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…Taarab is a fascinating combination of many musical styles: predominantly African beats, with Cuban, Indian and even Egyptian influences. Taarab’s origins are in the late 1800s. Mohamed Ibrahim, studied music in Egypt, where he learned to play the Qanun and returned to Zanzibar to form the Zanzibar Taarab orchestra. Of course, there are a variety of musical styles in Zanzibar, including (every use of quotes in this post are direct quotes from the…
Day Two: January 19, 2019 From Tarime to Buturi to Bariadi Story
…from gourds). It is worth taking a minute on the drums. They were typical African drums, but set up Western Style on a steel rack and they leaned one large bass drum against the rack. The drummer then built a separate wooden kick pedal, so he could play all the drums with his hands and kick with his feet. We had not seen this before and it meant the group has a very traditional sound but a very modern feel, with contemporary beats. We recorded si…
Global Influences Project: Loop Library Page
…common focus on using music as a tool for community development. The group promotes traditional African values and acts in both education and local economy. Members also engage in traditional crafts like basket weaving and jewellery making for exhibition and sale. You can learn more about the group here. You can watch the full visual performance of this song on our Youtube channel by clicking here. Download the loop singingwells · SW Samples – Ekh…
Otieno Aloka Group
…e from a variety of repurposed materials, including bicycle brake cables. When played with a bow, orutu creates different notes determined by finger pressure against the central stick. It provides a fast-moving, melodic accompaniment, similar to the fiddle in folk and country music….
Bigwala Instrument
We encountered the Bigwala during our field visit to Central and Eastern Uganda in December 2013. While staying in Jinja we invited a local Bigwala group, the Bigwala Cultural Group, to perform for Singing Wells. Click here to read our report from the field. Here is an extract from the UNESCO website, explaining about the Bigwala which was inscribed in 2012 on the List of Intangible Cultural Heritage in Need of Urgent Safeguarding: Bigwala music…
Day 9 – Sunday 9th July 2017 Story
…g and fingers involved in playing; plucking techniques); tuning and sound (central string, sound spectrum, twin strings, accompanying instruments in both traditional context and modern instrumental ensemble, technical innovations and developments); transmission methods; community occasions played in; taboos and beliefs surrounding the instrument; etc. We also attempted to establish if there was any contact and exchange between neighbouring communi…
Mission Page
…heritage of the region and to help make this legacy relevant and fresh to today’s audiences. As a group of sound and video engineers, producers and musicians, we set out on this mission not to become ‘fossil collectors’ and store the recordings in inaccessible archives. We work with musicians to make sure their music traditions continue to be practiced, can be shared amongst the widest audiences and become a source of inspiration for new musician…
Here for Research? Page
…interviews, historical information and first hand accounts of the way East African music has developed and grown. Instruments In depth information and photography of the different musical instruments used in East Africa. This database is constantly evolving as we discover and record more instruments. The instruments are tagged by their ethnicity, their recording location and the type (simply broken down into stringed, percussion or wind at present…
Recording, archiving and sharing the traditional music of East Africa Page
…heritage of the region and to help make this legacy relevant and fresh to today’s audiences. As a group of sound and video engineers, producers and musicians, we set out on this mission not to become ‘fossil collectors’ and store the recordings in inaccessible archives. We work with musicians to make sure their music traditions continue to be practiced, can be shared amongst the widest audiences and become a source of inspiration for new musician…
Winyo Staff Profile
…stening to Winyo an almost heavenly experience. Winyo is also a professional photographer, actor and a TV producer. He is currently the executive video producer for a Kenyan media company called Big Foot productions, which has produced several local TV shows. His goal is to take African music all over the world and enliven people to dance and sing to the sweet and melodic sounds of African songs and music. Winyo is a valued member of the Singing W…
Tabu Osusa Staff Profile
…tee of the “Spotlight on Kenyan Music“ project which seeks to discover and promote young talent, performing a blend of African music. The Kenyan government through its Ministry of National Heritage and Culture also supports this project. Tabu is also the Project Coordinator of Ketebul Music’s Retracing Series. Supported by the Ford Foundation Office of Eastern Africa, the Retracing Series is a research based documentary project whose main objectiv…
Influences songs from Singing Wells Group
…a new generation of musicians and fans who might not consider it relevant today. So, we have developed the Influences series – a fusion of traditional and contemporary styles. Each time the Singing Wells team embarks on a field recording visit we are joined by a talented musician who works with us on ‘Influences’ songs. They work with us in the field and also in the Ketebul Music studios in Nairobi to produce this new material. We believe our Inf…
Tarajazz Group
…ied classical piano and music. He became interested in Jazz and created an African fusion of Taarab and Jazz about two years ago. The name of his band changed from Mansule to Tarajazz. He combined African rhythms such as Msewe and Kyaso (both from Zanzibar) with Singeli (a new tribal rhythm). Taarab came from early 1800’s as Egyptian music. In Zanzibar the Mother of Taarab, Siti Binti Saad, made Taarab more popular in the 1920’s to 1950’s. We spok…
Day Five: February 20, 2020 (DCMA) Story
…wo songs. They produced a wonderful, dynamic fusion of Taarab, Traditional African rhythms and contemporary Western and African sounds. Performers: Tarajazz: Suleiman Makame (keyboard, director), Hassan Mahenge (Saxophone, assistant director), Mahsin Basalama (contra base), Christopher Weston (Cajon and high hat), Regina Juma (singer). There was supposed to be a violin player but unfortunately he couldn’t make it. Kirundo: Lukoa Nenes (sticks),…
Day Two: February 17, 2020 (Stonetown) Story
…, in Rahaleo. All male group ranging from age 7 up to 40, ten all together today. They sing Islamic and secular songs for weddings and celebrations. Today was mainly an acapello performance with one flute made out of a bamboo stick. The singers included: Ibrahim Ali Hassan (lead singer, flute ), Issa Ali Hassan (lead singer), Mlenge Ali Hassan, Othman Mlenge Ali, Afann Mlenge Ali, Iddi Abdallah Mohd, Abdillah Salum Juma (lead singer), Fesal Sleima…
Day Three: Bungoma Town to Kakamega Story
…id videos to their songs. Then they met John Charles Kapanga (who attended today’s Singing Wells recording session). He was a local business man with a house in Malinda. He invited the band to the house to rehearse, write and perform. Wilbert says that they were driven to the house on the back of a pick up van. During the drive when they came close to the Village, they played music and all the villagers followed them into John’s house. John took t…