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…couldn’t miss the opportunity to capture the true sound. With a lapel microphone on our lead lady and another microphone directly on the adungu, we asked the group to continue. At the end of the session we played the recording back and a magical voice and sound emerged – the old lady, sitting on the blanket in the middle of this village surrounded by her whole community, had a beautiful, strong, pitch perfect voice. It is moments like this that ma…
Day Two: 8 March 2022 (Ilesi) Story
…uding the adeu deu, in tune in with the guitars that were to back them up. One of the band members played the harmonica but it was only in the C key and so it was left out of the recordings of songs on different keys. Guest musicians Fiston, Ben and Gido also had to take a little time to play in sync with the polyrhythmic beats of the Iteso of Western Kenya. When the tuning session was finally figured out the actual recording started at about 17:0…
Recording, archiving and sharing the traditional music of East Africa Page
…u are a Musicologist, a student or just interested in the field, head this way to see more of our detailed field reports, group biographies and in-depth information regarding the various different instruments and styles of music we have encountered on our field trips. Here for the Music? Click here! Want to just enjoy some beautiful East African music and revel in some jaw-dropping performances? Head this way to see more videos of the inspiring pe…
Jackie Akinyi Group
…education, and that’s when she started her career as an artist. She has always loved music, especially traditional drums and songs. This love for music started way back in primary school when she used to sing in a traditional music choir and continued even after joining Secondary School. In 1998, she started singing with Jambo Star Band of Mwanza Town, and while with them, she composed her song known as “Wawili Wawili” in the year 2000. After thi…
Day Five: February 20, 2020 (DCMA) Story
…mers: Tarajazz: Suleiman Makame (keyboard, director), Hassan Mahenge (Saxophone, assistant director), Mahsin Basalama (contra base), Christopher Weston (Cajon and high hat), Regina Juma (singer). There was supposed to be a violin player but unfortunately he couldn’t make it. Kirundo: Lukoa Nenes (sticks), Joshua Muyumovela ( shakers), Nyemo Mopana (guitar, kalimba (hand held thumb piano), lead singer), Heri Kombo (drums) Songs: Mwaludeja – Ki…
Bigwala Cultural Group Group
…embe”: When you are walking with someone by your side they are the special one and you don’t look at anyone else. “Mwene Wamwenda”: When you love someone even if they are poor, lame, sick or blind, you just stay with them. Further reading UNESCO: Bigwala, gourd trumpet music and dance of the Busoga Kingdom in Uganda. Inscribed in 2012 on the List of Intangible Cultural Heritage in Need of Urgent Safeguarding. Click here for the link to the UNESCO…
Aynu Traditional Group Group
One of the groups we saw perform in Arua was the Aynu Traditional Music Group, led by Mustafa Draza. The group are from the Lugbara tribe and play the adungu, the ari (log drums) and a tin sheet for percussion. The Lugbara Tribe Population: Around 900,000 History: They were known in the 19th century as ‘The Naked People’, due to the lacking importance of clothes in their culture. In the early days, the Lugbara were a mainly chiefdom-based communi…
Maisha Bora Suba Group
…mbete community. Their style is Rirandi and they play the Zeze/Endongwe (a one stringed instrument similar to the Kenyan Orutu and Ugandan Rigi Rigi), Rirandi (a giant horn, similar to the Uganda Big Wala, but made with 6 gourds, not one), Ekeborogo (flute), the Ekedomwa (drums), Ama’ghorro (huge leg shakers), and Firimbi (whistle). They wore Amahunsho (grasses that are attached to the shoulders, and shake with their shoulders’ movement), Enyandus…
The Batwa of Kisoro Album
…the album cover. Our trip to the UN refugee camp at Nyakabande was a happy one, as it was empty. The Togetherness group gave us a spirited performance and one of the tracks is on the album. The remainder of the field recordings were made at the Travellers Rest Hotel in Kisoro – battling through torrential rain, a storm of locusts and power cuts to be able to record. The Kabahenda, Gatera and Micyingo communities performing for us under the veranda…
Global Influences Project: Loop Library Page
…da. They play music in the Kidinda style using the Amadinda, a 22 slab xylophone which was historically an instrument which could only be played in front of the King. You can find out more about the band here. You can watch the full visual performance of this song on our Youtube channel by clicking here. Download the loop Joginda Boys – 116BPM Joginda boys are from Aluny Village, East Alego, Kenya. This play wonderful Nyatiti music, with Organda J…
Bakuseka Majja Matta Group Group
…eisubi Esana Buko”: If a woman refuses you, you go with a match and burn down her grass thatched house. “Atyamiisa Asekerera Adagha”: A person who is doing well will always laugh at one who is struggling. “Otabona Bukaire”: Even if I am old now, I’m still suitable for marriage….
Kithara Group
…were airplanes and motorbikes going by occasionally. We managed to record one song but had to stop after that due to noise. We hope to have this group come to the hotel on our last recording day. We felt bad that they only were able to perform one song but they took it graciously. Performers: Rajab Suleiman (qanun and director), Mohammed Hassan (accordian), Fum Faki (bongo and tabla), Tatu Khamis Haji (singer) Songs: Chungu – means Pot, composed…
Singing Wells Stories Page
…is full of passion for the traditional music of the Batwa people. She was one of the members of the community who travelled to Nairobi to record at Ketebul Studios. One of her recordings was used for a special collaboration with Abubilla Music musicians. To listen to that, click here: http://snd.sc/18Raaae To view the page for the Mperwa Dancers, click here: Mperwa Dancers. Ker Kal Kwaro We recorded the Ker Kel Kwaro group on our second day of re…
Adagha Nalya Drama Group Group
…common folk song. “Omuntu Kyakola”: When someone is jealous about what someone else is doing; when some one works hard, others want to bring you down. “Yoyenda”: The one you love. The song invites everyone to show who they love to the rest of the community. Performed at introduction ceremonies – a traditional party where a girl introduces the man to her parents. “Nsomesa Nsomesa”: When a child goes to school and they don’t perform well and come ba…
Kizazi Kipya Kidumbak Group
…elf. at the DCMA. He met us at with the first group and brought us to this one. They sing and perform mainly for weddings and celebrations. Performers: (all male): Juma Fadhul Juma (leader and secretary but did not participate), Fadhili Faki (director and plays violin), Mohamed Khamisi (violin), Khamisi Vuai (bongos), Khamisi Bato (bongos), Ameri Sefu ( Sanduku – sinle string base), Ahmed Juma (sticks and table), Sheha Makame (shaker= cherewa) Dan…
3. Background of the Naizungwe drums Story
…ialism. Most of the societies were and still are organized on clan system. One ethnic society has a number of clans where each clan has a leader – clan leader. Each of those clans had identifying regalia and one of them are drum rhythms that symbolize the general belief of that clan. The Basoga ethnic society from the Eastern region of the country is organized according to clans. Eleven clans are royal; they are the leaders and the rest are not. O…