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…ur field trip in late 2011, capturing the music of the Luo people. They performed for us in Dinky’s Resort Club, an old dance hall with a grass arena behind it that made the perfect stage for their upbeat and energetic performances. They performed five songs with us at the resort, including ‘Charles Manager’, a sincere song showing gratitude to the manager of a factory who has been doing a good job, which we later recorded at Ketebul Studios. The…
Influences songs from Singing Wells Group
…e keys objectives of the Singing Wells project is to introduce tribal East African music to a new generation of musicians and fans who might not consider it relevant today. So, we have developed the Influences series – a fusion of traditional and contemporary styles. Each time the Singing Wells team embarks on a field recording visit we are joined by a talented musician who works with us on ‘Influences’ songs. They work with us in the field and al…
Watmon Cultural Group Group
…Eventually he had people coming to him asking to be a part of it, and from that point the group became an institution. In the fallout of the war against Idi Amin’s regime, many people were looking for an escape, and the troupe presented just such an opportunity. The group performed for President George Bush during a state visit to Uganda. They were also recorded in 2012 for the BBC’s World Routes album, presented by ethnomusicologist Lucy Duran. T…
Day 5 – Wednesday 5th July 2017 Story
…me in Nyahera location, not far from Kisumu town, and conducted a long yet free of form type of interview. Although a Luo himself, Ayub had never learned how to play the nyatiti in a traditional setting. He picked it up later in his career and studied from a player/teacher at the national cultural centre of Bomas of Kenya in the 1980s. He remembers he had gone for 6 lessons (at a 100 shillings) only and then continued practicing and experimenting…
Day 1 – Saturday 1st July 2017 Story
…e tight, and some of the preliminary work had not been completed, we opted for a semi‐formal preparative interview with John Otieno ‘Rapasa’, a young nyatiti player based in Nairobi, yet from Alego area (Siaya County), who was a part of our team as a fixer and translator. The main objective of this semi‐interview was to define, at least, approximatively, the different stages of nyatiti making before arrival to the field in order to plan on filming…
Otieno Aloka Group
Otieno Aloka is a musician best known in Kenya for his hit song ‘Kanungo Eteko’. In our session with the Ohangla group he plays the orutu, the second major instrument of Luo music. The orutu consists of a hollow wooden box that has monitor lizard skin stretched over one side. The string used to be made from fibers of the sisal plants but is now made from a variety of repurposed materials, including bicycle brake cables. When played with a bow, or…
Nile Beat Artists Group
…agombe”: This is a song about the death of the leader’s father. He wrote it after his father’s death. The song is about what his father told him before he died. “Ebibira”: This song talks about the dangers of deforestation. The forest is where the spirits of the fore fathers can rest. If you destroy the forests, you destroy their homes so they will be loitering around and the living won’t have any peace….
Tarajazz Group
…ied classical piano and music. He became interested in Jazz and created an African fusion of Taarab and Jazz about two years ago. The name of his band changed from Mansule to Tarajazz. He combined African rhythms such as Msewe and Kyaso (both from Zanzibar) with Singeli (a new tribal rhythm). Taarab came from early 1800’s as Egyptian music. In Zanzibar the Mother of Taarab, Siti Binti Saad, made Taarab more popular in the 1920’s to 1950’s. We spok…
Fanuel Amimo Group
…ngle in 1964 with David Amunga as producer, in a studio owned by Andre Crawford and Betty Tete. His second record was produced by Sammy Osere for Lamore record label, while his third song led to his fall out with Polygram records in 1974. After that, he started producing himself and established his own label entitled African Beat. We recorded five of Amimo’s well known songs: “Safari ya Magadi”; “Ndeshera Omwana”; “Harusi ya Leah”; “Omwana Yenyang…
Nyota Ze Meremeta Group
…tel for over twenty years and teaches at the Dhow Countries Music Academy. For 50 years he’s taught music in Zanzibar and promotes other musicians. Other members of this group include: Ramadhan Muhidan (accordion), Ali Ibrahim Musa (Kanan or Qanun), Tatu Hamisi Amur (accordion), Asha Khemisi Amur (violin) and Malick Anas (fiddle). Malick is 75 and has played with the Professor since 1961. All songs were very Arab influenced by all the lyrics are S…
Buganda Music Ensemble Group
…t for us. Albert is only one of 3 master players. It was played in solo performances and the Ennanga player was the advisor to the king, as people would bring him messages for the king that he would turn to song. “Mulirwana”: it means neighbour and the song is about people who don’t trust their neighbours and they believe that anyone that doesn’t trust their neighbours is a witch. “Ssewaswa”: This is about twins Wasswa and Kato, and praising twins…
Bigwala Cultural Group Group
…village of Bukoona and travelled to the Gately on the Nile Hotel in Jinja for the recording session. The Bigwala is the name of the trumpets they play. Song Meanings “Muwe Bwobona Asaba”: When someone asks you kindly assist them. “Mperekera Omwana Womurembe”: When you are walking with someone by your side they are the special one and you don’t look at anyone else. “Mwene Wamwenda”: When you love someone even if they are poor, lame, sick or blind,…
Kochia Traditional Dancers Group
…that the dancers wear. Lead by Alfred Migure, they have built a reputation for themselves as one of the most exciting groups to perform traditional Luo music, with their vibrant regalia and dance moves to match. Their brightly coloured outfits (replacing the more traditional clay colours that dancers would adorn themselves with) are augmented by attention-grabbing ostrich feather headdresses (the ostrich, a symbol of beauty and courage, represents…
The Kalenjin of Kenya Album
…y of the trip was spent recording the Tugen. The vocal harmonies of the performances have been captured well, with The Elimu Cultural Promoters and the Kewamoi Women Dancers both featured. The latter – a nice addition to the lineup, as the field day coincided with World Women’s Day. Eddie Grey was part of the team for the recordings, and he joined a number of groups to join them for Influences recordings. Two of these have been included on the alb…
Mumias United Group
…Mumias United was founded in 1997 by Francesca Odour. They have 38 members and 22 showed up for our performance. They perform in the Imbira style. They are part of the Wanga tribe, which is a sub-group of the Lua, known for their Kings (Nabongo). We performed next to the mausoleum where four kings were buried, dating back to 1700s….
Makunga Group
…he most extraordinary set of customs – human shakers! We recorded seven performances: Intro, Freestyle recording of their entrance. Masasi: the celebration song after circumcision completed Nindo: Song on social issues Muhene: Song during girl ceremony where she reaches puberty and now must be hidden from village for 40 days (song acts out how girl learns to reject the advances of men, represented by two men playing shakers) Muziki: A song to gain…