…amous family of drum makers from Kalalu village, Buyanga sub country, Bugweri County in Iganga district. Muhamudu was taught how to make drums by two of his uncles who shared their wisdom and experience with him, and tells us that ever since he was young, his relatives and neighbours have all been drum makers. This begins to make sense when he says that one drum offers 54 different jobs: cutting the tree, shaping the trunks, putting cow dung on fr…
Day 2: Sunday, 2017 February 19th Story
…Kidude and Unyago style. Throughout this trip we will encounter multiple stories about ‘women for women’ songs. In this case, the women in the village have a special dance that is performed by women only for women. It is all about teaching young girls to prepare for womanhood, be it how to behave in the village, how to behave as a wife, and how to be a mother. The women invited Sophie into one of the huts to watch their dance in private. In Ugand…
Day 1: Saturday, 2017 February 18th Story
…vel in the field, doing our best to record traditional groups, songs, and stories. All groups and songs mentioned here will eventually turn up on YouTube (see our current video collection here), as we prepare each of the videos. We will go back to these reports and provide hot links to all of these, but that will take a couple months or so, so please be patient. This is our first trip to Tanzania. For those of you that have followed Singing Wells,…