Day Zero: February 15, 2020 – Assemble in Zanzibar Story
…’ Taarab’s origins are in the late 1800s. Mohamed Ibrahim, studied music in Egypt, where he learned to play the Qanun and returned to Zanzibar to form the Zanzibar Taarab orchestra. Of course, there are a variety of musical styles in Zanzibar, including (every use of quotes in this post are direct quotes from the DCMA): Ngoma: “Ngoma literally translated means drum and is a term to encompass all local traditional forms of dancing, drumming a…
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…ordings is extraordinary artistry and musicianship, reflecting years of training and practice in the ‘village classroom.’. Each of these musicians has learnt from the traditions and stories that have gone before them., often starting their own training as toddlers dancing and singing along to the village music. Whether young or old, keeping to the rules or creating new fusions, what is a common thread tying all of these experiences together is the…
Mohamed Uthman Kidumbak Group Group
…ki who teaches music in the DCMA. Kidumbak is a musical style with three main influences: Taarab, Unyago and Rumba. Dumba stands for a large drum. So Kidumba is a smaller, bongo style drum. Adding Ki to the beginning of the word makes it small. Mohamed Othman had no musicians in his family. He became interested in Kidumbak style music at 16 and taught himself the violin and bass. He went to Egypt off and on for six years on a scholarship from the…
Day Two: February 17, 2020 (Stonetown) Story
…ki who teaches music in the DCMA. Kidumbak is a musical style with three main influences: Taarab, Unyago and Rumba. Dumba stands for a large drum. So Kidumba is a smaller, bongo style drum. Adding Ki to the beginning of the word makes it small. Mohamed Othman had no musicians in his family. He became interested in Kidumbak style music at 16 and taught himself the violin and bass. He went to Egypt off and on for six years on a scholarship from the…
Report from Womex 2013 News
…our first visit to Womex, we booked a stand at the trade fair, with the main intentions being to spread the word of the project and the work we are doing in partnership with Ketebul Music. Ketebul have attended Womex before, and we would have benefited from the presence of our partners on this trip, but we were a last minute addition to the program. I got there late on Tuesday night and got to the arena early on Wednesday morning to set up the st…
The Tribal and Musical Structure of East Africa – Worldmap Research News
…nd share, which is exactly what we want in order to carry on building the Singing Wells community. Rosie has made some ‘how-to’ guides on how to add to a map yourself which you can access easily on our website too, in a few steps, ‘Housekeeping’, ‘The Map Outline’, ‘Prepare Your Data’. I met with Rosie to talk about her experience using the map for the benefit of Singing Wells. How did you discover the mapping software? I am currently reading medi…
African Strings: The Nyatiti and The Adungu News
You might remember back in November 2011, while the Singing Wells team discovered the Music of the Luo, they recorded the beautiful sound of the nyatiti, eventually purchasing one for our studio back home! There’s one on the right. On Day 11 of that field trip in Siaya, Kenya, they saw two nyatiti groups, first The Joginda Boys, featuring Oganda Joginda. Watch and listen: The second nyatiti group featured Okumu K’Orengo, another fantastic player…
Day 5: Recording the Marakwet Story
…1,000 Kenyan runners train here and the roads are filled with athletes training for London 2012. In addition, over 300 foreigners train here, mostly from Europe. We went to the main training centre and interviewed a project manager about why so many people travel all this way to train on the red dirt roads around Iten. She answered: “First, the altitude (roughly 2300 meters) is perfect – right at the peak of natural altitude where you can still t…
Day 1: The very first field recording day for Singing Wells Story
…ngo (broken glass moved in a big bowl) and Ndema (2 brass rings played in ringing and muted tones) Mwenzele-Nyerere wa Konde Music Club Lungo (Bowl) and Ndema (rings) Zaire Ndindingwa The group is led by Fundi bin Kalale in the ndindingwa style. Wonderful percussionist using two shakers and a whistle (filimbi). https://youtu.be/cvpcFBTaoTo https://youtu.be/3bvGrAulYP4 The Fusion: In this first village we really confirmed the mission of Singi…