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…continue on for the next 10 years so that this music continues to inspire new artists and new audiences. Discovering “The Voice”: Jovah With this in mind, we come to our favourite Singing Wells moment: discovering the voice of Jovah. Jovah is a singer as part of the Mperwa Dancers, a group of Batwa people who were unfortunately forced to leave their forest home. We met Jovah on our field trip to Uganda in 2013 and were instantly blown away by her…
Recording Resources Page
…gside some amazing musical technicians, videographers and ethnomusicologists. However, it has taken us time to really work out the best processes for working effectively out in the field. With that in mind, we have created some resources for other groups to use for working in the field. Please feel free to use the below resources for your field trips in whatever region you are based, and please do reach out to us. We love to meet others who are pa…
Ayub Ogada Group
…me in Nyahera location, not far from Kisumu town, and conducted a long yet free of form type of interview. Although a Luo himself, Ayub had never learned how to play the nyatiti in a traditional setting. He picked it up later in his career and studied from a player/teacher at the national cultural centre of Bomas of Kenya in the 1980s. He remembers he had gone for 6 lessons (at a 100 shillings) only and then continued practicing and experimenting…
Day 5 – Wednesday 5th July 2017 Story
…me in Nyahera location, not far from Kisumu town, and conducted a long yet free of form type of interview. Although a Luo himself, Ayub had never learned how to play the nyatiti in a traditional setting. He picked it up later in his career and studied from a player/teacher at the national cultural centre of Bomas of Kenya in the 1980s. He remembers he had gone for 6 lessons (at a 100 shillings) only and then continued practicing and experimenting…
Day One: January 18, 2019. Assemble in Tanzania Story
…when the group is constrained. So, we often do another take which we call ‘free style’ where we take our cameras off tripods, and our video team simply follows the group around as they dance and sing. This provides a much more free feel, although it does mean we can miss part of the performance, so we always try to do two versions of the song. Magic Moment: For many songs, we find there is a moment of amazing percussion, or dance, or other instrum…
Day Three: February 18, 2020 (Stonetown, Mpendae, Maungani) Story
…rican rhythms such as Msewe and Kyaso (both from Zanzibar) with Singeli (a new tribal rhythm). Taarab came from early 1800’s as Egyptian music. In Zanzibar the Mother of Taarab, Siti Binti Saad, made Taarab more popular in the 1920’s to 1950’s. We spoke to Hassan Mahenge, the assistant director of this band. He is a teacher at the DCMA. He teaches the Oud and plays the saxophone. All the students at the DCMA study traditional music such as Taarab…
Patrick Ondiek Staff Profile
…really love tribal music. So when the Singing Wells project offered him a new opportunity to discover the music roots of East Africa, Pato jumped at the chance. Why? “First, I love the exposure to different cultures – even my own. I have never heard a lot of the tribal music, even around my own villages. Our trip to Nyanza in November blew me away. I have never heard music like that. My favourite performance was by Okumu K’Orengo. I was so moved….
What We Do Page
…ot consider it relevant today. So we have developed the Influences series: new compositions comprising a fusion of traditional and contemporary styles, themes, harmonies and instruments. Influences is led by musicians from Ketebul Music or singer/songwriters from the areas we are travelling to during our field visits. “Singing Wells can’t be just about archiving. We can’t be fossil collectors. We also have to make sure we can bring these tradition…
Mission Page
…shared amongst the widest audiences and become a source of inspiration for new musicians. Aims of the Singing Wells Project East Africa is a region with a diverse cultural heritage. Its borders encompass a multitude of different ethnic groups, each with their own unique traditions and histories, languages and dialects, religions and beliefs, ways of dressing, music and dance. We believe the importance of preserving music traditions cannot be under…
Global Influences Project: Artist Submissions Page
…lowing Amina Muta on Facebook. ATIENO OLUOCH X ADUNGU CULTURAL TROUPE This newest submission is called Wena and is by Atieno Oluoch. We loved the vocals and the way they complimented the rhythmic musical workings of the Adungu Cultural Troupe. This new version gave us summer vibes and felt incredibly uplifting! “I’m humbled by this opportunity and glad to have participated in the Singing Wells global project. When I picked the loop, I thought of c…
Day Five: January 22, 2019 Mwanza Continued Story
…omo: A wedding song Kidedeya: A send off song, a marriage song Kidedeya: Freestyle Magic Moment: Omusingero again https://youtu.be/AtwkoD3sDFo From recording we then drove eight hours to Sigiir. We woke and spend January 23rd driving onward to the New Dodoma Hotel. That evening we had a private meeting with Dr. Harrison G. Mwakyembe (MP), Minister, Ministry of Information, Culture, Arts and Sports, The United Republic of Tanzania. Dr. Harrison…
Day Zero: February 15, 2020 – Assemble in Zanzibar Story
…A month later the Zanzibar Revolution occurred. Several thousand Arabs and Indians were killed. Thousands more were expelled leading to the Republic of Zanzibar and Pemba. Soon the islands joined the Mainland Tanganyika and were subsumed to form Tanzania. Today, the population of the islands is over 98% Muslim. Second, one of our main partners for our trip was the Dhow Countries Music Academy. The “Dhow” is a traditional sailing vessel. We s…
Support Singing Wells Page
…s keen to hear from people who are happy to offer their time to help the project and from companies which may be able to support us with products or services free of charge. If you can help out in this respect please contact: info@singingwells.org…
Our Sponsors Page
…2012 field recording visit to Kenya. Read all about it here. http://www.annewright.com/index.asp Institute of International Education Type of sponsorship: Field Recording Visit, Music of the Batwa, Uganda 2011 Through our relationship with The Ford Foundation we were able to apply for a grant from the IIE to fund our field recording visit to Kisoro in south west Uganda in 2011. Here we visited 6 Batwa communities and recorded their wonderful so…
Martin Fredrick Muyeshi Staff Profile
…ry, specifically the episode “Death in Ten Minutes” as a cameraman. In his free time he was freelancing as a music photojournalist/cameraman to gain more experience. He also joined Royal Media Services’ Citizen TV where he worked on the TV programmes Tabasamu, Nairobi Law andMashtakaas a Director of Photography and a Lighting technician. He later joined Ketebul Studio, where he went on to work on several studio projects, among them the studio’…
Namaddu Troupe Group
…uffer? A woman can’t have a baby so her husband beats her and sends her to the witch doctor who ensures she gets pregnant. She then returns to husband, who has been off drinking, and they reunite. “Kwakira Wiita”: A song about eating new food, particularly millet, after the harvest. But the children don’t stay home and are out all the time, so they suffer from bad spiritis. They need to be home in the house for the good spirits. Gradually they ret…