Introduction: Project overview and objectives Story
…s;d) Give short brief direction/instructions on how they approach basic training for beginners interested in learning their particular instruments. Thus, the focal areas for research and filming are instrument fabrication and assembly; tuning methods and transmission techniques. Aside from the wish to record elderly traditional musicians whose skills and knowledge may soon be forgotten, the originality of this programme lies in the idea of documen…
Mchele Mchele Sanaa Group Group
…This group, from the Sukuma community, was formed in 2010 and performs with a number of styles: Bukomia Lume, Buchheye, Wigashe. Their instruments are: Ng’oma (Drums), Pembe (animal horns, large impala), Firimbi (flute), and Njuga (shakers). …
Days 10 to 12 – Monday 10th July to Wednesday 12th July 2017 Story
…io, GoDown Arts Centre (Nairobi). Day 12 – Wednesday July 12th 2017 (as per team’s report): Recording of a nyatiti class for children, held by Rapasa at a private residence in Karen (Nairobi); including short interviews with 4 students and with the school director, who talked of the importance of including traditional instruments into the curriculum….
The Singing Wells podcast #3 Podcast
…Here is podcast number 3. In this podcast, we look at the development of Abubilla Music – one of the partners in The Singing Wells project – from initial idea, to music label. There are interviews with members of the SMCC, and music from the SMCC, Louise Calf, Gus Warriner, Tati Kalveks, Chris Kozlowski and Ketebul artist Winyo. Click here to download the podcast….
Albums Introduction Page
One of the main aims of The Singing Wells project is to record and share the music we record in East Africa and one of the ways in which we can share this music is through our albums series. For each project we undertake, we curate an album of the resulting recordings. In most cases, this will include at least one recording from each group recorded. Where it works artistically, we’ll arrange the tracks on the album in chronological order of the r…
The Kalenjin of Kenya Album
…e track ‘Kamitol’) and secondly the Takar group – their Korutan and Chepo Mining making it through past technical difficulties on set. The very visual performances of the and the Sagat group (their image is on the cover) and the Embolet are both represented on the album. The final field day of the trip was spent recording the Tugen. The vocal harmonies of the performances have been captured well, with The Elimu Cultural Promoters and the Kewamoi W…
Page
…ordings is extraordinary artistry and musicianship, reflecting years of training and practice in the ‘village classroom.’. Each of these musicians has learnt from the traditions and stories that have gone before them., often starting their own training as toddlers dancing and singing along to the village music. Whether young or old, keeping to the rules or creating new fusions, what is a common thread tying all of these experiences together is the…
Field Recording Report by Kahithe Kiiru Story
…” and “Agneta Mama”. We also recorded an Influencessession with Fadhilee joining them on the third guitar. Finally, the last session of SW Western Kenya fieldtrip was recording Johnstone Mukabi, the son of legendary George Mukabi, founder of omutibomusic genre and one of the most prominent figures of Luhya music history. Travelling from Eldoret town, Johnstone arrived to the set late and upon arrival immediately sat behind his guitar for recording…
3. Background of the Naizungwe drums Story
…pdate on the progress of the Naizungwe drums, James Isabirye, who is co-ordinating the project gives us some background information about the drums and the traditions from which they come: Where do they originally come from and who played them? Uganda has about 65 ethnic societies according to the 1995 constitution. Each ethnic society had a way it was organized socially before the advent of colonialism. Most of the societies were and still are or…
Conclusion: Challenges and Recomendations Story
…terviewing part of the work and in at times colliding ideas on ways of obtaining information. This situation, most likely due to the novelty of a research consultant as team member, was however progressively resolved in the following days. At the same time, the core of the group being Ketebul and Abubilla partners, who have a long experience of working together, was definitely an important and beneficial fact that facilitated my integration. I als…
FAQ’s Page
What is the Singing Wells project? Singing Wells is a project jointly operated by Ketebul Music, a non profit music studio in Kenya and the The Abubilla Music Foundation, a UK registered charity. Our goal is to preserve the music traditions of East Africa and make this music relevant to the next generation of musicians and fans. Who works for the Singing Wells project? Our team is made up of audio and video engineers from both Ketebul Music and…
Day 4 – Tuesday 4th July 2017 Story
…did manage to find out several interesting information, notably, on his beginnings as a player and on the instrument manufacturing itself. Alex Ogwe confirmed our two generation theory and said he only started playing once his father was gone. He also gave us an idea of the current purchase conditions (order completed in approx. 2 weeks, price of 6000 Kenyan shillings per nyatiti), while mentioning that most of the nyatitis he makes go to clients…
Day 5 – Wednesday 5th July 2017 Story
…nce between playing at home, in an informal or traditional setting and playing in a foreign setting (notably in Europe). He said: “When I’m home, I’m free, I don’t care about my tuning…When I’m playing in Europe, now the violin wants to come in, the guitar wants to come in, so now I need tuning.” In any case, both his tunings and his finger plucking techniques are very much different from the traditional nyatiti players. He says he created his own…
Days 6 to 8 – Thursday 6th July 2017 to Saturday 8th July 2017 Story
…o Nairobi. This report lacks detailed information on several days of recording in Nairobi, because of my absence. The team’s résumé of those days’ activities is included in the form of short notes: Day 7: Recording of the making of obokano, an 8 string instrument from the Kisii ethnic community demonstrated by Dominic Ogari, a music instructor at Kenyatta University in Nairobi. Day 8: Saturday 8th July 2017: Recording of an in‐depth interview with…
Day Four: January 21 2019 Mwanza Story
…en performing since 1999, is from Nzega and from the Sukuma community, playing in the Kadete style. Camera plays the Kadete (like the Zeze from earlier and Orutu from Kenya). He is an extremely cool cat, who we actually discovered walking the streets with his instrument during the RECCE. We recorded five performances: Changamoto: This is about life’s challenges Mawazo Gakwira: About deep worries Nkewane nsanja: girlfriend got pregnant and came to…
Day Zero: 6 March 2022 – Travel To Stream Story
…sic were prompted to reconstitute our infrastructure and operations by obtaining software and equipment necessary to set up mobile live streaming studio services and travel to provide live concert streaming opportunities for musicians based in remote areas. Our mission to travel and stream in Western Kenya was made possible by funds from Hivos, with the additional support from the Abubilla Foundation. Travel to Stream After one week’s training and…