Day One: The Iteso People and their Music Story
…chaeket. The shakers are called the Itwol. The ring is called the Edongot. Between their core songs, influences and a magic moment, we had a long session with the group. Songs included: Ataikatiaka Kitiso: This song is about the unity of the Teso people. While forces are trying to divide the people, the song encourages everyone to stay united. Akidai Imojong: This song asked everyone to take care of old people and respect them. Asorit: This is a s…
The Music of the Mijikenda Album
…th captured in Kibarani village, further south from Sila, and then further south again, later in the day – Supaki Kalazo and Sengenya recorded in Junda, Mombasa. We then headed to the South Coast and recorded in Vuga, Kwale County. The ZigiDigi Cultural Troupe and Muungano Kayamba providing the music. The album also includes two ‘influences’ recordings – one including Ketebul artist Winyo with Nyerere Wa Konde and his son Mr Bado. The other is Win…
Day Three: 9 March 2022 (Kisumu) Story
…k almost an hour for the two to figure out Akwabi’s unorthodox, expressive free style for most of his songs before the actual recording began at 2:00pm. After a few false starts we finished the recordings of Peter Akwabi at 4:00 PM with his latest song which is a tribute to D.O. Misiani, the maestro of benga music who died in the lakeside city in May 2006. Next on stage was Olith Ratego, a musician whose unique dodo style is one of the oldest form…
Singing Wells Stories Page
…e met Tiny Moses during our field trip to record the music of the Batwa in southern Uganda in late 2011. He arrived at the Travellers Rest hotel with the other members of the Micyingo community. He turned up to record with his home made guitar in his hand. We recorded him playing a few tracks with his and then we recorded him playing his guitar with our Influences artist, Winyo. He was then part of the group who travelled by bus to Nairobi to reco…
Group 2: Sophie Nzayisenga Story
…ather even played for the king’s palace). She was born in a village in the south of Rwanda. By age seven she was doing festivals and by nine years old she had left the country to play a festival in Bulgaria! She was accepted as a female inanga player because she started so young and people loved seeing this child perform. By the time she came of age people were used to seeing her. Since then she’s toured America, East Asia and Europe – last week s…
Martin Fredrick Muyeshi Staff Profile
…ry, specifically the episode “Death in Ten Minutes” as a cameraman. In his free time he was freelancing as a music photojournalist/cameraman to gain more experience. He also joined Royal Media Services’ Citizen TV where he worked on the TV programmes Tabasamu, Nairobi Law andMashtakaas a Director of Photography and a Lighting technician. He later joined Ketebul Studio, where he went on to work on several studio projects, among them the studio’…
Recording Resources Page
…gside some amazing musical technicians, videographers and ethnomusicologists. However, it has taken us time to really work out the best processes for working effectively out in the field. With that in mind, we have created some resources for other groups to use for working in the field. Please feel free to use the below resources for your field trips in whatever region you are based, and please do reach out to us. We love to meet others who are pa…
Day 1 – Saturday 1st July 2017 Story
…Dispute over which part of the region the instrument first originated in – South Nyanza or Central Nyanza; ‐ Discussion on the nyatiti gender taboo (whether a woman is or is not traditionally allowed to play the nyatiti and the reasons why); ‐ Mention of a Cultural Festival which takes place every year on 27th December and hosts several local nyatiti players; ‐ Discussion on whether a good nyatiti maker needs to be able to play the instrument as w…
Group 8: Abutazi Story
…ut himself. And it goes straight into Amananga (this song is inspired by a South African music style called Amapiano, but they’ve done their own Rwandan version on the inanga, hence “Amananga”). The song Amananga is another ode to the sound of the Inanga and how overwhelming it is. X and Y – this was the last song from the group together and “X and Y” translates to the same in English, talking about two unknown quantities. This is a playful counti…
Field Recording Report by Kahithe Kiiru Story
…we met one of our fixers in the area – Patrick Okodoi and his group – the SOUTH TESO JAZZ. Based on the adeudeu– a traditional Teso string instrument, this group plays an interesting folk local sound and is very popular in the area. They combine several adeudeu(arched harps) of various sizes and functions, notably: ADEUDEU BASS – 6-strings instrument played by two people sitting on it; struck as a percussive by player in the back; RHYTHM ADEUDEU…
Support Singing Wells Page
…s keen to hear from people who are happy to offer their time to help the project and from companies which may be able to support us with products or services free of charge. If you can help out in this respect please contact: info@singingwells.org…
Our Sponsors Page
…ly for a grant from the IIE to fund our field recording visit to Kisoro in south west Uganda in 2011. Here we visited 6 Batwa communities and recorded their wonderful songs and traditional dance. We were also able to tell the story of their lives since they were moved from their forest homes in order to create a National Park to protect the mountain gorilla population in the area. We would like to thank the IIE for their generous support of the pr…
Page
…Recording the Mperwa Dancers Recording the Batwa The Batwa of Kisoro Album Promotion of Batwa Culture – UOBDU Report #2 – Finding the Lost Voices of East Africa Letting Voices Be Heard Our mission at Singing Wells has always been to preserve the rich musical heritage of East Africa, whilst also promoting the importance of introducing this music to a wider audience so that this heritage doesn’t get lost. So many of our favourite moments, as you hav…
FAQ’s Page
…the material on the Singing Wells website and other digital media which is free to access. Any money received from the sale or commercial use of Singing Wells recorded material will be donated back to the project via The Abubilla Music Foundation and wherever possible royalties will be paid to the original performers. New Influences material is jointly owned by Ketebul Music and Abubilla Music. Profits arising from the sale of Influences material…
The Revival of the Entongooli Page
…these youngsters have managed to gain music scholarships so they can get a free education at their local schools. This project is not only providing a future for this instrument, but for the young people involved. Aside from this, Mr Mukadisi has a personal connection to this cross-generational project. His father was a builder of the Entongooli, and didn’t teach all the skills he needed to learn to play. In fact, none of the great players passed…
Day One: January 18, 2019. Assemble in Tanzania Story
…when the group is constrained. So, we often do another take which we call ‘free style’ where we take our cameras off tripods, and our video team simply follows the group around as they dance and sing. This provides a much more free feel, although it does mean we can miss part of the performance, so we always try to do two versions of the song. Magic Moment: For many songs, we find there is a moment of amazing percussion, or dance, or other instrum…