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…ceeded our expectations for the project. What started as a tiny experiment into recording a few groups performing in their villages has grown into something far beyond what we imagined. What we have captured in our videos and audio recordings is extraordinary artistry and musicianship, reflecting years of training and practice in the ‘village classroom.’. Each of these musicians has learnt from the traditions and stories that have gone before them…
The Singing Wells podcast #3 Podcast
…Here is podcast number 3. In this podcast, we look at the development of Abubilla Music – one of the partners in The Singing Wells project – from initial idea, to music label. There are interviews with members of the SMCC, and music from the SMCC, Louise Calf, Gus Warriner, Tati Kalveks, Chris Kozlowski and Ketebul artist Winyo. Click here to download the podcast….
Nyangile Instrument
…A resonating box – hit by the player with a wooden stick, who often holds ongeng’o rings in their hand and feet to add more rhythmic potential. We heard the Nyangile, also referred to as the Sanduk (Swahili for Box), played by a member of the Otacho Young Stars, when we recorded them at Dinkys Resort Club, Rongo, as part of our field trip to record the music of the Luo in Western Kenya….
3. Background of the Naizungwe drums Story
…any players (like with the entenga drums)? The clans organized themselves into bigger administrative units that culminated into the eleven chiefdoms that later united to form Busoga [kingdom]. When the central government abolished kingdoms in 1967, the bigger administrative structures were weakened. Clans remained because they represent people’s birth, life and death. The larger more political structures [ie. the eleven chiefdoms] were demonized…
Mchele Mchele Sanaa Group Group
…This group, from the Sukuma community, was formed in 2010 and performs with a number of styles: Bukomia Lume, Buchheye, Wigashe. Their instruments are: Ng’oma (Drums), Pembe (animal horns, large impala), Firimbi (flute), and Njuga (shakers). …
Day Four: January 21 2019 Mwanza Story
…en performing since 1999, is from Nzega and from the Sukuma community, playing in the Kadete style. Camera plays the Kadete (like the Zeze from earlier and Orutu from Kenya). He is an extremely cool cat, who we actually discovered walking the streets with his instrument during the RECCE. We recorded five performances: Changamoto: This is about life’s challenges Mawazo Gakwira: About deep worries Nkewane nsanja: girlfriend got pregnant and came to…
Conclusion: Challenges and Recomendations Story
…ncellation, technical or other difficulties that may occur should be taken into account when creating a schedule. The timeframe issue could also be ameliorated by a pre‐recording field mission – a recce. In that sense, all participants would be informed on the date they are to be filmed much more in advance, and the recce could preselect them according to their knowledge and accessibility. I believe recces have been a part of previous Singing Well…
Field Recording Report by Kahithe Kiiru Story
…nal relations for a year. However, by then he felt he was already too deep into music – rehearsing, gigging, teaching private guitar lessons, song writing, etc. His parents disapproved him dropping out, but he persisted and felt that he was reaching more people through his music. In 2008, he auditioned for the Spotlight on Kenyan Music project and met Ketebul for the first time. By that point, he had not identified with any musical style. He start…
Day 9 – Sunday 9th July 2017 Story
…nt traditional instruments to modern instruments, all of the four other string instruments involved fall under the category of lyres per definition of “a plucked string instrument with no fingerboard, having strings running parallel to the soundboard tied on a yoke at the upper end of the instrument” (1). According to Hornbostel– Sachs(2), all four would be classified as composite chordophones, more precisely under the 321.2 category of: “Yoke lut…
Discovering the lost music of the Ugandan Kingdoms Gallery
…n read on our Field Reports section. Including: Some background and the beginning of our journey to discover the lost royal drums of the Buganda Kingdom Context on the Entenga royal drums we’ve been searching for The story of Musisi – a drummer from the royal palaces and the fall of the Buganda Kingdom Some information on the progress of the Bigwala trumpets – an instrument we restored on a previous field trip Interviews with the palace players an…
Day 1 – Saturday 1st July 2017 Story
…, for the road from Nairobi to Kisumu City. However, as our schedule was going to be tight, and some of the preliminary work had not been completed, we opted for a semi‐formal preparative interview with John Otieno ‘Rapasa’, a young nyatiti player based in Nairobi, yet from Alego area (Siaya County), who was a part of our team as a fixer and translator. The main objective of this semi‐interview was to define, at least, approximatively, the differe…
Hunter Allen Staff Profile
Hunter Allen is a videographer who has been working closely with Singing Wells for past three years. He first joined us on our trip to record in Kalenjin in 2012 and was blown away by the talent he saw. Since then he has directed and edited Singing Wells’ first Lost Song Books documentary, which told the story of our repatriation project in 2014. The project involved the returning of recordings by Hugh Tracy to the Kalenjin and Luo communities fr…
The Northern Tribes of Uganda Album
…Murchison – darkness descending as we recorded. A travel day to Soroti was followed by another Likembe band – the Macedonia band, before the long drive back to Kampala. One night in Kampala was followed by a recording in Naguru, recording the Adungu Cultural Troupe and the Watmon Cultural Group, before heading back to the Entebbe Guesthouse to record more with the Watmon Group and Akello – our influences artist….
Day One: January 18, 2019. Assemble in Tanzania Story
…r second Field Visit to Tanzania. (Please go here for the first trip) For Singing Wells, a field visit is when we visit a specific region of East Africa and record musical groups in villages. On average, we do one field visit a year, recording roughly 20-25 groups, and a 100-125 performances. We have roughly 1,000 videos online. Our general setup for a recording is: a) Steve is in charge of audio and we typically have two general mics for the grou…
All field reports have now been published and provide links to youtube videos! Story
…You can now see all Field Reports for February 2018 trip to Kenya. If you want to link directly to youtube videos you can do in field reports or go direct here. A detailed account of the trip written by Kahithe Kiiru is available here….
Albums Introduction Page
One of the main aims of The Singing Wells project is to record and share the music we record in East Africa and one of the ways in which we can share this music is through our albums series. For each project we undertake, we curate an album of the resulting recordings. In most cases, this will include at least one recording from each group recorded. Where it works artistically, we’ll arrange the tracks on the album in chronological order of the r…