Page
…no better than the other Batwa so I thank you for choosing me. I am happy 1000 times over. My message represents the rest of the Batwa people. I listened to the recording of my song – it was so nice, so sweet.’ The day ended with her joyfully dancing to her own record, with her newborn baby in her arms. It was a moment that made so much of the work put in by the entire team completely worth it. And it has inspired us to continue searching for more…
Day Three: 9 March 2022 (Kisumu) Story
…n: Dunga Hill Camp – Kisumu. Field Notes: We left Khayega for Kisumu at 10:00am and made a quick stop at Kiboswa ‘city’ on our way to the Lakeside city. This historic center, inhabited by the Luo, Luhya and the Kalenjin tribes of Kenya, is home to Paul Kelemba (or Maddo, as the cartoonist is popularly known). After taking a few photos to prove to the award-winning cartoonist that we actually visited his ancestral home, we continued with our journe…
Day 5 – Wednesday 5th July 2017 Story
…Bomas of Kenya in the 1980s. He remembers he had gone for 6 lessons (at a 100 shillings) only and then continued practicing and experimenting by himself. It was equally interesting to hear his theory of the name nyatiti, which he translated from the Luo word nyar as queen and titi, making it “the queen of the clan”. The most interesting points Ayub had made were on the difference between playing at home, in an informal or traditional setting and p…
Day One: January 18, 2019. Assemble in Tanzania Story
…rage, we do one field visit a year, recording roughly 20-25 groups, and a 100-125 performances. We have roughly 1,000 videos online. Our general setup for a recording is: a) Steve is in charge of audio and we typically have two general mics for the group and 5-6 specific microphones for singers and musicians, b) we have three video cameras operating – one wide shot for full performance, one close up to capture details of instruments and one roving…
Ayub Ogada Group
…Bomas of Kenya in the 1980s. He remembers he had gone for 6 lessons (at a 100 shillings) only and then continued practicing and experimenting by himself. It was equally interesting to hear his theory of the name nyatiti, which he translated from the Luo word nyar as queen and titi, making it “the queen of the clan”. The most interesting points Ayub had made were on the difference between playing at home, in an informal or traditional setting and p…
Patrick Ondiek Staff Profile
…really love tribal music. So when the Singing Wells project offered him a new opportunity to discover the music roots of East Africa, Pato jumped at the chance. Why? “First, I love the exposure to different cultures – even my own. I have never heard a lot of the tribal music, even around my own villages. Our trip to Nyanza in November blew me away. I have never heard music like that. My favourite performance was by Okumu K’Orengo. I was so moved….
Day Three: February 18, 2020 (Stonetown, Mpendae, Maungani) Story
…rom Zanzibar) with Singeli (a new tribal rhythm). Taarab came from early 1800’s as Egyptian music. In Zanzibar the Mother of Taarab, Siti Binti Saad, made Taarab more popular in the 1920’s to 1950’s. We spoke to Hassan Mahenge, the assistant director of this band. He is a teacher at the DCMA. He teaches the Oud and plays the saxophone. All the students at the DCMA study traditional music such as Taarab as well as Western music. Members of the grou…
What We Do Page
…f the Singing Wells project is to introduce tribal East African music to a new generation of musicians and listeners who might not consider it relevant today. So we have developed the Influences series: new compositions comprising a fusion of traditional and contemporary styles, themes, harmonies and instruments. Influences is led by musicians from Ketebul Music or singer/songwriters from the areas we are travelling to during our field visits. “Si…
Global Influences Project: Artist Submissions Page
…lowing Amina Muta on Facebook. ATIENO OLUOCH X ADUNGU CULTURAL TROUPE This newest submission is called Wena and is by Atieno Oluoch. We loved the vocals and the way they complimented the rhythmic musical workings of the Adungu Cultural Troupe. This new version gave us summer vibes and felt incredibly uplifting! “I’m humbled by this opportunity and glad to have participated in the Singing Wells global project. When I picked the loop, I thought of c…
Day Five: January 22, 2019 Mwanza Continued Story
…Kagera Bukoba and part of the Wahaya Community, this group was formed in 2000 and performs in the Akasimbo style. Their instruments are: Kangote (Drums), Akafotho (hand whistling), Enganja: Clapper – two wooden ‘bricks’ struck together, and they wear Ebisheshe (grasses). We recorded four performances: Wachumba Walya: A song about someone who is too mean-spirited to support his community even though he has lots of money, it is about a man “who eats…
Mission Page
…shared amongst the widest audiences and become a source of inspiration for new musicians. Aims of the Singing Wells Project East Africa is a region with a diverse cultural heritage. Its borders encompass a multitude of different ethnic groups, each with their own unique traditions and histories, languages and dialects, religions and beliefs, ways of dressing, music and dance. We believe the importance of preserving music traditions cannot be under…
Aynu Traditional Group Group
…) and a tin sheet for percussion. The Lugbara Tribe Population: Around 900,000 History: They were known in the 19th century as ‘The Naked People’, due to the lacking importance of clothes in their culture. In the early days, the Lugbara were a mainly chiefdom-based community. They did not have kingdoms and kings presiding over them as like other ethnic groups in Uganda. They mainly had chiefs who were their leaders. They formed friendly alliances…
Recording Resources Page
With almost 10 years of experience in the field, we feel incredibly privileged to have worked alongside some amazing musical technicians, videographers and ethnomusicologists. However, it has taken us time to really work out the best processes for working effectively out in the field. With that in mind, we have created some resources for other groups to use for working in the field. Please feel free to use the below resources for your field trip…
Martin Fredrick Muyeshi Staff Profile
…ng Cooperation’s Metro FM Radio as a Production intern from Jan 2006-June 2006. With the experience he had gained at KBC he then moved on to Nation Media, where he joined the station’s celebrated investigative journalistsMohamed Ali and John Allan Namu at NTV, working on their investigative feature documentary The Inside story, specifically the episode “Death in Ten Minutes” as a cameraman. In his free time he was freelancing as a music photojou…
Support Singing Wells Page
…red charity which funds the Singing Wells project Sponsor a Recording Day£3000 Your Gift to Us Your money will be used to support a complete day of recording traditional music for the Singing Wells project. Your donation will be spent in East Africa, funding the recording sessions in the field. There may be as many as six different music groups performing on one day and your donation will mean that every music group is able to perform and their so…
Buganda Music Ensemble Group
Buganda Music Ensemble: founded in 2004 and led by Albert Bisaso Ssempeke Jr, son of the legendary Dr. Albert Ssempeke Senior. Music style: Kiganda Song Meanings “Ggangalwa”: A king servant tried to play with the princess. All women in the palace, however, are controlled and possessed by the king. He was punished by cutting off his fingers. His friends eventually found out due to all the rumors circulating the palace. They tried to ask him abo…