Day 9 – Sunday 9th July 2017 Story
…g to Hornbostel– Sachs(2), all four would be classified as composite chordophones, more precisely under the 321.2 category of: “Yoke lutes or lyres – The strings are attached to a yoke which lies in the same plane as the sound‐table and consists of two arms and a cross‐bar.” Through a group interview, we attempted to compare them in: size (size of resonator; length of arms and per extension of strings); materials of fabrication (types of wood); bo…
Conclusion: Challenges and Recomendations Story
…ecording mission is quite satisfactory. Considering the limited time and a number of challenges encountered, I believe we managed to accomplish most of the set objectives and bring back an extensive amount of data and video/sound materials of very good quality. However, there is space for improvement. I think that team work was successful, although division of roles, more particularly on the data collection part on the project, was initially blear…
Group 1: Inganzo Ngari Group Story
…g what he’s made of – his talent, his weaponry, and judging by the performance, his incredible dance and performance skills. But one of the coolest parts of this was the costumes: all the dancers were decked out in headpieces that resembled a lion’s mane for strength and courage. The dancing was accompanied by screaming, to project out the sound of their victory. And to top it off, they were accompanied by a group playing a horn called the amakond…
The Singing Wells podcast #3 Podcast
…Here is podcast number 3. In this podcast, we look at the development of Abubilla Music – one of the partners in The Singing Wells project – from initial idea, to music label. There are interviews with members of the SMCC, and music from the SMCC, Louise Calf, Gus Warriner, Tati Kalveks, Chris Kozlowski and Ketebul artist Winyo. Click here to download the podcast….
FAQ’s Page
…n the event of any music we record making money directly (through sales, sync licensing or performance royalties) we will endeavour to channel this money back to the original performers. Can I buy the music you have recorded? A selection of our music is available to download from our site. We have one album of music from each trip, and we hope to curate albums of particular styles and instruments soon. To browse our albums, head over here. Where d…
Albums Introduction Page
…the album in chronological order of the recording date – so you can experience the journey that we took through the music of the area we were recording in. Each album also contains a number of extra tracks that weren’t strictly part of the archiving recordings we were making. These recordings are of ‘Influences’ sessions – where a popular musical artist has joined us on our trip to collaborate with the groups we record. In the event that we have…
The Kalenjin of Kenya Album
…rs and the Kewamoi Women Dancers both featured. The latter – a nice addition to the lineup, as the field day coincided with World Women’s Day. Eddie Grey was part of the team for the recordings, and he joined a number of groups to join them for Influences recordings. Two of these have been included on the album – his guitar playing accompanying The Elimu Cultural Promoters and the Kewamoi Women Dancers….
Field Recording Report by Kahithe Kiiru Story
…g and grouped in categories corresponding to the occasion of their performance. Once again, we recorded bull-fighting songs (mayo), wedding (shiselelo) and circumcision (shishebo) songs. This group also presented songs linked to shiremberitual, a characteristic burial/memorial ceremony organised upon death of a community hero. As we waited for the next group to arrive and set up, we recorded an acoustic session with our Influences artist – Fadhile…
Day 1 – Saturday 1st July 2017 Story
…th Rapasa and Ketebul’s Tabu Osusa brought up several interesting points, including: ‐ Differences between the two most commonly used trees for nyatiti resonator – ngowu (oak tree) and poch ondero (fig tree); ‐ Trees used or arms and head of the instrument – powo, siala (vernacular names, corresponding Latin and/or English names TBC); ‐ Dispute over which part of the region the instrument first originated in – South Nyanza or Central Nyanza; ‐ Dis…
Group 8: Abutazi Story
…to the inanga and its sound and all it does for them. We loved this double number so much we recorded it twice. Makare (“Call Me Makare”) – This is named for Fox Makare, the rapper of the group, who raps the song about himself. And it goes straight into Amananga (this song is inspired by a South African music style called Amapiano, but they’ve done their own Rwandan version on the inanga, hence “Amananga”). The song Amananga is another ode to the…
3. Background of the Naizungwe drums Story
…asoga and Baganda conical drums are similar in many ways, they have differences. They are differently woven and this causes them to differ in appearance. Also Basoga drums are mainly played with sticks while only the namunjoloba (the smallest drum in the Baakisimba drum set), and in some cases nankasa (the smallest drum in the nankasa set) is played with sticks. Also, the drums in mujaguzo regalia which also include entenga are played with sticks….
Group 4: Urugangaze Ballet Story
…en) giving it 100% with face as well as body movements. Intore (“Warrior Dance”) – another traditional dance that we saw with the Inganzo Ngari group, this warrior dance had plenty of fun solos as the warriors showed off their skills to one another, chatting in between so it had the feel of a scene, not just a dance. As with the other Intore we saw, there was a group accompanying the dance on the amakondera (horns). A couple of facts we learned ab…
Mchele Mchele Sanaa Group Group
…This group, from the Sukuma community, was formed in 2010 and performs with a number of styles: Bukomia Lume, Buchheye, Wigashe. Their instruments are: Ng’oma (Drums), Pembe (animal horns, large impala), Firimbi (flute), and Njuga (shakers). …
Day Four: January 21 2019 Mwanza Story
…e always right. Just accept it’ Ba Tanzania (Malima): Praising country, encouraging farmers and hard work – this song had an incredible beat. Ng’oma ya Asilia: a traditional song Ali Nilihali: A lady turned down Man 1 because he was poor and settled on Man 2 who was even poorer. Meanwhile Man 1 got rich and lady came back to him and the song asks, “So how did it end up?” Magic Moment on a song Ndono. They then did a lot of dances with ‘modern’ m…
Day Zero: 6 March 2022 – Travel To Stream Story
…of online access codes that admit ticket holders into the virtual performance. The result was that a number of live streaming studios where performers book sessions to perform and stream their concerts sprung up in Nairobi. Some venues also adapted to hosting online performances, directly streaming shows to mobile devices and computers of audiences wherever they may be. With the prevailing situation, it is becoming increasingly apparent that the…
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…ually unique in the world of percussion.” It was a truly fantastic performance, including dancing and singing, but the Xylophone was never overshadowed. It was the centrepoint holding the music together – incredible to watch and listen to! Macedonia Band & the Likembe The Macedonia Band is a Likembe Band (thumb or finger harp) with about 8 Lukumbe players, 4 percussionists and about 16 dancers, all 12-15 year old girls from the village dressed in…