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…and was carrying what I can only say was a magic electric gun. He told me to stop brushing my teeth and lie down and he began to shoot the government soldiers around us. […] I’m telling you all this to tell you that this was the last day I played drums in the palace. I was arrested and I stayed in jail for a couple of weeks. Then, in 1966, I got employment at the Kyambogo music department for Peter Cooke (who was head of the music department at t…
Kaniini Kaseo Group
…trunk of a banana tree; it says that the trunk can’t be climbed by boys. Mutongoi: This is a song sung to a political leader in the area. The song praises the politician and asks the people to vote for him – he’s Kyonekana na nengwe. His name means, “if seen give it to him”. Kolleji or College: This is sung in the Itheke genre. The song praises a local politician (Major Mutina Muluvi) who takes graduate students to work at Equity Bank and high sch…
Day 1 – Saturday 1st July 2017 Story
…local nyatiti players; ‐ Discussion on whether a good nyatiti maker needs to be able to play the instrument as well; ‐ Names of currently best nyatiti makers in the area, according to Meshack and mention of several masters who passed away; ‐ Discussion on playing positions (traditionally played while seated on a stool, some contemporary artistes play while standing as well) and its cultural and symbolic importance; ‐ The practice of praising peop…
3. Background of the Naizungwe drums Story
…ded traditional value systems that had come with foreign civilization also took their toll, causing erosion of the traditions. Can you describe the style of this tradition? It is percussive. The central concept is polyrhythms interlocking. Drums play loudly. The louder the better because loud is power, strength. People who have a healthy life are energetic and they often express that through music and dance and more. How are the drums played? The…
Conclusion: Challenges and Recomendations Story
…anager, and the fixer or any other individual that might act as the translator from vernacular languages into English during field recording. If this function is to be filled by the fixer (which was the case in this first recording mission), I believe he should be informed and prepared in advance accordingly. I mention this because we have noted that a lot has been ‘lost in translation’, hence data collection objectives and ways of achieving them…
Andy Patterson Staff Profile
…forming both engineering and technical duties for a wide range of clients, from the world of pop music through to film composers. He has worked with Abubilla Music for around 5 years and has co-engineered and produced all of the releases to date. His past clients have included the late Gerry Rafferty, Q Radio, Bauer Media and Live8. His role for The Singing Wells project sees him heading up the engineering team in the field. He also works on the p…
Maisha Bora Suba Group
…Rirandi and they play the Zeze/Endongwe (a one stringed instrument similar to the Kenyan Orutu and Ugandan Rigi Rigi), Rirandi (a giant horn, similar to the Uganda Big Wala, but made with 6 gourds, not one), Ekeborogo (flute), the Ekedomwa (drums), Ama’ghorro (huge leg shakers), and Firimbi (whistle). They wore Amahunsho (grasses that are attached to the shoulders, and shake with their shoulders’ movement), Enyandusbi (beads) and the men carried O…
The Music of the Mijikenda Album
…ko Raha and 4 the Mzinga, both captured in Kibarani village, further south from Sila, and then further south again, later in the day – Supaki Kalazo and Sengenya recorded in Junda, Mombasa. We then headed to the South Coast and recorded in Vuga, Kwale County. The ZigiDigi Cultural Troupe and Muungano Kayamba providing the music. The album also includes two ‘influences’ recordings – one including Ketebul artist Winyo with Nyerere Wa Konde and his s…
The Northern Tribes of Uganda Album
…k to Kampala. One night in Kampala was followed by a recording in Naguru, recording the Adungu Cultural Troupe and the Watmon Cultural Group, before heading back to the Entebbe Guesthouse to record more with the Watmon Group and Akello – our influences artist….
Irimbene Cultural Dancers and Self-Help Group Group
… Irimbene Cultural Dancers and Self-help Group, formed in 2000 with 21 young men, and is led by Edward Kiogura. They play in the Authi style and are from the Ameru ethnic community, from the Irimbene Village, upper Kiungone Sublocation, Abogeta West Division. The group uses Mbere (shakers) worn by Bernard Nkonge, Ginfold Mbae, Amos Munthi and Fraras Ikunda. They also use a flute, Coro, which is performed by John Mwiti….
Nyati Muchoya Group
From Nzali, Nyati Mchoya is from the Wagogo Tupu community and was formed in 1966 by the grandfathers of the current performers. Their instruments include: Nindo (jingles), Njuga (Shakers), Mbega (animal Skins), Muheme (drums), Kabati (kayamba-shakers), Manyanga ( Maracas), Madodolo (cow bell), and Pangwa/Kipangwa (a double headed lyre). We recorded four performances, where each of the songs is named after the musical style: Nindo: A medley of so…
Mohamed Uthman Kidumbak Group Group
…eld perpendicular to the box with a string going from the top of the stick to the top of the box. He changed notes by holding the string less or more taut as well as holding the end of the string down against the stick. Pretty amazing bass sounds came out of this. The two dancers danced with almost a belly dancing movement where they moved their hips and buttocks completely independently of the rest of their bodies. They wore a sash around their h…
Bigilia Group Group
…gs, including Magic Moments and Influences Sessions: Zakulola: You’ve come to see us play Wake Kwa Ume: Female to male Nataka kusema kasi naogopa: I would like to say something but I am afraid Umpati Ng’o: You’re never going to get them Magic Moment 1 Utalikologa Utalinywa: If you mix it, you’ll drink it. Tueheze Zembwela (local dialect) Bonanza Nataka Kusema: Includes a song with Leo, which is ‘I want to say’ Utalikologa Utalinywa: If you mix it,…
Matia Kakumirizi Group
…ning sleep and about hard working women. Unlike those days when women used to wait for men to provide for everything, nowadays, they wake up early and go to work. “Olugend’olw’ebukakkata”: He went to visit a village called Bukakkata. He found a girl who was seeing two men who didn’t know each other. She was still in her parents’ home so she was not allowed to be seeing men. One day, the parents found a man peeping through the window and canned him…
Super Phoenix Band Group
…song made famous by Jacob Luseno and Julius Intenya when they first played together. Specifically, it refers to a rich man who askes a young man to watch after his house while he travels constantly for business. Soon the young man starts to pretend the house is his and also propositions the man’s wife to be with him. More generally, it is about many Kenyans that are asked to watch cars, or trucks or possessions and begin to tell others that they a…
Upendo Jazz Group
The group is from the Murangi Village in the Mara Region and their community is Wajita and their style is Vidogori. They were founded in 1999. Their instruments included: Ngoma za Budogori (drums, with a kick) and Njiga (shakers from gourds). It is worth taking a minute on the drums. They were typical African drums, but set up Western Style on a steel rack and they leaned one large bass drum against the rack. The drummer then built a separate woo…