Nile Beat Artists Group
…evolve his sound. He plays the Kora, and much of his writing combines West African instruments with an East African writing style. Song Meanings “Ikobo Kobo”: It is a type of herb. It is a song about a girl who is very bitter because her mother will not let her play with her friends freely. The mother explains to her that she was barren but the spirits helper her to conceive so the spirits set the condition that she should never play in the rain….
Day Three: Bungoma Town to Kakamega Story
…a local school, teaching sciences and also teaches students in traditional African instruments. The band was filled with various students, each learning to dance, sing and/or play a traditional instrument, including on the day: Fimuka: Shakers Lidungu: stringed instrument Isiriri: Single string instrument (is this really the Shirili?) Mirembe: Xylophone Olwika: Horn Isukuti: Hand-held ‘conga’ drums Kayamba: shakers Likata: sticks Ikengele: Ring Ch…
Day One: The Iteso People and their Music Story
…song praising everyone that is not part of this community. He sang of East African countries and different ethic communities, welcoming them all Elolo Idalo: A song about praising someone who is doing well. Abalang’a Kimusa: A song about a salt shortage from years back, when they learned to burn certain plants to create salt taste from the ashes. Obasie switched to the Ageregere and played three songs: Omaune: This song is about a greedy man who e…
Uganda: Music from the Central and Eastern Region Gallery
…Images from the Singing Wells field recording visit to Uganda 2013. Our journey took us from Entebbe to Kampala, Kidinda, Bukada, Mbale, Jinja and the small village of Idudi near Iganga where we recorded music of the Baganda, Bagisu, Bagwere, Basoga and Banyoli. We were fortunate to receive sponsorship from The Mara Group and Gorilla Tours for this visit and many of our photos feature our thank you message to both organisations. …
Kiplagat Edwin Kwambai aka Fifty Cows Staff Profile
…enjin, which was the focus area for the Singing Wells project at the time. Fifty Cows went on to be the main contact person and “fixer” for the project. In 2014, the Singing Wells again called on Fifty Cows for the first Repatriation Project by the International Library of African Music, which was supported by the Singing Wells. This repatriation project involved retracing and locating surviving musicians who had been recorded and their music arch…
Upendo Jazz Group
…is from the Murangi Village in the Mara Region and their community is Wajita and their style is Vidogori. They were founded in 1999. Their instruments included: Ngoma za Budogori (drums, with a kick) and Njiga (shakers from gourds). It is worth taking a minute on the drums. They were typical African drums, but set up Western Style on a steel rack and they leaned one large bass drum against the rack. The drummer then built a separate wooden kick p…
Mission Page
…Kenya, a non-profit organisation committed to identifying, preserving and promoting the diverse music traditions of East Africa. The project is supported by our UK charity, The Abubilla Music Foundation. Our goal is to record, archive and share the traditional music of East Africa for two important reasons – to sustain and celebrate the extraordinary cultural music heritage of the region and to help make this legacy relevant and fresh to today’s…
Conclusion: Challenges and Recomendations Story
…ers to questions, give more space to each individual, as well as allow the central instrument to maintain its centrality, a fact crucial for the story. In editing, we can then draw lines of comparison between instrument 2 and 3 as well. In this exercise, I believe, it is not necessary to involve more than 3 additional instruments in comparison to the central one. Finally, yet perhaps mostly importantly, I believe the Masters series should put more…
Group 8: Abutazi Story
…self. And it goes straight into Amananga (this song is inspired by a South African music style called Amapiano, but they’ve done their own Rwandan version on the inanga, hence “Amananga”). The song Amananga is another ode to the sound of the Inanga and how overwhelming it is. X and Y – this was the last song from the group together and “X and Y” translates to the same in English, talking about two unknown quantities. This is a playful counting son…
Day Two: January 19, 2019 From Tarime to Buturi to Bariadi Story
…from gourds). It is worth taking a minute on the drums. They were typical African drums, but set up Western Style on a steel rack and they leaned one large bass drum against the rack. The drummer then built a separate wooden kick pedal, so he could play all the drums with his hands and kick with his feet. We had not seen this before and it meant the group has a very traditional sound but a very modern feel, with contemporary beats. We recorded si…
3. Background of the Naizungwe drums Story
…more political structures [ie. the eleven chiefdoms] were demonized by the central government and all meetings at that level stopped. When the top structures died, the clan structures also weakened because clan leaders did not answer to anybody higher. Eventually clans and their values weakened. As a result, clan regalia such as naizungwe became extinct because clan meetings ceased to take place in the original manner. Other factors that eroded tr…
Here for Research? Page
…interviews, historical information and first hand accounts of the way East African music has developed and grown. Instruments In depth information and photography of the different musical instruments used in East Africa. This database is constantly evolving as we discover and record more instruments. The instruments are tagged by their ethnicity, their recording location and the type (simply broken down into stringed, percussion or wind at present…
Introduction: Project overview and objectives Story
…ing and documenting master players and instrument makers of various Kenyan/African instruments as they: a) Make their respective instruments; b) Tune the said instruments; c) Give master classes to other musicians of those particular instruments; d) Give short brief direction/instructions on how they approach basic training for beginners interested in learning their particular instruments. Thus, the focal areas for research and filming are inst…
What We Do Page
…i, Alur, Langi, Iteso) Music of Central & East Uganda Music of Eastern and Central Kenya During each field visit we are invariably struck by a particularly talented or exciting musician or music group. When this happens we arrange for them to travel to Ketebul Music in Nairobi to record their music in the studio. Many of these studio sessions have contributed to the Singing Wells ‘Influences’ series (see below). A permanent archive of East African…
Ketebul Music Group
…ablished in early 2007 with the ambitious vision to carry out research and promote the diverse fusion of traditional sounds of Kenya and East Africa through the documentation and archiving of the work of musicians who have shaped the various genres of music from the region over the past six decades. In broader terms, intensive research carried out by Ketebul Music involves the musicians themselves, their families, industry players such as producer…
Global Influences Project: Artist Submissions Page
…is submission from Beats by Maggy, a producer based in Nakuru, Kenya. “The African sounds were so inspiring, I created the beats using fruity loop Fl studio. The African loop was so energetic so I had to feature some more energy to make it more lively.” We love this energy too – a perfect tune to get the party going! You can follow more Beats by Maggy by following Amina Muta on Facebook. ATIENO OLUOCH X ADUNGU CULTURAL TROUPE This newest submissio…