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Kahithe Kiiru Staff Profile

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…analysis, and is experienced in academic writing, content creation and editorial.Kahithe has a master’s degree (MPhil) in Ethnomusicology and Dance Anthropology from the University of Paris X Nanterre and is currently finalising her PhD in Anthropology (ABD) at the same university. She was recently appointed Head Choreographer for Bomas of Kenya, a national dance troupe tasked with the mission to preserve, promote and showcase Kenyan traditional…

The Kalenjin of Kenya Album

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…rs and the Kewamoi Women Dancers both featured. The latter – a nice addition to the lineup, as the field day coincided with World Women’s Day. Eddie Grey was part of the team for the recordings, and he joined a number of groups to join them for Influences recordings. Two of these have been included on the album – his guitar playing accompanying The Elimu Cultural Promoters and the Kewamoi Women Dancers….

Day two: From Sirisia to Mabuyole Falls Story

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…had a Magic Moment with just percussion from the group. We then travelled to Lugulu to record Plus Wafula. We were in a stone quarry to record them next to Mabuyole Falls. Beautiful but hot. We were recording Webuye International Band. They played in the Tinkikti style. The group was formed in early 2000, when founder Webuye Juakali was a backup singer for separate band. In 2009 he became the main singer of the band. It has the following instrume…

Makunga Group

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…of their entrance. Masasi: the celebration song after circumcision completed Nindo: Song on social issues Muhene: Song during girl ceremony where she reaches puberty and now must be hidden from village for 40 days (song acts out how girl learns to reject the advances of men, represented by two men playing shakers) Muziki: A song to gain support of the people for the music and dance Muziki: Freestyle Muhongwa: another song from the circumcision cer…

Field Recording Report by Kahithe Kiiru Story

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…est hits, songs that any Kenyan can easily identify with: “Kweli Ndugu”; “Mtoto si Nguo”; “Sengula Nakupenda”; “Kunywa Kidogo” and “Watu Wanasema Uongo”. Fadhilee’s reaction to this last session was worth the wait, as he discovered the author of “Kweli Ndugu”, a song he had done a cover of years ago. Therefore, we recorded one last Influences with Fadhilee playing the song alongside Mukabi. The day was closed with a photo session ringing together…

Day Two: 8 March 2022 (Ilesi) Story

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…o brothers have pleasantly matured musically and it was really encouraging to see them helping to keep their father’s legacy alive. All was done a few minutes to 8:00pm. After the routine photo shoot the Obasie Palnyang brothers and sisters were off to their serene village in Kodedema, close to the Kenya-Uganda border. After the long day, some of the Ketebul Music team decided to accompany our host, Jack Songwa, to unwind at a local pub, at the ne…

Day One: 7 March 2022 (Shikangania and Mukumu) Story

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…irges. This dramatic twist of events threw us off guard and we were forced to stop our program temporarily. As required by local custom, we dutifully went to commiserate with the family of the bereaved. We paid our last respects to the unknown dead in the sealed coffin and donated some money to the family to assist with the burial activities on the following day. Seeing that we had appeased the spirit of their departed, the mourners quieted down a…

Day Six: January 24, 2019 From Mwanza to Dodomo to Nzali to Nairobi Story

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…ny stops. But we digress. From the Dodoma Hotel, we drove about 90 minutes to Nzali to record four groups: Group 1: Makunga:   This group is from Dodoma and the Wagogo Community, which they argued is the main indigenous community of Tanzania (always from the land, never migrated into Tanzania. The group was formed in 2018, but was built on a much older group. They perform in the Wuyina style.   Their instruments/costumes include the: Ndulele (Horn…

Day Three: Bungoma Town to Kakamega Story

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…performed next to the mausoleum where four kings were buried, dating back to 1700s. They had lots of dancers and instruments, including: Sukuti: Three drums Ikdengele: Ring Inyungu Isiongo: a pot with a cool ‘drum stick’ like a rubber plate. Ing’oma: skinned drums Manyanga: bottle top rattles Tsisala: Sticks Lisanduku: A wooden box on which you scrap a stick. Out of context, this sounds like finger nails on a chalkboard. But in context, it create…

Albums Introduction Page

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…ups we record. In the event that we have invited one of the musicians back to the Ketebul Studios in Nairobi to record, we will also include these recordings. The albums are available to download through our Bandcamp store in your choice of formats. The proceeds from the sale of our albums will be fed back to the musicians involved in the recordings, wherever possible. CDs may also be available in the future. Join the mailing list to find out when…

Day One: The Iteso People and their Music Story

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…ched to the Ageregere and played three songs: Omaune: This song is about a greedy man who eats alone and doesn’t share his food or time. Okitalee He then switched to the accordion and played three songs: Akidaun Ipejok Ore: A song welcoming visitors to the home. O’enera: Alomuni Kitsese Ko Djibouti: A song about the country you came from. Given that we are linking everything to the actual performances, the less words the better – enjoy the music a…

The Singing Wells podcast #3 Podcast

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…Here is podcast number 3. In this podcast, we look at the development of Abubilla Music – one of the partners in The Singing Wells project – from initial idea, to music label. There are interviews with members of the SMCC, and music from the SMCC, Louise Calf, Gus Warriner, Tati Kalveks, Chris Kozlowski and Ketebul artist Winyo.   Click here to download the podcast….

Day Five: Ilesi, Khayega to Kisumu Story

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…undu: This is about the smell of a decaying body and the song tells people to come toward the smell and honour the man. Don’t run from this, confront it and honour his memory. The Mayo Procession – this is about bullfighting. The songs include: Lukumili: This is about the moment the horns lock between the two fighting bulls and the context really begins. Ing’ombe: This is about the bulls (I can’t read my handwriting here!) Iminyi: This is a type o…

Day 9 – Sunday 9th July 2017 Story

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…ists of two arms and a cross‐bar.” Through a group interview, we attempted to compare them in: size (size of resonator; length of arms and per extension of strings); materials of fabrication (types of wood); body parts (any specific additional parts and why); strings number; playing techniques (position of instrument; hands positioning and fingers involved in playing; plucking techniques); tuning and sound (central string, sound spectrum, twin str…

Conclusion: Challenges and Recomendations Story

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…and economise on filming time. From a methodological point of view, for us to be able to build on the original concept of the series and remain scientifically both pertinent and correct, a proper research preparation should be put in place as a standard. The ideal approach to pre‐recording preparations should thus include: short pre‐interviews with identified interviewees (this would later allow better and easier data collection and create a certa…