Field Recording Report by Kahithe Kiiru Story
…th common focus on using music as a tool for community development. The group promotes traditional African values and acts in both education and local economy. Members also engage in traditional crafts like basket weaving and jewellery making for exhibition and sale. Their chairman, Mr. Bwire, also chairs the County Culture Committee and says he is “biased towards ethnomusicology” because “that’s where the beauty of the music lies”. Our recording…
Day Two: 8 March 2022 (Ilesi) Story
…on the harmonica. Fiston played guitar while Ben and Gido were on percussions and bass respectively. The Obasie Palnyang band is very popular among the Iteso people and their neighboring communities in western Kenya and the eastern parts of Uganda. The group holds regular shows at Amurai center and can, on occasion, be seen performing in the neighboring towns of Busia and Malaba….
Introduction: Project overview and objectives Story
…n is of a narrative nature and does not focus on the details of collected data, which will be presented in a finer ethnographic report to follow. “Masters of the Nyatiti” focuses on the nyatiti, an 8‐string lyre originating in the Luo community on the shores of Lake Victoria in Western Kenya. Most of the field recordings this report is based on were thus conducted in Lake Region of Kenya, notably in Kisumu and Siaya Counties. The details of these…
Day Three: February 18, 2020 (Stonetown, Mpendae, Maungani) Story
…there we drove for another half an hour to Maungani to record the third group: Tarajazz – This group was formed by the director, Suleiman Makame, who studied classical piano and music. He became interested in Jazz and created an African fusion of Taarab and Jazz about two years ago. The name of his band changed from Mansule to Tarajazz. He combined African rhythms such as Msewe and Kyaso (both from Zanzibar) with Singeli (a new tribal rhythm). T…
Day One: The Iteso People and their Music Story
…o. From Adungosi, we travelled to Obekai, to record the South Teso Jazz group. The group started in 1938 by Charles Olado. It is currently led by Patrick Okodoi. We walked through all the band’s instruments first; these are: The Adeudeu: The Six Stringed Bass, that is big enough for bass player and a percussionist who sits on back to play the ‘kick’ drum. You then have the 9 string ‘rhythm instrument, the Seketa and the 9 String ‘Solo’. Percussion…
Ndagwa Msanga Group
…re a group of young girls are from Msanga and the Wagogo community. The group was formed in 1994 to encourage the young of the Wagogo tribe to embrace and appreciate their culture. Their style of music makes up all the musical styles of the Wagogo community. Their instruments are all about percussion: Ngoma (Drums) and Kayamba (Shakers). These young performers are amazing and if they are a sign, then the future of Tanzanian music is alive and well…
Winyo Staff Profile
…ame ‘Winyo’, which is a Luo word (a tribe from the Lake Victoria region of Western Kenya) for “a bird”. The reason for this becomes apparent once you hear him sing. His voice has been likened to that of a singing bird. He is a singer/songwriter of great sensitivity and an acoustic guitar player, backed by his 5-piece band of accomplished musicians. Winyo derives his music and musical strength from his fore fathers whose African music was rich in m…
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…undcloud for their continued support in the Singing Wells project. You can sign up for a free Soundcloud account which will give you the ability to comment on our recordings. To find out more about Soundcloud, go to: http://www.soundcloud.com Nebulo Strata Type of sponsorship: discounted services Nebulo Strata have been on board from the start of The Singing Wells project, helping to design and put into practice our ideas for our website. Our we…
Fadhilee Itulya Staff Profile
His full name is Fadhilee Itulya. He was born in 1988 in Kakamega, western Kenya, but raised in Nairobi. Fadhilee’s dream is to unveil the authentic Kenyan sound that will be a bridge between what has been there and what is going to come. His love affair with the guitar started with the three chords he was taught by his mother on her guitar. From there he advanced on his own, becoming a nuisance in their house in Saika Estate in Nairobi’s Eastlan…
Day Two: January 19, 2019 From Tarime to Buturi to Bariadi Story
…rth taking a minute on the drums. They were typical African drums, but set up Western Style on a steel rack and they leaned one large bass drum against the rack. The drummer then built a separate wooden kick pedal, so he could play all the drums with his hands and kick with his feet. We had not seen this before and it meant the group has a very traditional sound but a very modern feel, with contemporary beats. We recorded six songs with them: Omwe…
Nyangile Instrument
…A resonating box – hit by the player with a wooden stick, who often holds ongeng’o rings in their hand and feet to add more rhythmic potential. We heard the Nyangile, also referred to as the Sanduk (Swahili for Box), played by a member of the Otacho Young Stars, when we recorded them at Dinkys Resort Club, Rongo, as part of our field trip to record the music of the Luo in Western Kenya….
Kahithe Kiiru Staff Profile
…n a scientific advisor with Ketebul Music since 2015 and worked on Ngoma Zetu(2016) and Singing Wells Masters of the Nyatiti(2017) and Signing Wells Western Kenya(2018) projects….
Ketebul Music Group
…sicians themselves, their families, industry players such as producers and promoters, media personalities and the market audience. Memorable archiving is achieved through intensive academic research reports released along with a market-friendly package from each phase of research. The package comprises of a shorter, but succinct, popular version of the academic report and is contained in an attractively designed booklet. To reinforce it is an audi…
Day Six: January 24, 2019 From Mwanza to Dodomo to Nzali to Nairobi Story
…n trough) Group 2: Nyati Muchoya (also spelt Mchoya): From Nzali, the group is from the Wagogo Tupu community and was formed in 1966 by the grandfathers of the current performers. Their instruments include: Nindo (jingles), Njuga (Shakers), Mbega (animal Skins), Muheme (drums), Kabati (kayamba-shakers), Manyanga ( Maracas), Madodolo (cow bell), and Pangwa/Kipangwa (a double headed lyre). We recorded four performances, where each of the songs i…
Day One: 7 March 2022 (Shikangania and Mukumu) Story
…an Jacob Luseno of the Mukangala hit. He broke away from Jacob Luseno’s group in 2007 and formed Super Phoenix Band. Like most of the Luhya beats, Julius calls his music Maveka a musical style close to Isikhuti and like most of the Luhya beats is on the 3/4 signature time. Maveka is the Luhya language for ‘shoulders’ which are shaken vigorously with this kind of dance. An accomplished guitarist, Juluis Itenya regularly performs in Kakamega town bu…
Day Zero: 6 March 2022 – Travel To Stream Story
…s for musicians based in remote areas. Our mission to travel and stream in Western Kenya was made possible by funds from Hivos, with the additional support from the Abubilla Foundation. Travel to Stream After one week’s training and familiarization with the new software and equipment, we took the road to Western Kenya on the morning of Sunday, 6 March 2022. The Ketebul Music team met at our new offices at the GoDown Arts Centre on Kayahwe Road off…