Page
…ceeded our expectations for the project. What started as a tiny experiment into recording a few groups performing in their villages has grown into something far beyond what we imagined. What we have captured in our videos and audio recordings is extraordinary artistry and musicianship, reflecting years of training and practice in the ‘village classroom.’. Each of these musicians has learnt from the traditions and stories that have gone before them…
Day 3 – Monday 3rd July 2017 Story
…fully demonstrated the making of a nyatiti resonator. We started off by going to a nearby wood and picking a log, which was then transported back to the compound on a bicycle. Upon arrival, Sewe, an elderly man of impressive strength and skill, started working on the resonator (in vernacular referred to as ohodha). He first did some measurements and drew the resonator’s shape on the log with charcoal. Then he went on to cut out the shape using se…
Day Zero: February 15, 2020 – Assemble in Zanzibar Story
…ame widely accessible. Later, further Egyptian influence was incorporated into the genre by including full string sections as well as accordion and qanun, keyboard and flute.” But, throughout our journey, we hear artists talk about Siti Binti Saad, noting that she was a rebel, noting that her lyrics were part of the Unyago style (see below) about real life, about real women, about love and sex… She always sang about these things through metapho…
Pius Wafula Group
…founded his own group. Today the group counts 5 members who play the following instruments: LITUNGU – a 7-string traditional lyre; ISIRILI – a one-string fiddle; LUENGELE– a percussive idiophone, they use a wooden stool struck with wooden sticks; ENG’OMA – a generic term for drums, they use a plastic water container also struck with wooden sticks; CHISASI – shakers made out of gourds. We recorded five of Pius’s original compositions and were amaze…
Recording Resources Page
…field. With that in mind, we have created some resources for other groups to use for working in the field. Please feel free to use the below resources for your field trips in whatever region you are based, and please do reach out to us. We love to meet others who are passionate about music in their own region! Village Visit Management Audio Recording Protocol Field Visit Workflow We hope these are useful for other researchers in the field. Please…
Day Three: January 20th, 2019 Story
…! We recorded five performances: Busumabuno Kulima: A song about farming Watoto wakalime Freestyle on Kulima Magic Moment Busumabudo, focus on percussion https://youtu.be/dHeTdA5m5gQ Group 3: Awilo: The group, which is a comedy circus act, is from Ikungu lya nkoma and performs in the Bununguli style. They are from the Sukuma community and were formed in 1981. They played the Ng’oma and entertained the kids with circus acts involving fire, razor bl…
Royal Entenga Drummers Group
…James discovered the sixty-something Musisi, possibly the last surviving drummer. Musisi was just a teenager at the time of attack and barely survived the night of the attack itself (more on this here). James met him and realised that together they could begin to build the drums. Working closely with Albert and Shaban, a professional drummer who now leads the new band, they built a new set of Royal Drums, recruited a team of passionate drummers to…
Day Four: January 21 2019 Mwanza Story
…en performing since 1999, is from Nzega and from the Sukuma community, playing in the Kadete style. Camera plays the Kadete (like the Zeze from earlier and Orutu from Kenya). He is an extremely cool cat, who we actually discovered walking the streets with his instrument during the RECCE. We recorded five performances: Changamoto: This is about life’s challenges Mawazo Gakwira: About deep worries Nkewane nsanja: girlfriend got pregnant and came to…
The Revival of the Entongooli Page
…t benefit to these young people aside from the unique knowledge they are gaining: free education. Many of these youngsters have managed to gain music scholarships so they can get a free education at their local schools. This project is not only providing a future for this instrument, but for the young people involved. Aside from this, Mr Mukadisi has a personal connection to this cross-generational project. His father was a builder of the Entongoo…
Biluli Dutwa Group
…Simiyu: A song for praise for the region. Bahuni ba ng’wanza: A song referring to local women of questionable virtues Balimi: A song about farming where the band brought up children from the village and taught them about hoeing the soil to the song. Later we saw several videos of how this song is used in the fields to motivate farmers, who hoe to the beat. Throughout Tanzania, we saw school kids walking to/from school with their hoes, where they o…
Baseki Group
…Simiyu: A song for praise for the region. Bahuni ba ng’wanza: A song referring to local women of questionable virtues Balimi: A song about farming where the band brought up children from the village and taught them about hoeing the soil to the song. Later we saw several videos of how this song is used in the fields to motivate farmers, who hoe to the beat. Throughout Tanzania, we saw school kids walking to/from school with their hoes, where they o…
Makunga Group
…ain indigenous community of Tanzania (always from the land, never migrated into Tanzania. The group was formed in 2018, but was built on a much older group. They perform in the Wuyina style. Their instruments/costumes include the: Ndulele (Horn), the Nindo (Shakers), the Mbega: (Animal Skins), the Muheme (Drums), the Kabati (Shakers), the Kalimba (Thumb Piano), the Zeze (Orutu), the Izeze (5 string large instrument), and the Muhongwa (Wooden water…
Mohamed Uthman Kidumbak Group Group
…ki who teaches music in the DCMA. Kidumbak is a musical style with three main influences: Taarab, Unyago and Rumba. Dumba stands for a large drum. So Kidumba is a smaller, bongo style drum. Adding Ki to the beginning of the word makes it small. Mohamed Othman had no musicians in his family. He became interested in Kidumbak style music at 16 and taught himself the violin and bass. He went to Egypt off and on for six years on a scholarship from the…
Day Zero: 6 March 2022 – Travel To Stream Story
…sell tickets with the use of online access codes that admit ticket holders into the virtual performance. The result was that a number of live streaming studios where performers book sessions to perform and stream their concerts sprung up in Nairobi. Some venues also adapted to hosting online performances, directly streaming shows to mobile devices and computers of audiences wherever they may be. With the prevailing situation, it is becoming increa…
Day 5 – Wednesday 5th July 2017 Story
…ent from the traditional nyatiti players. He says he created his own style of music and learned to “adapt in order to survive”. At his home, we encountered another talented musician – Martin Njoroge “Papillon”, whom Ayub has been mentoring. Papillon played for us a few tunes on an original string instrument he invented and manufactured himself. This was very interesting to observe, since the instrument in question was based on the nyatiti, althoug…
Ayub Ogada Group
A musician we choose to bump into frequently is that of Ayub Ogada, probably the most internationally acclaimed Kenyan musician, whose use of the nyatiti in different musical genres is both original and pertinent for our Masters of the Nyatiti story. We spent the day at his home in Nyahera location, not far from Kisumu town, and conducted a long yet free of form type of interview. Although a Luo himself, Ayub had never learned how to play the nya…