Field Recording Report by Kahithe Kiiru Story
…I – leg rattles; EFIRIMBI – a metallic whistle; OLWIKA – antelope horn aerophone; LIKHANGO – another aerophone made out of a reed attached to a wild goat horn; MUTINDI – flat two-skin drum played using two wooden sticks. Their props included spears (lifumo), shields (esikhumba), fly whisks (mukia) and clubs (eskong’o). They were wearing hats and tops made out of leather, leaves and feathers, and most original skirts which were in fact recycled umb…
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…) the better! Muwewesi Xylophone Group Unsurprisingly for the Muwewesi Xylophone Group, the Xylophone is the star of the show. A giant xylophone lays across the floor, played by 8 musicians, alongside vocalists, pipe flute players and tube fiddle players. Based in Nakisenye, East Uganda, we visited the group in 2013, and when we arrived we found that the band had been there since morning preparing – they had dug the pit for the xylophone, with the…
Day 9 – Sunday 9th July 2017 Story
…g to Hornbostel– Sachs(2), all four would be classified as composite chordophones, more precisely under the 321.2 category of: “Yoke lutes or lyres – The strings are attached to a yoke which lies in the same plane as the sound‐table and consists of two arms and a cross‐bar.” Through a group interview, we attempted to compare them in: size (size of resonator; length of arms and per extension of strings); materials of fabrication (types of wood); bo…
FAQ’s Page
…the recording. This amount varies based on a number of factors such as the number of members in the group and the number of songs we record. In the event of any music we record making money directly (through sales, sync licensing or performance royalties) we will endeavour to channel this money back to the original performers. Can I buy the music you have recorded? A selection of our music is available to download from our site. We have one album…
Day 1 – Saturday 1st July 2017 Story
…yatiti’s shape (resembles the traditional Luo hut shape), symbolism of the number (8) of strings of the nyatiti, his tuning techniques and order of string tuning, together with the story of his personal attachment to his instruments collection (owns 14 nyatitis). Upon our arrival to Kisumu City, we had another semi‐formal interview that would birth ideas for other hypothesis and arguments to follow up on. We met Meshack Okoth Okumu, who was to be…
Day Three: Bungoma Town to Kakamega Story
…rt Wanyama in Bungoma Town. As mentioned, we met Wilbert on the evening of February 19th, but were unable to record his band due to thunderstorms. So we returned to Santa Maria Resort to record him the next morning. And the weather was sunny and crisp, following the previous evening storms. First, Wilbert told us the history of the band. The band, Bungoma Roots Band, started in 2005 when all the members were young men at the Kumugui Secondary Scho…
The Singing Wells podcast #3 Podcast
…Here is podcast number 3. In this podcast, we look at the development of Abubilla Music – one of the partners in The Singing Wells project – from initial idea, to music label. There are interviews with members of the SMCC, and music from the SMCC, Louise Calf, Gus Warriner, Tati Kalveks, Chris Kozlowski and Ketebul artist Winyo. Click here to download the podcast….
Group 1: Inganzo Ngari Group Story
…da, Uganda, Burundi and parts of Congo). Then the same dancers performed a number about a community, Intwatwa, formerly known as the Batwa, the group we recorded in November 2012. It was a celebration dance with many steps to honour their rich and historic culture. Next we had the Intore – which means a traditional warrior dance. This was a manifestation of each warrior showing the king what he’s made of – his talent, his weaponry, and judging by…
Albums Introduction Page
…h the music of the area we were recording in. Each album also contains a number of extra tracks that weren’t strictly part of the archiving recordings we were making. These recordings are of ‘Influences’ sessions – where a popular musical artist has joined us on our trip to collaborate with the groups we record. In the event that we have invited one of the musicians back to the Ketebul Studios in Nairobi to record, we will also include these rec…
Group 8: Abutazi Story
…nanga with rap. Their flow was such that they often went straight from one number into another, so the set list reflects this. Set list Agahinda (“Sad”) and Inanga. Agahinda is a song about depression that Makare wrote 8 months ago, using a metaphor of a burning house where the smoke can’t be kept in. This went straight into Inanga, an ode to the inanga and its sound and all it does for them. We loved this double number so much we recorded it twic…
3. Background of the Naizungwe drums Story
…ties were and still are organized on clan system. One ethnic society has a number of clans where each clan has a leader – clan leader. Each of those clans had identifying regalia and one of them are drum rhythms that symbolize the general belief of that clan. The Basoga ethnic society from the Eastern region of the country is organized according to clans. Eleven clans are royal; they are the leaders and the rest are not. One of the clans is the ba…
Day Four: Ikolomani to Amalemba Story
Wednesday, 21 February 2018 We drove from our hotel, in Kakamega, to Shiriese Ikolomani to record the Super Phoenix Band. The band was founded originally by Jacob Luseno, who mentored the current band leader Julius Intenya. The musical style is Mutibu. They played roughly 8-10 songs, including several goes with our influences artist. These songs included: Shapeless: A song about a women who lost her shape, lost her curves. Alusiola: A song about…
Day Five: Ilesi, Khayega to Kisumu Story
Thursday, February 22, 2018 We travelled to Ilesi, Khakyega to record three groups. The first was Imachina. They call themselves after the village where they live. As with many groups over the last two days, most of their songs are for processions, like weddings, funerals, bullfights or rites of passage. So they tend to play 3-4 songs in a row to match the procession. We asked them to pick their favourite processions and then play a couple songs…
Day One: The Iteso People and their Music Story
Sunday, February 18th, 2018: This day is all about the Iteso people and their music. The Iteso are a smaller ethnic community in Kenya but has very distinctive music. In Uganda, they are more Iteso, located in Soroti. Its language is Ateso. The Iteso are Nilotics, one of the people of the Nile. We drove to the town of Adungosi to record the Omong’oluk Traditional Dancers. The current leader is Ibriam Aduomg Omong’oluk, the grandson of the founder…
We assemble in Kisumu Story
It is February 17, 201b8 and we are assembling in Kisumu to begin our sixth Singing Wells Field Visit in Kenya (12th Field Visit overall). Steve, Patrick, Drix and Kahithe Kiiru have driven up from Nairobi, while Tabu, Jimmy and Hunter have flown in. Jimmy and Hunter flew from London to Nairobi the day before. We are very happy to be joined by ethnomusicologist, Kahithe, and we welcome her to the Singing Wells family. A bit of background: Kahithe…
All field reports have now been published and provide links to youtube videos! Story
…You can now see all Field Reports for February 2018 trip to Kenya. If you want to link directly to youtube videos you can do in field reports or go direct here. A detailed account of the trip written by Kahithe Kiiru is available here….