Albums Introduction Page
…works artistically, we’ll arrange the tracks on the album in chronological order of the recording date – so you can experience the journey that we took through the music of the area we were recording in. Each album also contains a number of extra tracks that weren’t strictly part of the archiving recordings we were making. These recordings are of ‘Influences’ sessions – where a popular musical artist has joined us on our trip to collaborate with…
Field Recording Report by Kahithe Kiiru Story
…g’. We were welcomed by his son Donald Obasie, who is a fine artist. The 80-year-old Obasie grew up with music, since his grandfather Okomol was a traditional percussionist. Obasie himself started playing music in 1958 and has mastered several Teso traditional instruments. Today he plays with an old friend – Mzee (Edler) Ikobulo (born 1932) and his daughters as back-vocals. Through a series of 8 songs, he showcased three major instruments: ADEUDEU…
Day Zero: 6 March 2022 – Travel To Stream Story
…as some of these online acts allow audiences to support the musicians via M-pesa and Pay-Pal contributions. Another possibility was to sell tickets with the use of online access codes that admit ticket holders into the virtual performance. The result was that a number of live streaming studios where performers book sessions to perform and stream their concerts sprung up in Nairobi. Some venues also adapted to hosting online performances, directly…
Day Four: January 21 2019 Mwanza Story
…s group, from the Sukuma community, was formed in 2010 and performs with a number of styles: Bukomia Lume, Buchheye, Wigashe. Their instruments are: Ng’oma (Drums), Pembe (animal horns, large impala), Firimbi (flute), and Njuga (shakers). We recorded five performances: Ntale Atabihyala: ‘The boss, who is always wrong, wants to be always right. Just accept it’ Ba Tanzania (Malima): Praising country, encouraging farmers and hard work – this song h…
Mchele Mchele Sanaa Group Group
…This group, from the Sukuma community, was formed in 2010 and performs with a number of styles: Bukomia Lume, Buchheye, Wigashe. Their instruments are: Ng’oma (Drums), Pembe (animal horns, large impala), Firimbi (flute), and Njuga (shakers). …
FAQ’s Page
…on a number of factors such as the number of members in the group and the number of songs we record. In the event of any music we record making money directly (through sales, sync licensing or performance royalties) we will endeavour to channel this money back to the original performers. Can I buy the music you have recorded? A selection of our music is available to download from our site. We have one album of music from each trip, and we hope to…
3. Background of the Naizungwe drums Story
…t update on the progress of the Naizungwe drums, James Isabirye, who is co-ordinating the project gives us some background information about the drums and the traditions from which they come: Where do they originally come from and who played them? Uganda has about 65 ethnic societies according to the 1995 constitution. Each ethnic society had a way it was organized socially before the advent of colonialism. Most of the societies were and still are…
Day 1 – Saturday 1st July 2017 Story
…yatiti’s shape (resembles the traditional Luo hut shape), symbolism of the number (8) of strings of the nyatiti, his tuning techniques and order of string tuning, together with the story of his personal attachment to his instruments collection (owns 14 nyatitis). Upon our arrival to Kisumu City, we had another semi‐formal interview that would birth ideas for other hypothesis and arguments to follow up on. We met Meshack Okoth Okumu, who was to be…
Conclusion: Challenges and Recomendations Story
…entioned difficulties, it is recommended that the project be overviewed in order to enable us to conduct pre‐recording field missions; do some preparative research (archives, interviews, etc.); extend the timeframe of the main field filming missions; include longer master class sessions; and encourage and enable more innovative studio recording sessions. I advocate for these adjustments because I believe the Masters series is an excellent concept,…
Day 9 – Sunday 9th July 2017 Story
…rding to Hornbostel– Sachs(2), all four would be classified as composite chordophones, more precisely under the 321.2 category of: “Yoke lutes or lyres – The strings are attached to a yoke which lies in the same plane as the sound‐table and consists of two arms and a cross‐bar.” Through a group interview, we attempted to compare them in: size (size of resonator; length of arms and per extension of strings); materials of fabrication (types of wood)…
Page
…d document the musical culture of Kenya. Tabu is the East Africa Project Co-ordinator for Singing Wells. His extensive knowledge of the East African music industry is integral to the strategic planning of the field visits and identifying inspirational, cultural music groups throughout the region. His ability to connect Singing Wells with incredible musicians preserving their culture, as well his passion for nurturing new rising talent, makes him a…
The Singing Wells podcast #3 Podcast
…Here is podcast number 3. In this podcast, we look at the development of Abubilla Music – one of the partners in The Singing Wells project – from initial idea, to music label. There are interviews with members of the SMCC, and music from the SMCC, Louise Calf, Gus Warriner, Tati Kalveks, Chris Kozlowski and Ketebul artist Winyo. Click here to download the podcast….
The Kalenjin of Kenya Album
…well, with The Elimu Cultural Promoters and the Kewamoi Women Dancers both featured. The latter – a nice addition to the lineup, as the field day coincided with World Women’s Day. Eddie Grey was part of the team for the recordings, and he joined a number of groups to join them for Influences recordings. Two of these have been included on the album – his guitar playing accompanying The Elimu Cultural Promoters and the Kewamoi Women Dancers….
2. Naizungwe Drums – progress report 1 Story
…enough drums for training a new generation of players. However, the basic number includes: 1 large Uganda drum (played with short heavy beaters) 3 smaller drums (played with long curved sticks) 1 medium drum (played with sticks) 1 long drum (ngalabi – hand-beaten) All together, 6 drums. Therefore, we are making four sets of naizungwe drums mainly to facilitate learning.” Below is a video documenting the progress of the drums thus far. https://you…
Day 2: Sunday, 2017 February 19th Story
…ay of recording for three reasons: We had the whole day so were able to record a large number of songs and do an “Influences” session. This gave the village children time to get to know us and understand our mission. By the end they were singing along to all the songs. In addition to being a professional musician, Leo also teaches music to school children so he is a natural with kids. On all the songs that he did, he had the whole village singing…
Day 1: Saturday, 2017 February 18th Story
…which involve acrobatics, ‘clown acts’ and yes – snakes. Our snake was an 8-10 foot python, fat and seemingly healthy, feeding on 4-5 live chickens or rabbits a week. The Snake Dancers came out masked in Unga (flour), with a big box (spoiler alert: contains a snake). The first part of their act is pure comedy and acrobatics. One dancer knows what is in the box and is teasing the other to open it. There are mock fights, gymnastics, clown faces and…