Day 9 – Sunday 9th July 2017 Story
…g to Hornbostel– Sachs(2), all four would be classified as composite chordophones, more precisely under the 321.2 category of: “Yoke lutes or lyres – The strings are attached to a yoke which lies in the same plane as the sound‐table and consists of two arms and a cross‐bar.” Through a group interview, we attempted to compare them in: size (size of resonator; length of arms and per extension of strings); materials of fabrication (types of wood); bo…
Conclusion: Challenges and Recomendations Story
…monstration, it would be advisable for the recording schedule to focus on one individual ‐ one instrument maker per day only. Also, possibilities of postponed sessions and cancellation, technical or other difficulties that may occur should be taken into account when creating a schedule. The timeframe issue could also be ameliorated by a pre‐recording field mission – a recce. In that sense, all participants would be informed on the date they are to…
Group 1: Inganzo Ngari Group Story
…ging by the performance, his incredible dance and performance skills. But one of the coolest parts of this was the costumes: all the dancers were decked out in headpieces that resembled a lion’s mane for strength and courage. The dancing was accompanied by screaming, to project out the sound of their victory. And to top it off, they were accompanied by a group playing a horn called the amakondera. The overall effect was majestic. This was followed…
The Singing Wells podcast #3 Podcast
…Here is podcast number 3. In this podcast, we look at the development of Abubilla Music – one of the partners in The Singing Wells project – from initial idea, to music label. There are interviews with members of the SMCC, and music from the SMCC, Louise Calf, Gus Warriner, Tati Kalveks, Chris Kozlowski and Ketebul artist Winyo. Click here to download the podcast….
FAQ’s Page
…us know how you would like to help. Will you come and record my band? We have a schedule and a plan for the next 3 or 4 field visits to East Africa, so any groups we record would have to be within designated areas where we plan to travel. We’d love to hear from anyone with new suggestions for field visits. Can I join you on your next recording trip? Please get in touch if you would like more information about where are travelling with Singing Well…
Albums Introduction Page
…dings are of ‘Influences’ sessions – where a popular musical artist has joined us on our trip to collaborate with the groups we record. In the event that we have invited one of the musicians back to the Ketebul Studios in Nairobi to record, we will also include these recordings. The albums are available to download through our Bandcamp store in your choice of formats. The proceeds from the sale of our albums will be fed back to the musicians invol…
The Kalenjin of Kenya Album
…l Promoters and the Kewamoi Women Dancers both featured. The latter – a nice addition to the lineup, as the field day coincided with World Women’s Day. Eddie Grey was part of the team for the recordings, and he joined a number of groups to join them for Influences recordings. Two of these have been included on the album – his guitar playing accompanying The Elimu Cultural Promoters and the Kewamoi Women Dancers….
Field Recording Report by Kahithe Kiiru Story
…raditional lyre; ISIRILI – a one-string fiddle; LUENGELE– a percussive idiophone composed of a wooden bowl struck with wooden sticks on both the outside and the inside; ENG’OMA – a generic term for drums, use it for several drums of different shapes and sizes; CHICHUKA – shakers made out of gourds; metal ring struck with wooden sticks metal plate used as a drum-set cymbal. The charismatic Namatete played for us 6 songs and did one of his song (“Oc…
Day 1 – Saturday 1st July 2017 Story
…hoever is around”, Luo proverb) and nature of improvisation that comes with it; ‐ Traditionally in the past there was a separation between vocalists and nyatiti players (not the same person); ‐ Term controversy (thum as opposed to nyatiti, is in fact a generic term for music in Luo language) and hypothetical historical explanation; ‐ Mention of “Koblong”, a tune known by almost all players, often used for teaching cause of its strong combinations;…
Group 8: Abutazi Story
…e inanga with rap. Their flow was such that they often went straight from one number into another, so the set list reflects this. Set list Agahinda (“Sad”) and Inanga. Agahinda is a song about depression that Makare wrote 8 months ago, using a metaphor of a burning house where the smoke can’t be kept in. This went straight into Inanga, an ode to the inanga and its sound and all it does for them. We loved this double number so much we recorded it t…
3. Background of the Naizungwe drums Story
…abolished kingdoms in 1967, the bigger administrative structures were weakened. Clans remained because they represent people’s birth, life and death. The larger more political structures [ie. the eleven chiefdoms] were demonized by the central government and all meetings at that level stopped. When the top structures died, the clan structures also weakened because clan leaders did not answer to anybody higher. Eventually clans and their values wea…
Group 4: Urugangaze Ballet Story
…dance. As with the other Intore we saw, there was a group accompanying the dance on the amakondera (horns). A couple of facts we learned about the Intore today: firstly, the Intore name is derived from the verb “gutora” (to choose/select) as a large number of the trainees originally were recruited from the children of upper middle class families. Secondly, the lion manes that the dancers wear are made of wood that is beaten so fine it becomes hair…
Mchele Mchele Sanaa Group Group
…This group, from the Sukuma community, was formed in 2010 and performs with a number of styles: Bukomia Lume, Buchheye, Wigashe. Their instruments are: Ng’oma (Drums), Pembe (animal horns, large impala), Firimbi (flute), and Njuga (shakers). …
Day Four: January 21 2019 Mwanza Story
…from earlier and Orutu from Kenya). He is an extremely cool cat, who we actually discovered walking the streets with his instrument during the RECCE. We recorded five performances: Changamoto: This is about life’s challenges Mawazo Gakwira: About deep worries Nkewane nsanja: girlfriend got pregnant and came to singer for papers Tudumishe mila: about honouring our culture Raisi Ametamka: politicians must support education https://youtu.be/Hmp4zM3k…
Day Zero: 6 March 2022 – Travel To Stream Story
…ers to earn a living is quickly shifting to a dependence on access to Internet connectivity and online streaming services. This solution works well for urban-based performers where the infrastructure exists and is relatively easy to access, but does not apply to those based in peri-urban areas and villages with limited or no access to the relevant infrastructure. Bearing in mind these challenges facing rural-based musicians, we at Ketebul Music we…
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…couldn’t miss the opportunity to capture the true sound. With a lapel microphone on our lead lady and another microphone directly on the adungu, we asked the group to continue. At the end of the session we played the recording back and a magical voice and sound emerged – the old lady, sitting on the blanket in the middle of this village surrounded by her whole community, had a beautiful, strong, pitch perfect voice. It is moments like this that ma…