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…up through rehearsals and Matia played guitar to three separate lullabies: from Jovah, from Passy and from James. We did one with guitar and one version without. Our 10 Year Anniversary Celebrations It is unsurprising to say that the events of 2020 have changed the course of Singing Wells’ latest plans. We are so grateful to have been able to go on our trip to Zanzibar at the start of the year, but our plans for an anniversary celebration are curr…
Bigilia Group Group
From our hotel, we drove a short distance to the village of Nia Njema, where we stayed all day recording Bigilia. They were cooking fish under the main tree and the women were sitting on the Mbuzi, which is used to cut the coconut for Wali (Coconut Rice). The dancers all had lovely necklaces (Usalu), hats (Kigarama) shakers (Mbugu), whistles (Firimbi), and ‘brooms’ (Usinga). The group leader was Asha Saidi Kazidi. The style was Unyago. Here is th…
Cieng Dwong Group
…Music of the Langi Fort Murchison, near Pakwach, Uganda…
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…ur relationship with The Ford Foundation we were able to apply for a grant from the IIE to fund our field recording visit to Kisoro in south west Uganda in 2011. Here we visited 6 Batwa communities and recorded their wonderful songs and traditional dance. We were also able to tell the story of their lives since they were moved from their forest homes in order to create a National Park to protect the mountain gorilla population in the area. We woul…
Otieno Aloka Group
…best known in Kenya for his hit song ‘Kanungo Eteko’. In our session with the Ohangla group he plays the orutu, the second major instrument of Luo music. The orutu consists of a hollow wooden box that has monitor lizard skin stretched over one side. The string used to be made from fibers of the sisal plants but is now made from a variety of repurposed materials, including bicycle brake cables. When played with a bow, orutu creates different notes…
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…by filming different musical groups on our yearly field visits. But aside from this, we have always aimed to showcase this incredible music with the wider global music community to show just how innovative and exciting this music is. With that in mind, as we approach our 10 year anniversary, we want to truly combine these two missions and celebrate how music in the modern age can transcend global barriers. Alongside our partners, London record la…
Kirundo Group
Kirundo performs in a fusion of traditional African rhythms from mainland Tanzania and Pemba, and contemporary African sounds. The three young men are all students at the DMCA performing with a well known drummer and teacher of music. This band has been together for 2 years. Songs: Mwaludeje – Tradition after the harvest. New composition. Mjomba – Uncle, celebrating the good hunt. New composition Uye – Come Back Please, used at a wake after someo…
Chibite Group
…playing the Zeze (large stringed instrument). Throughout, they played stringed instruments, thumb pianos and drums – all four could play each instrument and sing. The instruments were: Zeze: The stringed instrument made from a gourd, which comes in three sizes Ilimba: A lamellophone or modified thumb piano. The large one is call a Chilimba. Junga: shakers for ankles. Kayamba (Shakers) Chilemba (large) and Ilemba (small) thumb piano…
Kigane Traditional Dancers Group
… Kigane Traditional Dancers, from Kigane Kithurini and Ngatia villages, Suri Location, Bogeta Division. They are 11 men, 12 women, led by Cyrus Kirigia. Their style is Kwimbo, and the songs ares sung to celebrate the harvest mostly in August and March. They are from the Ameru ethnic community and use the Kibere (leg shakers) and Vilingi (whistle)….
Imachina Group
…e song tells people to come toward the smell and honour the man. Don’t run from this, confront it and honour his memory. The Mayo Procession – this is about bullfighting. The songs include: Lukumili: This is about the moment the horns lock between the two fighting bulls and the context really begins. Ing’ombe: This is about the bulls (I can’t read my handwriting here!) Iminyi: This is a type of bird that hides in roofs and is difficult to find, bu…
Upendo Jazz Group
The group is from the Murangi Village in the Mara Region and their community is Wajita and their style is Vidogori. They were founded in 1999. Their instruments included: Ngoma za Budogori (drums, with a kick) and Njiga (shakers from gourds). It is worth taking a minute on the drums. They were typical African drums, but set up Western Style on a steel rack and they leaned one large bass drum against the rack. The drummer then built a separate woo…
Maisha Bora Suba Group
Our first group, from the Mara Regio (Roria District) was formed in 2012. They are from the Abhasimbete community. Their style is Rirandi and they play the Zeze/Endongwe (a one stringed instrument similar to the Kenyan Orutu and Ugandan Rigi Rigi), Rirandi (a giant horn, similar to the Uganda Big Wala, but made with 6 gourds, not one), Ekeborogo (flute), the Ekedomwa (drums), Ama’ghorro (huge leg shakers), and Firimbi (whistle). They wore Amahuns…
The Music of the Mijikenda Album
…ko Raha and 4 the Mzinga, both captured in Kibarani village, further south from Sila, and then further south again, later in the day – Supaki Kalazo and Sengenya recorded in Junda, Mombasa. We then headed to the South Coast and recorded in Vuga, Kwale County. The ZigiDigi Cultural Troupe and Muungano Kayamba providing the music. The album also includes two ‘influences’ recordings – one including Ketebul artist Winyo with Nyerere Wa Konde and his s…
Nyati Muchoya Group
From Nzali, Nyati Mchoya is from the Wagogo Tupu community and was formed in 1966 by the grandfathers of the current performers. Their instruments include: Nindo (jingles), Njuga (Shakers), Mbega (animal Skins), Muheme (drums), Kabati (kayamba-shakers), Manyanga ( Maracas), Madodolo (cow bell), and Pangwa/Kipangwa (a double headed lyre). We recorded four performances, where each of the songs is named after the musical style: Nindo: A medley of so…
Mohamed Uthman Kidumbak Group Group
…iolin and bass. He went to Egypt off and on for six years on a scholarship from the DCMA to study violin and the oud starting in 2000. He’s been teaching at the academy for 18 years. Members of this group include: Mohamed Othman Faki – leader, on violin, Kheri Mizaka Aliy on African Bass, Makame Ali Juma on drum, Buruhami Makame Haji on 2nd drum, Mgeni Seleiman Makame on sticks, Said Ame Othman on shakers, Aikazija Abdala Ame -dancer, Mirianaharus…
Matia Kakumirizi Group
Matia was taught to play guitar by a priest called Father Mugambe from Mulajje Parish in 1966. He is now 70 years old, lives in Kampala and sings in Luganda and Kirwahdi, C&C Busega, C&C Kibuye. He still plays the guitar he has had since 1972. He was recorded in 1971 in the Polygram studios in Nairobi. His peers include Dan Mugula, Christopher Ssebaduko, Vincent Muwunge, Sulayiman Mayanja. Dan influenced him hugely. Song meanings “Abapangisa”: f…