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…ordings is extraordinary artistry and musicianship, reflecting years of training and practice in the ‘village classroom.’. Each of these musicians has learnt from the traditions and stories that have gone before them., often starting their own training as toddlers dancing and singing along to the village music. Whether young or old, keeping to the rules or creating new fusions, what is a common thread tying all of these experiences together is the…
Day Two: January 19, 2019 From Tarime to Buturi to Bariadi Story
…ded stopping use of plastics and keeping your waste water away from your drinking water. Magic Moment: We recorded the beats of Majirani, percussion only Magic Moment: Majirani again to record slightly differently. https://youtu.be/yQ52ZCL5Gro Group 3: Serengeti Group: This group, formed in 2016, was from the community of Kuria and played in the Ritungu style – this style refers to the form of dancing where the two lead dancers ‘nodded’ their head…
The Northern Tribes of Uganda Album
…Murchison – darkness descending as we recorded. A travel day to Soroti was followed by another Likembe band – the Macedonia band, before the long drive back to Kampala. One night in Kampala was followed by a recording in Naguru, recording the Adungu Cultural Troupe and the Watmon Cultural Group, before heading back to the Entebbe Guesthouse to record more with the Watmon Group and Akello – our influences artist….
Rubanga Kingdom Awach Boys Group
…Music of the Acholi Paibona Tugu village, Awach, Northern Uganda…
Cieng Dwong Group
…Music of the Langi Fort Murchison, near Pakwach, Uganda…
Uganda: Music of the Northern Tribes Gallery
…ey started in Entebbe where we collected two vehicles to take the team to towns and villages in the north of the country including Gulu, Pakwach, Nebbi and Soroti. After 5 days recording in the north we returned to Kampala to record two more groups based near Naguru which perform in the traditional Alur and Acholi styles….
Singing Wells Stories Page
Thanks for taking the time to visit us at the Singing Wells project. Here are some of our favourite stories and links to pages where you can read more. If you would like to listen to a sample of the music that the Singing Wells project has recorded between 2011 and 2013, then please click here. Tiny Moses We met Tiny Moses during our field trip to record the music of the Batwa in southern Uganda in late 2011. He arrived at the Travellers Rest hot…
The Batwa of Kisoro Album
…Nairobi to record more of their music at the Ketebul Studios. The album begins in the village of the Birara Community – with the village leader Francis taking the main role on the performance. The Mperwa dancers are included, whose leader Jovah stunned us with her voice during the recordings in their village – featured on the album cover. Our trip to the UN refugee camp at Nyakabande was a happy one, as it was empty. The Togetherness group gave us…
Day One: The Iteso People and their Music Story
…ere: Omuian’gi: A song about ‘in-laws’, where the in-laws are always complaining about the cooking of the daughter in law. They are never satisfied. Imadede: The name of a man with horrible manners. He gossips. He poisons neighbours if he is jealous of their success. In the song, the performers ‘call him out’, letting the whole village know this is a man of bad character. Achaung Kakolong: This is a song sung during droughts. Everyone in the villa…
Nile Beat Artists Group
…nclude Robert Muwenda, Babayaza Sumaya and Kalungi Justine. They are based in Jinja and perform traditional Ugandan dances. The group takes their name from the River Nile, which starts at Jinja on the edge of Lake Victoria. A previous member of the band was Seby Ntege, who left Uganda in the early 2000s and moved to the UK, keen to evolve his sound. He plays the Kora, and much of his writing combines West African instruments with an East African w…
What We Do Page
…hile fragile, intangible cultural heritage is an important factor in maintaining cultural diversity in the face of growing globalization. An understanding of the intangible cultural heritage of different communities helps with intercultural dialogue, and encourages mutual respect for other ways of life. The importance of intangible cultural heritage is not the cultural manifestation itself but rather the wealth of knowledge and skills that is tran…
Bigwala Cultural Group Group
…e Wamwenda”: When you love someone even if they are poor, lame, sick or blind, you just stay with them. Further reading UNESCO: Bigwala, gourd trumpet music and dance of the Busoga Kingdom in Uganda. Inscribed in 2012 on the List of Intangible Cultural Heritage in Need of Urgent Safeguarding. Click here for the link to the UNESCO website….
Adungu Instrument
…as a percussion instrument – by a musician sitting behind the adungu, hitting it with a beater. We are pleased to have an Adungu as part of the Singing Wells instrument library. It is currently in our London studio….
Global Influences Project: Loop Library Page
…ral Group – 154BPM Nyatiti group – 158bpm Kidinda Cultural Group – 158bpm singingwells · SW Samples – Adungu Cultural Troupe 111BPM Adungu Cultural Troupe – 111BPM The Adungu Cultural troupe are based in Kampala, Uganda and the main focus of their music is (you guessed it) the Adungu. You can find out more about the band here. You can watch the full visual performance of this song on our Youtube channel by clicking here. Download the loop Aloka Oh…
Hannah Calascione Staff Profile
…tarts her degree in Anthropology at Cambridge University in 2013. She is joining the Singing Wells team for the field visit to Northern Uganda 2012 and has researched the area in great detail, writing reports on the tribal groups and their music and traditional instruments. Hannah will be armed with a microphone as she interviews the musicians and documents their oral histories, providing the all important context for the songs and dances we will…
Aynu Traditional Group Group
…ot have kingdoms and kings presiding over them as like other ethnic groups in Uganda. They mainly had chiefs who were their leaders. They formed friendly alliances with neighbouring chiefdoms to ensure their security against attacks from other ethnic groups. Rather than an army, every able-bodied man had the duty to protect his village hence all able-bodied men were automatically considered a soldier though this was not a permanent duty. Language:…