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…and was carrying what I can only say was a magic electric gun. He told me to stop brushing my teeth and lie down and he began to shoot the government soldiers around us. […] I’m telling you all this to tell you that this was the last day I played drums in the palace. I was arrested and I stayed in jail for a couple of weeks. Then, in 1966, I got employment at the Kyambogo music department for Peter Cooke (who was head of the music department at t…
Day 1 – Saturday 1st July 2017 Story
…local nyatiti players; ‐ Discussion on whether a good nyatiti maker needs to be able to play the instrument as well; ‐ Names of currently best nyatiti makers in the area, according to Meshack and mention of several masters who passed away; ‐ Discussion on playing positions (traditionally played while seated on a stool, some contemporary artistes play while standing as well) and its cultural and symbolic importance; ‐ The practice of praising peop…
Bakuseka Majja Matta Group Group
…he group are Fred Tavakumuwa on the tube fiddle; Kisame Ndaba on the thumb piano; Kirunda Awali on the flute and Nathan Matta Nyende, the lead vocalist and also playing the thumb piano. Song Meanings “Abalimperekera Baliba Muganda”: When I die, those that will escort me to be buried, will be many. “Enumba Y’eisubi Esana Buko”: If a woman refuses you, you go with a match and burn down her grass thatched house. “Atyamiisa Asekerera Adagha”: A person…
Kika Boys Cultural Troupe Group
…ime to collect the Mbidde (bananas) Zitandikwe: this means the bananas are now to be buried into a hole dug in the group so they can ripen Siwa Siwa: This talks about grinding the millet on a stone while other people bring gourds in which the local brew will be poured and served Mbereju: This is the name of the drunkard who drinks excessively. He starts to abuse people and pee himself. Sivve Wano: This song is sung by the town drunk and it means,…
Field Recording Report by Kahithe Kiiru Story
…est hits, songs that any Kenyan can easily identify with: “Kweli Ndugu”; “Mtoto si Nguo”; “Sengula Nakupenda”; “Kunywa Kidogo” and “Watu Wanasema Uongo”. Fadhilee’s reaction to this last session was worth the wait, as he discovered the author of “Kweli Ndugu”, a song he had done a cover of years ago. Therefore, we recorded one last Influences with Fadhilee playing the song alongside Mukabi. The day was closed with a photo session ringing together…
The Kalenjin of Kenya Album
…rs and the Kewamoi Women Dancers both featured. The latter – a nice addition to the lineup, as the field day coincided with World Women’s Day. Eddie Grey was part of the team for the recordings, and he joined a number of groups to join them for Influences recordings. Two of these have been included on the album – his guitar playing accompanying The Elimu Cultural Promoters and the Kewamoi Women Dancers….
Conclusion: Challenges and Recomendations Story
…filmed much more in advance, and the recce could preselect them according to their knowledge and accessibility. I believe recces have been a part of previous Singing Wells projects and both Ketebul and Abubilla crew are well aware of the benefits of this practice. This should thus be considered a reminder of its vital importance. If we look closer at the original concept for Masters of the Nyatiti, we expected to film all of the following stages…
Day 9 – Sunday 9th July 2017 Story
…ists of two arms and a cross‐bar.” Through a group interview, we attempted to compare them in: size (size of resonator; length of arms and per extension of strings); materials of fabrication (types of wood); body parts (any specific additional parts and why); strings number; playing techniques (position of instrument; hands positioning and fingers involved in playing; plucking techniques); tuning and sound (central string, sound spectrum, twin str…
Day Four: 10 March 2022 (Rongo) Story
…eing that most of the musicians we interacted with were immediately trying to put into practice some of the suggestions we made to them on ways of improving their performances. Most of them were ready to experiment with new ways of playing their traditional musical instruments, as well trying to devise standard tuning for them. Furthermore, we appreciated the fact that our intentions were well received and that the musicians did not consider us to…
Ayub Ogada Group
…e, in an informal or traditional setting and playing in a foreign setting (notably in Europe). He said: “When I’m home, I’m free, I don’t care about my tuning…When I’m playing in Europe, now the violin wants to come in, the guitar wants to come in, so now I need tuning.” In any case, both his tunings and his finger plucking techniques are very much different from the traditional nyatiti players. He says he created his own style of music and learne…
Matia Kakumirizi Group
…ning sleep and about hard working women. Unlike those days when women used to wait for men to provide for everything, nowadays, they wake up early and go to work. “Olugend’olw’ebukakkata”: He went to visit a village called Bukakkata. He found a girl who was seeing two men who didn’t know each other. She was still in her parents’ home so she was not allowed to be seeing men. One day, the parents found a man peeping through the window and canned him…
Day Six: January 24, 2019 From Mwanza to Dodomo to Nzali to Nairobi Story
…ery kind and wonderful Tanzanian police officer on the route. They wanted to know about our safety equipment, our battery covers, our insurance, our plates, and at times, they just wanted to know what we were thinking. So lovely. So many stops. But we digress. From the Dodoma Hotel, we drove about 90 minutes to Nzali to record four groups: Group 1: Makunga: This group is from Dodoma and the Wagogo Community, which they argued is the main indige…
Day Five: Ilesi, Khayega to Kisumu Story
…undu: This is about the smell of a decaying body and the song tells people to come toward the smell and honour the man. Don’t run from this, confront it and honour his memory. The Mayo Procession – this is about bullfighting. The songs include: Lukumili: This is about the moment the horns lock between the two fighting bulls and the context really begins. Ing’ombe: This is about the bulls (I can’t read my handwriting here!) Iminyi: This is a type o…
Day Four: January 21 2019 Mwanza Story
…th his instrument during the RECCE. We recorded five performances: Changamoto: This is about life’s challenges Mawazo Gakwira: About deep worries Nkewane nsanja: girlfriend got pregnant and came to singer for papers Tudumishe mila: about honouring our culture Raisi Ametamka: politicians must support education https://youtu.be/Hmp4zM3kSaM Sadly, we then got rained out and went back to hotel. We scheduled additional groups for same location the next…
Mchele Mchele Sanaa Group Group
…This group, from the Sukuma community, was formed in 2010 and performs with a number of styles: Bukomia Lume, Buchheye, Wigashe. Their instruments are: Ng’oma (Drums), Pembe (animal horns, large impala), Firimbi (flute), and Njuga (shakers). …
Martin Fredrick Muyeshi Staff Profile
…he worked on the TV programmes Tabasamu, Nairobi Law andMashtakaas a Director of Photography and a Lighting technician. He later joined Ketebul Studio, where he went on to work on several studio projects, among them the studio’scompilation “retracing” series that include Retracing Benga Music, Retracing Kikuyu Popular Music, Retracing Kenya’s Funk Music, Retracing Songs of Protest and the book Shades Of Benga: The story of Popular Music in Keny…