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…continue on for the next 10 years so that this music continues to inspire new artists and new audiences. Discovering “The Voice”: Jovah With this in mind, we come to our favourite Singing Wells moment: discovering the voice of Jovah. Jovah is a singer as part of the Mperwa Dancers, a group of Batwa people who were unfortunately forced to leave their forest home. We met Jovah on our field trip to Uganda in 2013 and were instantly blown away by her…
Video playlists from Kenya 2018 Story
…tube.com/watch?v=K9XDnObrl2g&list=PL6jxUA468Mq-nstKtQ3QajcsDJmBBv3v_ Mumia United https://www.youtube.com/watch?v=wPi-qsvbch0&list=PL6jxUA468Mq8_Fi8QkIlmsr9KuVVQQPg2 Dot Com Isikuti https://www.youtube.com/watch?v=idHJE6QL_C4&list=PL6jxUA468Mq_ilLuHcABH8vHJri1c8QCE Super Phoenix Band with Julius Itenya https://www.youtube.com/watch?v=Oy4cBwvCpyE&list=PL6jxUA468Mq9NQ-zWTvuNk2xUKNJQr6Uh Bugnoma Roots Band https://www.youtube.com/watch?v=ESB-pxQBUYE&…
The Singing Wells podcast #3 Podcast
…Here is podcast number 3. In this podcast, we look at the development of Abubilla Music – one of the partners in The Singing Wells project – from initial idea, to music label. There are interviews with members of the SMCC, and music from the SMCC, Louise Calf, Gus Warriner, Tati Kalveks, Chris Kozlowski and Ketebul artist Winyo. Click here to download the podcast….
Conclusion: Challenges and Recomendations Story
…ecording mission is quite satisfactory. Considering the limited time and a number of challenges encountered, I believe we managed to accomplish most of the set objectives and bring back an extensive amount of data and video/sound materials of very good quality. However, there is space for improvement. I think that team work was successful, although division of roles, more particularly on the data collection part on the project, was initially blear…
Day Four: January 21 2019 Mwanza Story
…s group, from the Sukuma community, was formed in 2010 and performs with a number of styles: Bukomia Lume, Buchheye, Wigashe. Their instruments are: Ng’oma (Drums), Pembe (animal horns, large impala), Firimbi (flute), and Njuga (shakers). We recorded five performances: Ntale Atabihyala: ‘The boss, who is always wrong, wants to be always right. Just accept it’ Ba Tanzania (Malima): Praising country, encouraging farmers and hard work – this song h…
Uganda: music of the Batwa Gallery
…orded the music of the Batwa. The journey started in Nairobi where the team boarded a flight to Kigali, Rwanda. From there we travelled by road to Kisoro where we stayed at the Traveller’s Rest Hotel. Our hosts were from the United Organisation for Batwa Development in Uganda (UOBDU) who arranged for us to record the performances of six Batwa communities from the district of Kisoro – Birara, Mpwera, Kanyabukunga, Micyingo, Gatera and Kabahenda….
James Allen Staff Profile
…usic, sharing their passion for preserving and promoting the traditional music of East Africa. Jimmy has an MBA from Harvard University and an MA in International Economics from Johns Hopkins. He is a dual US-British citizen and has lived in the United Kingdom, with his wife and three children, since 1995. He is chair of trustees for The Abubilla Music Foundation. During the Singing Wells field recording trips Jimmy is a volunteer video engineer a…
Day One: The Iteso People and their Music Story
…rces are trying to divide the people, the song encourages everyone to stay united. Akidai Imojong: This song asked everyone to take care of old people and respect them. Asorit: This is a song about poison and refers specifically to Aids, which is the killing disease. The song tries to educate people to be cautious. Magic Moment: While playing, a young child Otwoma was dancing on the edge of the performance. He loved the music, so we brought him fo…
Mission Page
…shared amongst the widest audiences and become a source of inspiration for new musicians. Aims of the Singing Wells Project East Africa is a region with a diverse cultural heritage. Its borders encompass a multitude of different ethnic groups, each with their own unique traditions and histories, languages and dialects, religions and beliefs, ways of dressing, music and dance. We believe the importance of preserving music traditions cannot be under…
The Kalenjin of Kenya Album
…rs and the Kewamoi Women Dancers both featured. The latter – a nice addition to the lineup, as the field day coincided with World Women’s Day. Eddie Grey was part of the team for the recordings, and he joined a number of groups to join them for Influences recordings. Two of these have been included on the album – his guitar playing accompanying The Elimu Cultural Promoters and the Kewamoi Women Dancers….
What We Do Page
…f the Singing Wells project is to introduce tribal East African music to a new generation of musicians and listeners who might not consider it relevant today. So we have developed the Influences series: new compositions comprising a fusion of traditional and contemporary styles, themes, harmonies and instruments. Influences is led by musicians from Ketebul Music or singer/songwriters from the areas we are travelling to during our field visits. “Si…
Global Influences Project: Artist Submissions Page
…lowing Amina Muta on Facebook. ATIENO OLUOCH X ADUNGU CULTURAL TROUPE This newest submission is called Wena and is by Atieno Oluoch. We loved the vocals and the way they complimented the rhythmic musical workings of the Adungu Cultural Troupe. This new version gave us summer vibes and felt incredibly uplifting! “I’m humbled by this opportunity and glad to have participated in the Singing Wells global project. When I picked the loop, I thought of c…
Patrick Ondiek Staff Profile
…really love tribal music. So when the Singing Wells project offered him a new opportunity to discover the music roots of East Africa, Pato jumped at the chance. Why? “First, I love the exposure to different cultures – even my own. I have never heard a lot of the tribal music, even around my own villages. Our trip to Nyanza in November blew me away. I have never heard music like that. My favourite performance was by Okumu K’Orengo. I was so moved….
Day Three: February 18, 2020 (Stonetown, Mpendae, Maungani) Story
…rican rhythms such as Msewe and Kyaso (both from Zanzibar) with Singeli (a new tribal rhythm). Taarab came from early 1800’s as Egyptian music. In Zanzibar the Mother of Taarab, Siti Binti Saad, made Taarab more popular in the 1920’s to 1950’s. We spoke to Hassan Mahenge, the assistant director of this band. He is a teacher at the DCMA. He teaches the Oud and plays the saxophone. All the students at the DCMA study traditional music such as Taarab…
The Revival of the Entongooli Page
…ed in this part of the process. Though they said it wasn’t pleasant, they knew the importance of this part of the process and wanted to be a part of it so that they could continue their education about this instrument. It is amazing to see young people getting actively involved in the traditions and methods of creating this instrument, so that they will be able to continue these traditions for generations to come. Meet the Students In this weeks v…
3. Background of the Naizungwe drums Story
…ties were and still are organized on clan system. One ethnic society has a number of clans where each clan has a leader – clan leader. Each of those clans had identifying regalia and one of them are drum rhythms that symbolize the general belief of that clan. The Basoga ethnic society from the Eastern region of the country is organized according to clans. Eleven clans are royal; they are the leaders and the rest are not. One of the clans is the ba…