Group 1: Inganzo Ngari Group Story
…r name Inganzo Ngari loosely translates to “Limitless Talent” and based on today, that is the perfect name for them. The group’s manager is Serge and today we had about 50 performers, some fully professional, some with day jobs, but all investing time to rehearse twice a week. We started with the umutagara (the full drumming ensemble), two drum performances – one more traditional, in which the smallest drum “calls” and the other ten drums “respond…
What We Do Page
…w generation of musicians and listeners who might not consider it relevant today. So we have developed the Influences series: new compositions comprising a fusion of traditional and contemporary styles, themes, harmonies and instruments. Influences is led by musicians from Ketebul Music or singer/songwriters from the areas we are travelling to during our field visits. “Singing Wells can’t be just about archiving. We can’t be fossil collectors. We…
Patrick Ondiek Staff Profile
…really love tribal music. So when the Singing Wells project offered him a new opportunity to discover the music roots of East Africa, Pato jumped at the chance. Why? “First, I love the exposure to different cultures – even my own. I have never heard a lot of the tribal music, even around my own villages. Our trip to Nyanza in November blew me away. I have never heard music like that. My favourite performance was by Okumu K’Orengo. I was so moved….
Page
…nd songwriters to show how this “traditional” music is still relevant into today’s modern world. Below you will find links to the musical loops we have selected that are available to download for the project, If you are interested in joining the Global Influences Project, you can download the project brief here or get in touch with us with any questions you may have. SUBMISSIONS FOR THIS PROJECT ARE NOW CLOSED. Click here to access the Global In…
Day Three: Bungoma Town to Kakamega Story
…id videos to their songs. Then they met John Charles Kapanga (who attended today’s Singing Wells recording session). He was a local business man with a house in Malinda. He invited the band to the house to rehearse, write and perform. Wilbert says that they were driven to the house on the back of a pick up van. During the drive when they came close to the Village, they played music and all the villagers followed them into John’s house. John took t…
Group 7: The Impano Group Story
…mpressive collection of art. Their sound was a perfect blending of old and new, tradition and experimentation, coming together in something harmonic and unique that we loved getting to record. The songs they performed for us were: Ngarara – this is an Intwatwa style song about a boy asking for directions to a girl he likes. A traditional song. Kabanyana (“Bride”) – a song traditionally sung for a bride on her wedding day Ndabigukundira (“Why I lov…
Influences songs from Singing Wells Group
…recording visit we are joined by a talented musician who works with us on ‘Influences’ songs. They work with us in the field and also in the Ketebul Music studios in Nairobi to produce this new material. We believe our Influences series will refresh the origins of East African music and make it discoverable to a new generation of music fans….
Singing Wells Stories Page
…rying to help preserve traditional music is to try and make it relevant to today’s audiences and musicians and this goes a long way to helping. Since the field trip, we are pleased to report that Akello has been performing more with the Watmon Cultural Group (our group of the month for September – read more about that here. To read more about Akello and her part in Influences, click here: Akello To hear her collaboration with the Watmon Cultural G…
Day Three: February 18, 2020 (Stonetown, Mpendae, Maungani) Story
…rican rhythms such as Msewe and Kyaso (both from Zanzibar) with Singeli (a new tribal rhythm). Taarab came from early 1800’s as Egyptian music. In Zanzibar the Mother of Taarab, Siti Binti Saad, made Taarab more popular in the 1920’s to 1950’s. We spoke to Hassan Mahenge, the assistant director of this band. He is a teacher at the DCMA. He teaches the Oud and plays the saxophone. All the students at the DCMA study traditional music such as Taarab…
Day Two: February 17, 2020 (Stonetown) Story
…, in Rahaleo. All male group ranging from age 7 up to 40, ten all together today. They sing Islamic and secular songs for weddings and celebrations. Today was mainly an acapello performance with one flute made out of a bamboo stick. The singers included: Ibrahim Ali Hassan (lead singer, flute ), Issa Ali Hassan (lead singer), Mlenge Ali Hassan, Othman Mlenge Ali, Afann Mlenge Ali, Iddi Abdallah Mohd, Abdillah Salum Juma (lead singer), Fesal Sleima…
Day Five: February 20, 2020 (DCMA) Story
…oise. It was great we could get them all to come to the hotel unexpectedly today. After this we drove back to Stonetown to record at the DCMA and the Culture Musical Club. The three groups: Kithara – This group was formed by Rajab Suleiman. They have played together for 20 years and all live in the same neighborhood. They play for weddings and festivals in a traditional Taarab style. It was good to see them again on the grounds of the Ngalawa ho…
Royal Entenga Drummers Group
…this here). James met him and realised that together they could begin to build the drums. Working closely with Albert and Shaban, a professional drummer who now leads the new band, they built a new set of Royal Drums, recruited a team of passionate drummers to learn how to play the drums, learned to tune the drums and ultimately learned to play new music….
The Revival of the Entongooli Page
…ed in this part of the process. Though they said it wasn’t pleasant, they knew the importance of this part of the process and wanted to be a part of it so that they could continue their education about this instrument. It is amazing to see young people getting actively involved in the traditions and methods of creating this instrument, so that they will be able to continue these traditions for generations to come. Meet the Students In this weeks v…
Mission Page
…heritage of the region and to help make this legacy relevant and fresh to today’s audiences. As a group of sound and video engineers, producers and musicians, we set out on this mission not to become ‘fossil collectors’ and store the recordings in inaccessible archives. We work with musicians to make sure their music traditions continue to be practiced, can be shared amongst the widest audiences and become a source of inspiration for new musician…
Day two: From Sirisia to Mabuyole Falls Story
…brother formed his own band. Weput Khulu Namatete (Samuel) then recruited new members and the band has stayed very active and prosperous, playing in the Tindikiti style. The play at hotels, festivals, weddings, funerals, etc.. In terms of instruments they have: Luengere: Drums Eng’oma: Drums Litungu: Strings They performed the following songs: Kuzula Ni Bora: This is a song that emphasizes that prevention is better than the cure. The singer takes…
Shem Tube Group
…Shem Tube is a pioneer of the ‘Luhya Omutibo’ sound and had a big hit with his band Abana ba Nasery (Nursery Boys, including Justo Osala on guitar and Enos Okola on percussion; they played throughout the ’60’s and ’70’s.) Their style was linked to three part harmonies, two finger picked guitars and a ‘fanta bottle percussionist.’ In the 80’s, Shem formed a new band, Les Bunyore , before reforming Abana ba Nasery in the ’90’s….