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…and was carrying what I can only say was a magic electric gun. He told me to stop brushing my teeth and lie down and he began to shoot the government soldiers around us. […] I’m telling you all this to tell you that this was the last day I played drums in the palace. I was arrested and I stayed in jail for a couple of weeks. Then, in 1966, I got employment at the Kyambogo music department for Peter Cooke (who was head of the music department at t…
Matia Kakumirizi Group
Matia was taught to play guitar by a priest called Father Mugambe from Mulajje Parish in 1966. He is now 70 years old, lives in Kampala and sings in Luganda and Kirwahdi, C&C Busega, C&C Kibuye. He still plays the guitar he has had since 1972. He was recorded in 1971 in the Polygram studios in Nairobi. His peers include Dan Mugula, Christopher Ssebaduko, Vincent Muwunge, Sulayiman Mayanja. Dan influenced him hugely. Song meanings “Abapangisa”: f…
We assemble in Kisumu Story
…Nairobi, while Tabu, Jimmy and Hunter have flown in. Jimmy and Hunter flew from London to Nairobi the day before. We are very happy to be joined by ethnomusicologist, Kahithe, and we welcome her to the Singing Wells family. A bit of background: Kahithe is a Ethnomusicologist and dance researcher but is also a dancer, choreographer and dance teacher. She is a skilled researcher with extensive experience in ethnographic research and fieldwork manage…
Kahithe Kiiru Staff Profile
…he has a master’s degree (MPhil) in Ethnomusicology and Dance Anthropology from the University of Paris X Nanterre and is currently finalising her PhD in Anthropology (ABD) at the same university. She was recently appointed Head Choreographer for Bomas of Kenya, a national dance troupe tasked with the mission to preserve, promote and showcase Kenyan traditional music and dance worldwide. She has been a scientific advisor with Ketebul Music since 2…
Kirundo Group
…forming with a well known drummer and teacher of music. This band has been together for 2 years. Songs: Mwaludeje – Tradition after the harvest. New composition. Mjomba – Uncle, celebrating the good hunt. New composition Uye – Come Back Please, used at a wake after someone is buried. New composition. Uringe – Be Proud. Old Traditional song Kyaso – old traditional Zanzibarian song of celebration Mnyamwana – Respect for women. New Composition. They…
Chibite Group
…he Gogo style of music which relies on the Zeze (stringed instruments made from gourds) and Ilimba (a lamellophone, or modified thumb piano). We will spend a lot of time with Chibite over the next two days and meet many different family members. For this first recording in Boma, the line-up was Ndahani Bwani, the older brother, his sister Ndekwa and two daughters Grace and Leah. They played 4 songs: Dunia Nigahira Samamba: St…
Imachina Group
…the wedding. Khuchende Pole: This song is telling everyone to walk slowly to and from the wedding so all the people can gather and honour the bride and groom. The Shishebo process – this is about rites of passage, and specifically male circumcision. The songs include: Bikubanda: This is a song that mocks other tribes and peoples that don’t carry out these rituals and ‘are afraid of the knife.’ Nuli Musata: This is a song that is encouraging the y…
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…s and songwriters to show how this “traditional” music is still relevant into today’s modern world. Below you will find links to the musical loops we have selected that are available to download for the project, If you are interested in joining the Global Influences Project, you can download the project brief here or get in touch with us with any questions you may have. SUBMISSIONS FOR THIS PROJECT ARE NOW CLOSED. Click here to access the Global…
Biluli Dutwa Group
…he band brought up children from the village and taught them about hoeing the soil to the song. Later we saw several videos of how this song is used in the fields to motivate farmers, who hoe to the beat. Throughout Tanzania, we saw school kids walking to/from school with their hoes, where they often tend to small plots at the school. Serengeti: We are near the national park and this is a song in celebration to Tanzanian parks and wild life. Frees…
Maisha Bora Suba Group
…Rirandi and they play the Zeze/Endongwe (a one stringed instrument similar to the Kenyan Orutu and Ugandan Rigi Rigi), Rirandi (a giant horn, similar to the Uganda Big Wala, but made with 6 gourds, not one), Ekeborogo (flute), the Ekedomwa (drums), Ama’ghorro (huge leg shakers), and Firimbi (whistle). They wore Amahunsho (grasses that are attached to the shoulders, and shake with their shoulders’ movement), Enyandusbi (beads) and the men carried O…
The Music of the Mijikenda Album
…ko Raha and 4 the Mzinga, both captured in Kibarani village, further south from Sila, and then further south again, later in the day – Supaki Kalazo and Sengenya recorded in Junda, Mombasa. We then headed to the South Coast and recorded in Vuga, Kwale County. The ZigiDigi Cultural Troupe and Muungano Kayamba providing the music. The album also includes two ‘influences’ recordings – one including Ketebul artist Winyo with Nyerere Wa Konde and his s…
The Northern Tribes of Uganda Album
…k to Kampala. One night in Kampala was followed by a recording in Naguru, recording the Adungu Cultural Troupe and the Watmon Cultural Group, before heading back to the Entebbe Guesthouse to record more with the Watmon Group and Akello – our influences artist….
Nyati Muchoya Group
From Nzali, Nyati Mchoya is from the Wagogo Tupu community and was formed in 1966 by the grandfathers of the current performers. Their instruments include: Nindo (jingles), Njuga (Shakers), Mbega (animal Skins), Muheme (drums), Kabati (kayamba-shakers), Manyanga ( Maracas), Madodolo (cow bell), and Pangwa/Kipangwa (a double headed lyre). We recorded four performances, where each of the songs is named after the musical style: Nindo: A medley of so…
Mohamed Uthman Kidumbak Group Group
…eld perpendicular to the box with a string going from the top of the stick to the top of the box. He changed notes by holding the string less or more taut as well as holding the end of the string down against the stick. Pretty amazing bass sounds came out of this. The two dancers danced with almost a belly dancing movement where they moved their hips and buttocks completely independently of the rest of their bodies. They wore a sash around their h…
Bigilia Group Group
…gs, including Magic Moments and Influences Sessions: Zakulola: You’ve come to see us play Wake Kwa Ume: Female to male Nataka kusema kasi naogopa: I would like to say something but I am afraid Umpati Ng’o: You’re never going to get them Magic Moment 1 Utalikologa Utalinywa: If you mix it, you’ll drink it. Tueheze Zembwela (local dialect) Bonanza Nataka Kusema: Includes a song with Leo, which is ‘I want to say’ Utalikologa Utalinywa: If you mix it,…
Super Phoenix Band Group
…song made famous by Jacob Luseno and Julius Intenya when they first played together. Specifically, it refers to a rich man who askes a young man to watch after his house while he travels constantly for business. Soon the young man starts to pretend the house is his and also propositions the man’s wife to be with him. More generally, it is about many Kenyans that are asked to watch cars, or trucks or possessions and begin to tell others that they a…