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…e future of Tanzanian music is alive and well! Futher Reading Field Report Tanzania 2019 – Serengeti Field Report Tanzania 2019 – Ndagwa Msanga The Amone Watmon Matthew Story Interview with Amone Watmon Matthew Watmon Cultural Group #19 – Makunga & The Visuals of Singing Wells Makunga The Makunga are from Dodoma and the Wagogo Community, which they argued is the main indigenous community of Tanzania (always from the land, never migrated into Tanza…
Zam Zam Group
…, in Rahaleo. All male group ranging from age 7 up to 40, ten all together today. They sing Islamic and secular songs for weddings and celebrations. It was mainly an acapello performance with one flute made out of a bamboo stick. The singers included: Ibrahim Ali Hassan (lead singer, flute ), Issa Ali Hassan (lead singer), Mlenge Ali Hassan, Othman Mlenge Ali, Afann Mlenge Ali, Iddi Abdallah Mohd, Abdillah Salum Juma (lead singer), Fesal Sleiman M…
Day Three: January 20th, 2019 Story
…used in the fields to motivate farmers, who hoe to the beat. Throughout Tanzania, we saw school kids walking to/from school with their hoes, where they often tend to small plots at the school. Serengeti: We are near the national park and this is a song in celebration to Tanzanian parks and wild life. Freestyle filming with song Balimi Magic Moment: Song Makule Magic moment again: Balimi https://youtu.be/4PxbBqqxuUQ Group 2: Biluli dutwa: This g…
Day Two: January 19, 2019 From Tarime to Buturi to Bariadi Story
…A wonderful first day of recording in Buturi Tanzania….
Day Four: January 21 2019 Mwanza Story
…he boss, who is always wrong, wants to be always right. Just accept it’ Ba Tanzania (Malima): Praising country, encouraging farmers and hard work – this song had an incredible beat. Ng’oma ya Asilia: a traditional song Ali Nilihali: A lady turned down Man 1 because he was poor and settled on Man 2 who was even poorer. Meanwhile Man 1 got rich and lady came back to him and the song asks, “So how did it end up?” Magic Moment on a song Ndono. They…
Jackie Akinyi Group
…iambo Aringo) was born in Buturi village, Rorya District in Mara Province (Tanzania) on the 20th August 1974. She started primary school education in 1982 up to 1989, when she joined Isango secondary school in Kinesi, Rorya District, Mara Province from Form One . She completed her fourth form in 1992, but was not able to pursue higher education, and that’s when she started her career as an artist. She has always loved music, especially traditional…
Guy Morley Staff Profile
…Guy Morley is the founder and Director of No Nation. No Nation is an independent UK based arts programming and promotion company. Some of the festivals that Guy has programmed include The Big Chill, Brighton Festival and African Soul Rebels. Guy is also a freelance music promoter and DJ. In the course of his career he has produced a radio show called Afro Base, on Juice 107.2 and Totallyradio.com and been the resident DJ in several venues in Manch…
Kijaruba Group Group
…Kijaruba Group are a group part of the larger Bigilia Group. We met them on our 2017 field trip to Tanzania. You can read more about them on the Bigilia page here….
Baseki Group
…uestionable virtues Balimi: A song about farming where the band brought up children from the village and taught them about hoeing the soil to the song. Later we saw several videos of how this song is used in the fields to motivate farmers, who hoe to the beat. Throughout Tanzania, we saw school kids walking to/from school with their hoes, where they often tend to small plots at the school. Serengeti: We are near the national park and this is a son…
Singing Wells Stories Page
…rying to help preserve traditional music is to try and make it relevant to today’s audiences and musicians and this goes a long way to helping. Since the field trip, we are pleased to report that Akello has been performing more with the Watmon Cultural Group (our group of the month for September – read more about that here. To read more about Akello and her part in Influences, click here: Akello To hear her collaboration with the Watmon Cultural G…
Recording, archiving and sharing the traditional music of East Africa Page
…heritage of the region and to help make this legacy relevant and fresh to today’s audiences. As a group of sound and video engineers, producers and musicians, we set out on this mission not to become ‘fossil collectors’ and store the recordings in inaccessible archives. We work with musicians to make sure their music traditions continue to be practiced, can be shared amongst the widest audiences and become a source of inspiration for new musician…
Day Three: Bungoma Town to Kakamega Story
Tuesday, February 20th, 2018: Today, we returned to record Wilbert Wanyama in Bungoma Town. As mentioned, we met Wilbert on the evening of February 19th, but were unable to record his band due to thunderstorms. So we returned to Santa Maria Resort to record him the next morning. And the weather was sunny and crisp, following the previous evening storms. First, Wilbert told us the history of the band. The band, Bungoma Roots Band, started in 2005…
Here for Research? Page
…n and celebrate the extraordinary cultural music heritage of the region and to help make this legacy relevant and fresh to today’s audiences.”…
Pius Wafula Group
…group called “Webuye Jua Kali” up to 2009, when he founded his own group. Today the group counts 5 members who play the following instruments: LITUNGU – a 7-string traditional lyre; ISIRILI – a one-string fiddle; LUENGELE– a percussive idiophone, they use a wooden stool struck with wooden sticks; ENG’OMA – a generic term for drums, they use a plastic water container also struck with wooden sticks; CHISASI – shakers made out of gourds. We recorded…
Day Five: February 20, 2020 (DCMA) Story
…oise. It was great we could get them all to come to the hotel unexpectedly today. After this we drove back to Stonetown to record at the DCMA and the Culture Musical Club. The three groups: Kithara – This group was formed by Rajab Suleiman. They have played together for 20 years and all live in the same neighborhood. They play for weddings and festivals in a traditional Taarab style. It was good to see them again on the grounds of the Ngalawa ho…
The Revival of the Entongooli Page
…generation and there is no living player of the Entongooli in this region today. Instead, he has worked to learn and teach as much as he can in the hope he can start a new generation of skilled players and builders of the Entongooli. Finding the Materials Finding the correct materials is half of the battle of reviving such a unique and rare instrument. The beginning of the Entongooli building process begins with forming the bowl shaped base, the…