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Recording Resources Page

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With almost 10 years of experience in the field, we feel incredibly privileged to have worked alongside some amazing musical technicians, videographers and ethnomusicologists. However, it has taken us time to really work out the best processes for working effectively out in the field. With that in mind, we have created some resources for other groups to use for working in the field. Please feel free to use the below resources for your field trip…

Day Three: 9 March 2022 (Kisumu) Story

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…n: Dunga Hill Camp – Kisumu. Field Notes: We left Khayega for Kisumu at 10:00am and made a quick stop at Kiboswa ‘city’ on our way to the Lakeside city. This historic center, inhabited by the Luo, Luhya and the Kalenjin tribes of Kenya, is home to Paul Kelemba (or Maddo, as the cartoonist is popularly known). After taking a few photos to prove to the award-winning cartoonist that we actually visited his ancestral home, we continued with our journe…

Martin Fredrick Muyeshi Staff Profile

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…Broadcasting Cooperation’s Metro FM Radio as a Production intern from Jan 2006-June 2006.   With the experience he had gained at KBC he then moved on to Nation Media, where he joined the station’s celebrated investigative journalistsMohamed Ali and John Allan Namu at NTV, working on their investigative feature documentary The Inside story, specifically the episode “Death in Ten Minutes” as a cameraman. In his free time he was freelancing as a musi…

Support Singing Wells Page

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…red charity which funds the Singing Wells project Sponsor a Recording Day£3000 Your Gift to Us Your money will be used to support a complete day of recording traditional music for the Singing Wells project. Your donation will be spent in East Africa, funding the recording sessions in the field. There may be as many as six different music groups performing on one day and your donation will mean that every music group is able to perform and their so…

The Revival of the Entongooli Page

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…rs. Some of the instruments that Mr Mukadisi has in his position are over 100 years old. Once the correct tree has been found that is of an appropriate age, around 10 years old so the wood is fully formed, it is chopped down and into smaller pieces to begin the drying process. When the wood has appropriate time to dry, it is prepared for chopping and shaping, and the next process of preserving the wood through the use of animal dung. More on that…

Page

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…no better than the other Batwa so I thank you for choosing me. I am happy 1000 times over. My message represents the rest of the Batwa people. I listened to the recording of my song – it was so nice, so sweet.’ The day ended with her joyfully dancing to her own record, with her newborn baby in her arms. It was a moment that made so much of the work put in by the entire team completely worth it. And it has inspired us to continue searching for more…

Singing Wells Stories Page

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…ar her collaboration with the Watmon Cultural Group – Amari – click here: 2011 – 2013 sampler CD Winyo Winyo Shipton is a singer songwriter from Kenya. He joined us on our first trip to coastal Kenya to record the music of the Mijikenda. On the first session we recorded, in Gede, Winyo helped to create the Influences series by recording with Nyerere Wa Konde and his son Mr Bado. You can read more about the first influences session by clicking here…

Our Sponsors Page

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…f sponsorship: Field Recording day in Kenya, Music of the Kalenjin, March 2012 Thank you to Anne for her kind and generous donation to towards our 2012 field recording visit to Kenya. Read all about it here. http://www.annewright.com/index.asp   Institute of International Education Type of sponsorship: Field Recording Visit, Music of the Batwa, Uganda 2011 Through our relationship with The Ford Foundation we were able to apply for a grant from the…

Ayub Ogada Group

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…Bomas of Kenya in the 1980s. He remembers he had gone for 6 lessons (at a 100 shillings) only and then continued practicing and experimenting by himself. It was equally interesting to hear his theory of the name nyatiti, which he translated from the Luo word nyar as queen and titi, making it “the queen of the clan”. The most interesting points Ayub had made were on the difference between playing at home, in an informal or traditional setting and p…

Day 5 – Wednesday 5th July 2017 Story

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…Bomas of Kenya in the 1980s. He remembers he had gone for 6 lessons (at a 100 shillings) only and then continued practicing and experimenting by himself. It was equally interesting to hear his theory of the name nyatiti, which he translated from the Luo word nyar as queen and titi, making it “the queen of the clan”. The most interesting points Ayub had made were on the difference between playing at home, in an informal or traditional setting and p…

Day One: January 18, 2019. Assemble in Tanzania Story

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…rage, we do one field visit a year, recording roughly 20-25 groups, and a 100-125 performances. We have roughly 1,000 videos online. Our general setup for a recording is: a) Steve is in charge of audio and we typically have two general mics for the group and 5-6 specific microphones for singers and musicians, b) we have three video cameras operating – one wide shot for full performance, one close up to capture details of instruments and one roving…

FAQ’s Page

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…ideo has a donation button associated with it and you can donate £1, £5, £10,£20 or £50 to help support a music group you particularly like. Find us on YouTube here. If I support you where will the money go? How do I know it will be well spent? Donations to Singing Wells can be made through The Abubilla Music Foundation. Your donation will be restricted for use in East Africa to support the project goals. You can specify just how much you would li…

Central & Eastern Uganda: Day 4, Part 1 – Reflections Story

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…That is why we will be in Nairobi in the studios with musicians from our 2013 visit to Uganda – we are recording them professionally, surrounding them with great new artists and we hope giving them an opportunity to find new listeners that want to take elements of the music forward. With this as background, this is what we discussed on the grounds of the Kampala Museum. I will paraphrase a half a dozen voices and many long and winding conversatio…

The History Of Benga Music: A Report by Ketebul Music Story

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…African countries—Kenya, Uganda and Tanzania—covering an area of over 68,000 square kilometers. The Luo who live around its shores in Kenya speak a western Nilotic tongue distinctly different from their Bantu neighbours to the north and south, and their Kalenjin distant cousins to the east. The Luo comprise close to 3 million people. Their forefathers migrated south from the Bahr al Ghazal region in what is today know as Southern Sudan in a stead…

Central and Eastern Kenya: Day 3 – Nkubu to Mariene to Murungurune to Nkubu Story

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…stream. The Music Groups Mariene Traditional Dancers This group formed in 2003 and is led by Simon Munuki. They are from the Ameru Ethnic Community. Their musical style is Kirarire and Authi. The lead singer wears Murungi, an ornament on both sides of the arms which is worn by the initiator/circumciser; it signifies a man of respect and authority. Their costumes include Lesos, necklaces, face painting, spears, fly whisks, gourds, and head gear, ca…

Central Uganda: Day 0 – Nairobi/London to Entebbe Story

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…great to see our old friends at the hotel. We had a quick dinner and a few free drinks (we had charmed some flight attendants on the plane to contribute to Singing Wells with a few whiskeys). Most of us then went to bed for the night, deciding to have one final evening free of our London friends. Patrick, however, woke up in time to be a ‘greeting party’ to the London arrivals. Message from Abubilla Music Foundation Team Representing the AMF are J…