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Mission Page

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…heritage of the region and to help make this legacy relevant and fresh to today’s audiences. As a group of sound and video engineers, producers and musicians, we set out on this mission not to become ‘fossil collectors’ and store the recordings in inaccessible archives. We work with musicians to make sure their music traditions continue to be practiced, can be shared amongst the widest audiences and become a source of inspiration for new musician…

What We Do Page

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…he key objectives of the Singing Wells project is to introduce tribal East African music to a new generation of musicians and listeners who might not consider it relevant today. So we have developed the Influences series: new compositions comprising a fusion of traditional and contemporary styles, themes, harmonies and instruments. Influences is led by musicians from Ketebul Music or singer/songwriters from the areas we are travelling to during ou…

Kirundo Group

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Kirundo performs in a fusion of traditional African rhythms from mainland Tanzania and Pemba, and contemporary African sounds. The three young men are all students at the DMCA performing with a well known drummer and teacher of music. This band has been together for 2 years. Songs: Mwaludeje – Tradition after the harvest. New composition. Mjomba – Uncle, celebrating the good hunt. New composition Uye – Come Back Please, used at a wake after someo…

Day One: February 16, 2020 (Ngawala Hotel) Story

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…bu Uone Aibu: Means ‘witness the shame.’ Wanawaki Afrika: A Celebration of African Women Unyago: the group is named after the drums they play and the style. This style is all about ‘Rebels’ and things that women talk about to themselves – very suggestive songs but using innuendo, so all deniable if called out. Traditionally, these were all songs that were part of wedding rituals and used to prepare the bride. Songs about girls becoming women. The…

Day Three: February 18, 2020 (Stonetown, Mpendae, Maungani) Story

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…rs ago. The name of his band changed from Mansule to Tarajazz. He combined African rhythms such as Msewe and Kyaso (both from Zanzibar) with Singeli (a new tribal rhythm). Taarab came from early 1800’s as Egyptian music. In Zanzibar the Mother of Taarab, Siti Binti Saad, made Taarab more popular in the 1920’s to 1950’s. We spoke to Hassan Mahenge, the assistant director of this band. He is a teacher at the DCMA. He teaches the Oud and plays the sa…

Day Four: February 19, 2020 (Maruhabi Palace) Story

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…kidumbak music.  Kirundo – this group performs in a fusion of traditional African rhythms from mainland Tanzania and Pemba, and contemporary African sounds. The three young men are all students at the DMCA performing with a well known drummer and teacher of music. This band has been together for 2 years. Performers: Lukoa Nenes (sticks), Joshua Muyumovela  ( shakers), Nyemo Mopana (guitar, kalimba (hand held thumb piano), lead singer), Heri Kombo…

Recording, archiving and sharing the traditional music of East Africa Page

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…heritage of the region and to help make this legacy relevant and fresh to today’s audiences. As a group of sound and video engineers, producers and musicians, we set out on this mission not to become ‘fossil collectors’ and store the recordings in inaccessible archives. We work with musicians to make sure their music traditions continue to be practiced, can be shared amongst the widest audiences and become a source of inspiration for new musician…

Day Zero: February 15, 2020 – Assemble in Zanzibar Story

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…Arabs and Indians were killed. Thousands more were expelled leading to the Republic of Zanzibar and Pemba. Soon the islands joined the Mainland Tanganyika and were subsumed to form Tanzania.    Today, the population of the islands is over 98% Muslim. Second, one of our main partners for our trip was the Dhow Countries Music Academy.   The “Dhow” is a traditional sailing vessel.  We saw many on the waters around Zanzibar.   The “Dhow Countries” are…

Page

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…tee of the “Spotlight on Kenyan Music“ project which seeks to discover and promote young talent, performing a blend of African music. The Kenyan government through its Ministry of National Heritage and Culture also supports this project. Tabu is also the Project Coordinator of Ketebul Music’s Retracing Series. Supported by the Ford Foundation Office of Eastern Africa, the Retracing Series is a research based documentary project whose main objectiv…

Here for Research? Page

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…interviews, historical information and first hand accounts of the way East African music has developed and grown. Instruments In depth information and photography of the different musical instruments used in East Africa. This database is constantly evolving as we discover and record more instruments. The instruments are tagged by their ethnicity, their recording location and the type (simply broken down into stringed, percussion or wind at present…

Uganda: Music from the Central and Eastern Region Gallery

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…Images from the Singing Wells field recording visit to Uganda 2013. Our journey took us from Entebbe to Kampala, Kidinda, Bukada, Mbale, Jinja and the small village of Idudi near Iganga where we recorded music of the Baganda, Bagisu, Bagwere, Basoga and Banyoli. We were fortunate to receive sponsorship from The Mara Group and Gorilla Tours for this visit and many of our photos feature our thank you message to both organisations.  …

Day Two: January 19, 2019 From Tarime to Buturi to Bariadi Story

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…from gourds). It is worth taking a minute on the drums. They were typical African drums, but set up Western Style on a steel rack and they leaned one large bass drum against the rack. The drummer then built a separate wooden kick pedal, so he could play all the drums with his hands and kick with his feet. We had not seen this before and it meant the group has a very traditional sound but a very modern feel, with contemporary beats. We recorded si…

Nile Beat Artists Group

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…evolve his sound. He plays the Kora, and much of his writing combines West African instruments with an East African writing style. Song Meanings “Ikobo Kobo”: It is a type of herb. It is a song about a girl who is very bitter because her mother will not let her play with her friends freely. The mother explains to her that she was barren but the spirits helper her to conceive so the spirits set the condition that she should never play in the rain….

Day 1 – Saturday 1st July 2017 Story

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…ch part of the region the instrument first originated in – South Nyanza or Central Nyanza; ‐ Discussion on the nyatiti gender taboo (whether a woman is or is not traditionally allowed to play the nyatiti and the reasons why); ‐ Mention of a Cultural Festival which takes place every year on 27th December and hosts several local nyatiti players; ‐ Discussion on whether a good nyatiti maker needs to be able to play the instrument as well; ‐ Names of…

Day Five: January 22, 2019 Mwanza Continued Story

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…), Minister, Ministry of Information, Culture, Arts and Sports, The United Republic of Tanzania. Dr. Harrison G. Mwakyembe (MP) We also met with Mizengo Kayanza Peter Pinda. He was the Prime Minister of the United Republic of Tanzania, from 2008-2015.  He is now a Patron of  the Cultural Yamnyausi Foundation.  That evening both Ministers hosted a fund raiser for the Foundation and invited Singing Wells members as special guests.  We were greatly h…

Winyo Staff Profile

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…stening to Winyo an almost heavenly experience. Winyo is also a professional photographer, actor and a TV producer. He is currently the executive video producer for a Kenyan media company called Big Foot productions, which has produced several local TV shows. His goal is to take African music all over the world and enliven people to dance and sing to the sweet and melodic sounds of African songs and music. Winyo is a valued member of the Singing W…