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…ave all gone through it to, so it feels very normal, something you always knew would happen. But it is also very disorienting when you come out. First, there is the sun – you can barely open your eyes. [Note: In the dance, the young girl is given banana leaves to shield her eyes]. But also, the trees have grown since you’ve been outside and all seem different. Some neighbours have left the village, others have arrived. Children are bigger, parents…
Namaddu Troupe Group
…uffer? A woman can’t have a baby so her husband beats her and sends her to the witch doctor who ensures she gets pregnant. She then returns to husband, who has been off drinking, and they reunite. “Kwakira Wiita”: A song about eating new food, particularly millet, after the harvest. But the children don’t stay home and are out all the time, so they suffer from bad spiritis. They need to be home in the house for the good spirits. Gradually they ret…
Day Four: 10 March 2022 (Rongo) Story
…f improving their performances. Most of them were ready to experiment with new ways of playing their traditional musical instruments, as well trying to devise standard tuning for them. Furthermore, we appreciated the fact that our intentions were well received and that the musicians did not consider us to be some arrogant city slickers trying to teach them their own cultures and traditions. Our goal was to build resilience by trying to restructure…
Royal Entenga Drummers Group
…this here). James met him and realised that together they could begin to build the drums. Working closely with Albert and Shaban, a professional drummer who now leads the new band, they built a new set of Royal Drums, recruited a team of passionate drummers to learn how to play the drums, learned to tune the drums and ultimately learned to play new music….
Mission Page
…shared amongst the widest audiences and become a source of inspiration for new musicians. Aims of the Singing Wells Project East Africa is a region with a diverse cultural heritage. Its borders encompass a multitude of different ethnic groups, each with their own unique traditions and histories, languages and dialects, religions and beliefs, ways of dressing, music and dance. We believe the importance of preserving music traditions cannot be under…
Day Three: Bungoma Town to Kakamega Story
…ditional song in three parts where a man goes to visit his daughter in her new home Influences: Fadhilee Itulya, our influences artist, joined Wilbert to play acoustic guitar on another version of Ndirenje. We travelled from Bungoma Town to Mumias (which was a lot longer than it should be as we travelled the wrong direction for 30 Kms, initially.) But we eventually arrived in Mumias to record Mumias United, a very large dance group. The group was…
Day Five: Ilesi, Khayega to Kisumu Story
…en ‘no one is watching.’ He wrote this in March 2017 and it will be on his new album. Shombu: This is a girl’s name and is a traditional song. But he takes it and says, “Yes, you are a beautiful girl, but let me warn you. Many will try to be with you and there is a danger if you are not careful you could catch HIV. Your beauty could be a curse if you are not cautious.” He wrote this in 2010. Umbeba. This means, you are carrying something and is an…
Influences songs from Singing Wells Group
…recording visit we are joined by a talented musician who works with us on ‘Influences’ songs. They work with us in the field and also in the Ketebul Music studios in Nairobi to produce this new material. We believe our Influences series will refresh the origins of East African music and make it discoverable to a new generation of music fans….
Shem Tube Group
…Shem Tube is a pioneer of the ‘Luhya Omutibo’ sound and had a big hit with his band Abana ba Nasery (Nursery Boys, including Justo Osala on guitar and Enos Okola on percussion; they played throughout the ’60’s and ’70’s.) Their style was linked to three part harmonies, two finger picked guitars and a ‘fanta bottle percussionist.’ In the 80’s, Shem formed a new band, Les Bunyore , before reforming Abana ba Nasery in the ’90’s….
Liwambwe Group
The Group Leader is: Atanas Teleni. It is a fairly new group, having played off and on for three years. They had unique drums, including small drums with wooden spikes on bottom to be embedded in sand, called the Siganga. They also had a pair of drums called the Likuti and a long drum called the Msondo, and a very long thin drum called a Neya. In the dance they had a character in a mask called a Lipiko, who wore a vest called a Mjuga. They played…
Day 2 – Sunday 2nd July 2017 Story
…ct that younger traditional players do not (or only exceptionally) compose new tunes, but replicate existing old ones. Within the nyatiti tradition, tunes remain the same, whereas the lyrics can change, evolve. They are the fruit of a specific player’s imagination and can be adapted to the occasion and/or to tell the praise of a different person. The fact that Meshack picked up the instrument only once his father had passed away brought about seve…
Recording, archiving and sharing the traditional music of East Africa Page
…shared amongst the widest audiences and become a source of inspiration for new musicians. Here for Research? Click here! Whether you are a Musicologist, a student or just interested in the field, head this way to see more of our detailed field reports, group biographies and in-depth information regarding the various different instruments and styles of music we have encountered on our field trips. Here for the Music? Click here! Want to just enjoy…
Introduction: Project overview and objectives Story
…outu.be/NqomPAxomxI “Masters of the Nyatiti” being a pilot programme for a new project series under Singing Wells, one of the objectives of this report is to reassess the original concept based on experiences from the field and to point out encountered challenges and difficulties in meeting concept objectives. Thus, I hope that this document will raise questions for discussion and generally assist in formulating a framework for future recording mi…
Privacy Policy Page
…. Why are we telling you this? Well the European Union have introduced a new directive that makes it a requirement for websites to get consent for using cookies. Nothing has changed at singingwells.dev – except for the little cookie triangle in the bottom corner of the screen. The Cookies that we use are very much standard and in the true spirit of Abubilla Music and the foundation, we like to be open with you about our methods and how and why w…
Patrick Ondiek Staff Profile
…really love tribal music. So when the Singing Wells project offered him a new opportunity to discover the music roots of East Africa, Pato jumped at the chance. Why? “First, I love the exposure to different cultures – even my own. I have never heard a lot of the tribal music, even around my own villages. Our trip to Nyanza in November blew me away. I have never heard music like that. My favourite performance was by Okumu K’Orengo. I was so moved….
Day Three: February 18, 2020 (Stonetown, Mpendae, Maungani) Story
…rican rhythms such as Msewe and Kyaso (both from Zanzibar) with Singeli (a new tribal rhythm). Taarab came from early 1800’s as Egyptian music. In Zanzibar the Mother of Taarab, Siti Binti Saad, made Taarab more popular in the 1920’s to 1950’s. We spoke to Hassan Mahenge, the assistant director of this band. He is a teacher at the DCMA. He teaches the Oud and plays the saxophone. All the students at the DCMA study traditional music such as Taarab…