Mission Page
…sic heritage of the region and to help make this legacy relevant and fresh to today’s audiences. As a group of sound and video engineers, producers and musicians, we set out on this mission not to become ‘fossil collectors’ and store the recordings in inaccessible archives. We work with musicians to make sure their music traditions continue to be practiced, can be shared amongst the widest audiences and become a source of inspiration for new music…
Albums Introduction Page
…ups we record. In the event that we have invited one of the musicians back to the Ketebul Studios in Nairobi to record, we will also include these recordings. The albums are available to download through our Bandcamp store in your choice of formats. The proceeds from the sale of our albums will be fed back to the musicians involved in the recordings, wherever possible. CDs may also be available in the future. Join the mailing list to find out when…
Day Three: February 18, 2020 (Stonetown, Mpendae, Maungani) Story
…ahenge (Saxaphone, assistant director), Mahsin Basalama (contra base), Christopher Weston (Cajon and high hat), Regina Juma (singer). There was supposed to be a violin player but unfortunately he couldn’t make it. Songs: Alamina Dura – The orbit of the Gods Pakistan – written by Siti Binti Saad who loved Pakistan when she visited Kasha – Kenyan Taarab love song. A man singing about his “chest being opened and empty” In typical Taarab style this…
Page
…alive in the public eye but also through the work of his family. Our first stop on our trip was to meet the son of Mzee Morris who lives in a small compound in the suburbs of Dar es Salaam. The sound of Nyunyusa Dance Troupe is what greeted our ears first, which included two of Mzee Morris’s grandsons, Abdala Nyunyusa Morris on vocals and Rajab Alli Nyunyusa Morris on drums. You can watch Rajab performing on the drums below. Surprisingly, he is on…
Day Five: February 20, 2020 (DCMA) Story
We started at the Ngalawa Hotel recording Kithara who we had to stop recording on Day 3 because of noise. It was great we could get them all to come to the hotel unexpectedly today. After this we drove back to Stonetown to record at the DCMA and the Culture Musical Club. The three groups: Kithara – This group was formed by Rajab Suleiman. They have played together for 20 years and all live in the same neighborhood. They play for weddings and fe…
Day Three: 9 March 2022 (Kisumu) Story
…ba (or Maddo, as the cartoonist is popularly known). After taking a few photos to prove to the award-winning cartoonist that we actually visited his ancestral home, we continued with our journey. Our location for recording that day was Dunga Hill Camp, right by the shores of Lake Victoria. After a quick survey, our camera crew settled for a spot indoors, next to the fireplace. Lined up were three musical acts and the first to arrive was Peter Akwa…
Kithara Group
…motorbikes going by occasionally. We managed to record one song but had to stop after that due to noise. We hope to have this group come to the hotel on our last recording day. We felt bad that they only were able to perform one song but they took it graciously. Performers: Rajab Suleiman (qanun and director), Mohammed Hassan (accordian), Fum Faki (bongo and tabla), Tatu Khamis Haji (singer) Songs: Chungu – means Pot, composed by Said Ali 10 years…
Twone Mbee Group
…ting the position because it is already taken by the one they are praising. ‘Nzembanie na ivinda’: (Chasing After Time). This song talks about the President’s call to stop corruption. The call to chase after time comes from the society that won’t condone these malpractices….
Day One: 7 March 2022 (Shikangania and Mukumu) Story
…es. This dramatic twist of events threw us off guard and we were forced to stop our program temporarily. As required by local custom, we dutifully went to commiserate with the family of the bereaved. We paid our last respects to the unknown dead in the sealed coffin and donated some money to the family to assist with the burial activities on the following day. Seeing that we had appeased the spirit of their departed, the mourners quieted down and…
Day 9 – Sunday 9th July 2017 Story
…ists of two arms and a cross‐bar.” Through a group interview, we attempted to compare them in: size (size of resonator; length of arms and per extension of strings); materials of fabrication (types of wood); body parts (any specific additional parts and why); strings number; playing techniques (position of instrument; hands positioning and fingers involved in playing; plucking techniques); tuning and sound (central string, sound spectrum, twin str…
The Singing Wells podcast #3 Podcast
…Here is podcast number 3. In this podcast, we look at the development of Abubilla Music – one of the partners in The Singing Wells project – from initial idea, to music label. There are interviews with members of the SMCC, and music from the SMCC, Louise Calf, Gus Warriner, Tati Kalveks, Chris Kozlowski and Ketebul artist Winyo. Click here to download the podcast….
The Kalenjin of Kenya Album
…rs and the Kewamoi Women Dancers both featured. The latter – a nice addition to the lineup, as the field day coincided with World Women’s Day. Eddie Grey was part of the team for the recordings, and he joined a number of groups to join them for Influences recordings. Two of these have been included on the album – his guitar playing accompanying The Elimu Cultural Promoters and the Kewamoi Women Dancers….
Support Singing Wells Page
…is funded by the Abubilla Music Foundation, the below link will direct you to make a donation to the Abubilla Music Foundation: — CLICK HERE TO DONATE NOW — Donate your time, products or services We are always keen to hear from people who are happy to offer their time to help the project and from companies which may be able to support us with products or services free of charge. If you can help out in this respect please contact: info@singingwells…
Field Recording Report by Kahithe Kiiru Story
…y his grandfather. He founded Omutibo Benga in 1979 and ever since has not stopped playing. Today the group consists of 8 elderly members. They refer to the Bunyore folk music they play as sebo music. They use two acoustic guitars and combine them with other instruments blending traditional Luhya music influences and the popular Luhya guitar genre omutibo. These include: EFANDA – an empty Fanta bottle scraped on with a metal stick; EKENGELE – meta…
Conclusion: Challenges and Recomendations Story
…and economise on filming time. From a methodological point of view, for us to be able to build on the original concept of the series and remain scientifically both pertinent and correct, a proper research preparation should be put in place as a standard. The ideal approach to pre‐recording preparations should thus include: short pre‐interviews with identified interviewees (this would later allow better and easier data collection and create a certa…
Day 1 – Saturday 1st July 2017 Story
…local nyatiti players; ‐ Discussion on whether a good nyatiti maker needs to be able to play the instrument as well; ‐ Names of currently best nyatiti makers in the area, according to Meshack and mention of several masters who passed away; ‐ Discussion on playing positions (traditionally played while seated on a stool, some contemporary artistes play while standing as well) and its cultural and symbolic importance; ‐ The practice of praising peop…