Tarajazz Group
…rector), Mahsin Basalama (contra base), Christopher Weston (Cajon and high hat), Regina Juma (singer). There was supposed to be a violin player but unfortunately he couldn’t make it. Songs: Alamina Dura – The orbit of the Gods Pakistan – written by Siti Binti Saad who loved Pakistan when she visited Kasha – Kenyan Taarab love song. A man singing about his “chest being opened and empty” In typical Taarab style this has sexual inuendo Hijjaz Solo –…
Day Three: February 18, 2020 (Stonetown, Mpendae, Maungani) Story
…oing by occasionally. We managed to record one song but had to stop after that due to noise. We hope to have this group come to the hotel on our last recording day. We felt bad that they only were able to perform one song but they took it graciously. Performers: Rajab Suleiman (qanun and director), Mohammed Hassan (accordian), Fum Faki (bongo and tabla), Tatu Khamis Haji (singer) Songs: Chungu – means Pot, composed by Said Ali 10 years ago Usikho…
Day Four: February 19, 2020 (Maruhabi Palace) Story
…based on the floor, Kinganga – a short medium sized drum, a Bati – a high hat, a Chapuo – a long narrow drum held under the arm, a Dutu – a smaller version of the Chapuo and Masewe – shakers worn on the legs. The most notable instrument was a type of horn made out of a gourd. Performers (all men): Shaaban Mwasi Sekimbuke (leader, plays he Bati -high hat), Haji Mtumweni (drums), Mohamed Faki (chapuo), Hussein Fereji (horn), Juma Nasoro (dancer wi…
Day Five: February 20, 2020 (DCMA) Story
…side more Western instruments such as the piano, saxophone, cajon and high hat. Culture Musical Club Taarab Orchestra – this culture club is one of the oldest Taarab orchestras in Zanzibar founded in 1965 after independence. Generations of musicians have played in it. It plays traditional Taarab music with all female solo singers and male singers on instruments. It was clear that this orchestra had played together for a long time and were well re…
Day Zero: February 15, 2020 – Assemble in Zanzibar Story
…hroughout our journey, we hear artists talk about Siti Binti Saad, noting that she was a rebel, noting that her lyrics were part of the Unyago style (see below) about real life, about real women, about love and sex… She always sang about these things through metaphors and the poetry of Swahili. But we had so many artists laughing with us as they told us the meanings of her songs. And with a wink and a smile, they’d all say, ‘Well this one is ab…
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…orks as part of Selam, a non-Governmental organisation based in Stockholm that promotes world music, and NACOFU (National Council of Folklorists of Uganda). Working alongside him, we have charted his journey to restoring several musical instruments that have been considered lost, the Royal Drums of the Buganda Kingdom, the Naizungwe Drums and the Bigwala. You can read more about his work here. You can watch our documentary film charting our redisc…
Report from Womex 2013 News
…to financial support. It is an exciting time, and seems to chime in with what Eddie Hatitye announced for Music in Africa. Members of the Music Producers Guild led a discussion on ‘What do producers actually do?‘ – the answer seems to be ‘everything’. The role of producer has many meanings, but it seems to me (as a producer) that it is the role of a project manager. Working with a budget and creative energy and materials to create an end product….
Northern Uganda: Day 6 – Soroti to Kampala (a driving story) Story
…. Our driver has reported we have crossed the Nile. Let us try to explain what that felt like. Darkness ahead. Darkness behind. Darkness to the left and right. Very clear view of guard rails on the road. And the only other sign is that Andy reported over the walkie talkie that is it always better to cross the Nile than to be ‘in denial’ (In The Nile, get it?). In fairness, how often can you use that joke? It is 20:37 and we just passed a police ro…
Northern Uganda: Day 5 – from Pakwach to Soroti (a road trip) Story
…n five and ten years. Then there are the charcoal makers and sellers. The thatch ladies ensure that the roads are dotted with thatch pillars. The charcoal makers burn the charcoal and then fill five foot high white bags of charcoal that line the roads in groups of 4-5. We often mistake them for nuns walking along the road in their beautiful white dresses. The white bags are typically crowned with a grass hat to keep them dry. Near Pakwach, this is…
The Tribal and Musical Structure of East Africa – Worldmap Research News
…don’t really see in Western music. There were also particular instruments that were surprisingly common that I would not have associated with African music, such as the Sansa, a type of thumb piano: Distribution of the Sansa Pokot Tribe (highlighted) Writing a profile for all of the different tribal groups was also fascinating. There are such a wide variety of different customs and beliefs in one area, and some tribes, such as the Pokot tribe from…
Day 5: Recording the Marakwet Story
…ly issue was, the more animated he became, the slower we went. So we knew that the more interesting the trip the longer it would take and tried to get the balance right between good questions to Tabu and long silences to let him drive faster. 80kms later we rediscovered a beautiful tarmac road that led us directly up into the hills. Long, winding roads taking us up and down hills. Every acre was farmland, even those acres on steep hill sides. Ever…
Day 1: The very first field recording day for Singing Wells Story
…the songs, the heritage, the culture relevant to today’s artists. Part of that mission then is to help create an East African musical identity to rival the South and West African successes. We had a taste of what this could be on March 29th in Sati, when Winyo joined Bado and his father, Nyerere wa Konde, to do a new song. Bado participates in his dad’s group, but separately records his own music. Bado’s music is great, propelled by his wonderful…