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Field Recording Report by Kahithe Kiiru Story

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…sukutidrums of different sizes. It was interesting to note the differences between the isukuti drums they used and the ones Isukha and Idakho Luhyas use. Notably, the main difference was the fact their isukuti were made with cow skin, whereas the ones in Kakamega must be made from molitor lizard skin. Another significant difference was in the way they referred to the various sizes of isukuti drums. Isilia’s group refers to them as: SUKUTI NGALI –…

Day One: The Iteso People and their Music Story

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…ee now. His full name is Fadhilee Itulya. He was born in 1988 in Kakamega, western Kenya, but raised in Nairobi. In his words, Fadhilee’s dream is to “unveil the authentic Kenyan sound that will be a bridge between what has been there and what is going to come”. His love affair with the guitar started with the three chords he was taught by his mother on her guitar. From there he advanced on his own, becoming a nuisance in their house in Saika Esta…

Introduction: Project overview and objectives Story

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…nted in a finer ethnographic report to follow. “Masters of the Nyatiti” focuses on the nyatiti, an 8‐string lyre originating in the Luo community on the shores of Lake Victoria in Western Kenya. Most of the field recordings this report is based on were thus conducted in Lake Region of Kenya, notably in Kisumu and Siaya Counties. The details of these recordings will be described in a day to day report and followed by an evaluation of their success…

Nyangile Instrument

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…A resonating box – hit by the player with a wooden stick, who often holds ongeng’o rings in their hand and feet to add more rhythmic potential. We heard the Nyangile, also referred to as the Sanduk (Swahili for Box), played by a member of the Otacho Young Stars, when we recorded them at Dinkys Resort Club, Rongo, as part of our field trip to record the music of the Luo in Western Kenya….

Tarajazz Group

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…the students at the DCMA study traditional music such as Taarab as well as Western music. Members of the group: Suleiman Makame (keyboard, director), Hassan Mahenge (Saxaphone, assistant director), Mahsin Basalama (contra base), Christopher Weston (Cajon and high hat), Regina Juma (singer). There was supposed to be a violin player but unfortunately he couldn’t make it. Songs: Alamina Dura – The orbit of the Gods Pakistan – written by Siti Binti Sa…

The Sega Sega Band Group

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…Music of the Luo Rang’ala, Nyanza province, Western Kenya Lead Vocalist: Osumba Rateng…

Ketebul Music Group

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…ablished in early 2007 with the ambitious vision to carry out research and promote the diverse fusion of traditional sounds of Kenya and East Africa through the documentation and archiving of the work of musicians who have shaped the various genres of music from the region over the past six decades. In broader terms, intensive research carried out by Ketebul Music involves the musicians themselves, their families, industry players such as producer…

Kahithe Kiiru Staff Profile

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…University of Paris X Nanterre and is currently finalising her PhD in Anthropology (ABD) at the same university. She was recently appointed Head Choreographer for Bomas of Kenya, a national dance troupe tasked with the mission to preserve, promote and showcase Kenyan traditional music and dance worldwide. She has been a scientific advisor with Ketebul Music since 2015 and worked on Ngoma Zetu(2016) and Singing WellsMasters of the Nyatiti(2017) an…

Winyo Staff Profile

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…ame ‘Winyo’, which is a Luo word (a tribe from the Lake Victoria region of Western Kenya) for “a bird”. The reason for this becomes apparent once you hear him sing. His voice has been likened to that of a singing bird. He is a singer/songwriter of great sensitivity and an acoustic guitar player, backed by his 5-piece band of accomplished musicians. Winyo derives his music and musical strength from his fore fathers whose African music was rich in m…

Fadhilee Itulya Staff Profile

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…s recorded only five so far: ‘Jawabu’, ‘Dance’, ‘Um’beba’, ‘Tired’ and ‘Selfish’. He is working on eight more to complete his debut album. He has performed at the Mathewmatix House of Jazz, the Kinanda Festival, the Choices Thursday Night Live, Sarakasi Dome’s Forgotten Furahiday and The Treehouse Live….

Day Three: February 18, 2020 (Stonetown, Mpendae, Maungani) Story

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…ct. Their music is based on the Brass Band style of the West. The Africans used to make fun of the Big Band sound from Europe by exaggerating the sound and having people with learning disabilities play. Over the years they have come to enjoy it and have created their own brass bands. This band has been together for 20 years. Performers: Salmin Ali Borafya (trumpet, leader), Ali Borafya (base drum), Fatihi Hassan (trombone), Ali Rajab (trombone), A…

Day Zero: February 15, 2020 – Assemble in Zanzibar Story

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…lated to taarab.  It is less refined and more upbeat!   Musically it falls between Taarab and Ngoma..[and is] typically played..with two small clay drums, a violin played in a frantic fiddler style, a sanduku (or the bass) and the cherewa, a kind of shaker made from coconut shells…”   We will meet this style on our second day, group one:  Mohamed Othman Kidumbak Group Unyago:    This is music by women by women and was used during rites of passage…

Twone Mbee Group

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…song they use the Ileve (tin thaker) and Vilingi (whistle). David Kithome uses shaker and Christine Kisove and Eliza Musyoka use the whistles. The song encourages parents to invest in education because that is key to success. ‘Mwaki’: This is a political phrase song praising a prospective parliamentarian. It discourages other prospective candidates from attempting the position because it is already taken by the one they are praising. ‘Nzembanie n…

Pius Wafula Group

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…al group called “Webuye Jua Kali” up to 2009, when he founded his own group. Today the group counts 5 members who play the following instruments: LITUNGU – a 7-string traditional lyre; ISIRILI – a one-string fiddle; LUENGELE– a percussive idiophone, they use a wooden stool struck with wooden sticks; ENG’OMA – a generic term for drums, they use a plastic water container also struck with wooden sticks; CHISASI – shakers made out of gourds. We record…

Day Two: January 19, 2019 From Tarime to Buturi to Bariadi Story

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…heri amukeni tucheze tunaenda (good bye dance) – songs 4 and 5 song as one Freestyle: We then recorded the band in freestyle. https://youtu.be/XoaHli19b2U One observation from Day One: These groups have the energy and youth of many of the groups we recorded in Uganda around Lake Victoria, which makes a lot of sense as these groups are from areas very close to Uganda.   What you feel when you record these groups is that the music here remains very…