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…ked to Congolese rumba and West African highlife, but differs sharply from South African kwela, taarab, chakacha and kidumbaak; the most well-known Swahili music forms from the coastal strip of East Africa. The peculiarity of the Benga beat comes from the combination of a sharp lead guitar overriding the rhythm and bass. The pace of the guitars, with a steady rise to a climax or crescendo and an equally quick refrain, together with the arrangement…
Instruments Introduction Page
…have found so far on our travels. The instruments are tagged by their ethnicity, their recording location and the type (simply broken down into Stringed, percussion or wind at present). This also makes it easy to find links between instruments – the Rigi Rigi and the Orutu being very similar is one good example. We hope to find more instruments as we record more throughout East Africa, and as we do, we will bring them to you through this page….
Recording Resources Page
…gside some amazing musical technicians, videographers and ethnomusicologists. However, it has taken us time to really work out the best processes for working effectively out in the field. With that in mind, we have created some resources for other groups to use for working in the field. Please feel free to use the below resources for your field trips in whatever region you are based, and please do reach out to us. We love to meet others who are pa…
Mission Page
…and with Singing Wells we aim to: Preserve the rich music heritage of East Africa Introduce East African tribal music to a new generation of musicians and music fans Offer tangible and lasting benefits to the musicians and village communities we visit Encourage the development of village music groups, particularly within the young community, and demonstrate that preserving cultural music heritage will help sustain a vibrant and successful communit…
What We Do Page
…We are committed to supporting traditional music performance in rural East Africa as we believe that this not only serves to promote and preserve the cultural heritage of a community but is also a key indicator of the sustainability of that community. “While fragile, intangible cultural heritage is an important factor in maintaining cultural diversity in the face of growing globalization. An understanding of the intangible cultural heritage of dif…
Here for Research? Page
…interviews, historical information and first hand accounts of the way East African music has developed and grown. Instruments In depth information and photography of the different musical instruments used in East Africa. This database is constantly evolving as we discover and record more instruments. The instruments are tagged by their ethnicity, their recording location and the type (simply broken down into stringed, percussion or wind at present…
Day One: The Iteso People and their Music Story
…song praising everyone that is not part of this community. He sang of East African countries and different ethic communities, welcoming them all Elolo Idalo: A song about praising someone who is doing well. Abalang’a Kimusa: A song about a salt shortage from years back, when they learned to burn certain plants to create salt taste from the ashes. Obasie switched to the Ageregere and played three songs: Omaune: This song is about a greedy man who e…
Group 8: Abutazi Story
…ut himself. And it goes straight into Amananga (this song is inspired by a South African music style called Amapiano, but they’ve done their own Rwandan version on the inanga, hence “Amananga”). The song Amananga is another ode to the sound of the Inanga and how overwhelming it is. X and Y – this was the last song from the group together and “X and Y” translates to the same in English, talking about two unknown quantities. This is a playful counti…
Video playlists from Kenya 2018 Story
…ww.youtube.com/watch?v=WZWLQCNVUtE&list=PL6jxUA468Mq9Pd2xlX3D7Ru2MTTuT8KqS South Teso Jazz https://www.youtube.com/watch?v=8VW0wNmuq8I&list=PL6jxUA468Mq_tVAwWIrPTe9FlbEmAWWBb Obasie Palnyang https://www.youtube.com/watch?v=ieNi3J-ky4E&list=PL6jxUA468Mq_807_5aRNd5562pLxoHfIl Omong’oluk Traditional Dancers https://www.youtube.com/watch?v=ILMAhvkRtg0&list=PL6jxUA468Mq9LNfV2MxN2k1JwC-xu5n06 Samuel Namatete https://www.youtube.com/watch?v=JtkGVQFNoPw&l…
Group 2: Sophie Nzayisenga Story
…ather even played for the king’s palace). She was born in a village in the south of Rwanda. By age seven she was doing festivals and by nine years old she had left the country to play a festival in Bulgaria! She was accepted as a female inanga player because she started so young and people loved seeing this child perform. By the time she came of age people were used to seeing her. Since then she’s toured America, East Asia and Europe – last week s…
Day 1 – Saturday 1st July 2017 Story
…Dispute over which part of the region the instrument first originated in – South Nyanza or Central Nyanza; ‐ Discussion on the nyatiti gender taboo (whether a woman is or is not traditionally allowed to play the nyatiti and the reasons why); ‐ Mention of a Cultural Festival which takes place every year on 27th December and hosts several local nyatiti players; ‐ Discussion on whether a good nyatiti maker needs to be able to play the instrument as w…
Get on the Map Page
If you are making music in East Africa, then we’d love to feature you on our map. Please fill in the options below to get in touch: To Upload music to the Dropbox – go to: http://soundcloud.com/singingwells/dropbox Note: submission of the form grants The Singing Wells project permission to embed any links contained within the form on the map of East Africa. Submission of the form does not guarantee that your group or music will be featured on t…
Tabu Osusa Staff Profile
…tee of the “Spotlight on Kenyan Music“ project which seeks to discover and promote young talent, performing a blend of African music. The Kenyan government through its Ministry of National Heritage and Culture also supports this project. Tabu is also the Project Coordinator of Ketebul Music’s Retracing Series. Supported by the Ford Foundation Office of Eastern Africa, the Retracing Series is a research based documentary project whose main objectiv…
James Allen Staff Profile
…Wells project with Ketebul Music, sharing their passion for preserving and promoting the traditional music of East Africa. Jimmy has an MBA from Harvard University and an MA in International Economics from Johns Hopkins. He is a dual US-British citizen and has lived in the United Kingdom, with his wife and three children, since 1995. He is chair of trustees for The Abubilla Music Foundation. During the Singing Wells field recording trips Jimmy is…
Field Recording Report by Kahithe Kiiru Story
…common focus on using music as a tool for community development. The group promotes traditional African values and acts in both education and local economy. Members also engage in traditional crafts like basket weaving and jewellery making for exhibition and sale. Their chairman, Mr. Bwire, also chairs the County Culture Committee and says he is “biased towards ethnomusicology” because “that’s where the beauty of the music lies”. Our recording ses…
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…ck in 2011, we had a mission to preserve the rich musical heritage of East Africa, by filming different musical groups on our yearly field visits. But aside from this, we have always aimed to showcase this incredible music with the wider global music community to show just how innovative and exciting this music is. With that in mind, as we approach our 10 year anniversary, we want to truly combine these two missions and celebrate how music in the…