Field Recording Report by Kahithe Kiiru Story
…of Signing Wells. We recorded two more smaller groups, led by locally famous musicians: Eric Shitakha and his Balozi Band on one hand and Benson Muhitsi’s isukuti group on the other. Shitakha’s Balozi band had basic Luhya instrumentation, notably using shirili fiddle and several idiophones (metal ring, rattles, etc.), while Muhitsi plays the isukuti drums in a style simultaneously authentic and original for his mastery and virtuosity on the drum….
Day 9 – Sunday 9th July 2017 Story
…Revision of the Hornbostel‐Sachs Classification of Musical Instruments by the MIMO Consortium” dates from 2011, published by Musical Instruments Museum….
Day Three: 9 March 2022 (Kisumu) Story
…iance High School, just a few kilometers from Nairobi. During his illustrious musical career spanning over four decades, Akwabi composed over 250 songs with Dada Njoo being his biggest hit. After retiring from the Teachers Service Commission, Akwabi joined Kenyatta University’s Performing and Creative Arts Centre where he directed music activities for another 12 years before finally retiring to his village in Ebuhongo were he currently resides. Du…
The Kalenjin of Kenya Album
…on in the field in Kenya, as part of The Singing Wells trip to record the music of the Kalenjin. The album opens with Ben Kisinja on the Burkandit, recorded in Kapsokwony on the 5th March 2012. Also recorded in the same session were the Chebonet Group and the Teriet Band. We also have a short snippet of The Masirtaret – a performance that was sadly cut short by rainfall – one of the perils of recording outdoors. The Sila Dancers began the day in…
Albums Introduction Page
…e making. These recordings are of ‘Influences’ sessions – where a popular musical artist has joined us on our trip to collaborate with the groups we record. In the event that we have invited one of the musicians back to the Ketebul Studios in Nairobi to record, we will also include these recordings. The albums are available to download through our Bandcamp store in your choice of formats. The proceeds from the sale of our albums will be fed back t…
Day Zero: February 15, 2020 – Assemble in Zanzibar Story
…Cuban and Indian spices. The Dhow Countries. The most important and famous of the musical styles originating from Zanzibar is Taarab, which roughly translates in Arabic as ‘having joy with music.’ Taarab’s origins are in the late 1800s. Mohamed Ibrahim, studied music in Egypt, where he learned to play the Qanun and returned to Zanzibar to form the Zanzibar Taarab orchestra. Of course, there are a variety of musical styles in Zanzibar, inclu…
The Singing Wells podcast #3 Podcast
…Here is podcast number 3. In this podcast, we look at the development of Abubilla Music – one of the partners in The Singing Wells project – from initial idea, to music label. There are interviews with members of the SMCC, and music from the SMCC, Louise Calf, Gus Warriner, Tati Kalveks, Chris Kozlowski and Ketebul artist Winyo. Click here to download the podcast….
Tarajazz Group
…h from Zanzibar) with Singeli (a new tribal rhythm). Taarab came from early 1800’s as Egyptian music. In Zanzibar the Mother of Taarab, Siti Binti Saad, made Taarab more popular in the 1920’s to 1950’s. We spoke to Hassan Mahenge, the assistant director of this band. He is a teacher at the DCMA. He teaches the Oud and plays the saxophone. All the students at the DCMA study traditional music such as Taarab as well as Western music. Members of the g…
Day Three: February 18, 2020 (Stonetown, Mpendae, Maungani) Story
…h from Zanzibar) with Singeli (a new tribal rhythm). Taarab came from early 1800’s as Egyptian music. In Zanzibar the Mother of Taarab, Siti Binti Saad, made Taarab more popular in the 1920’s to 1950’s. We spoke to Hassan Mahenge, the assistant director of this band. He is a teacher at the DCMA. He teaches the Oud and plays the saxophone. All the students at the DCMA study traditional music such as Taarab as well as Western music. Members of the g…
Day Zero: 6 March 2022 – Travel To Stream Story
…nterrupted with only one stop for lunch in Nakuru. We reached Kisumu City just before dusk and settled down for dinner at Kalongolongo restaurant, run by a close friend. After a meal of fish and ugali (the local staple made from corn), we were entertained by our very own artiste Makadem (also known as Ohanglaman) who was touring the lakeside city at the time. We listened to one more act by an upcoming nyatiti player Kent Mudenda before we continue…
Page
…own in the music circles as Tabu Osusa, is a key part of the East African music industry. A Kenyan native, he is the founding Executive Director of Ketebul Music and for the last 30 years has been involved in the music industry as a promoter, producer, composer and band manager. He has been actively involved in shaping the careers and running some of the top recording and performing bands and artists in the country. Together with the director of A…
Conclusion: Challenges and Recomendations Story
…hives, interviews, etc.); extend the timeframe of the main field filming missions; include longer master class sessions; and encourage and enable more innovative studio recording sessions. I advocate for these adjustments because I believe the Masters series is an excellent concept, whose character of bordering documentation and applied ethnomusicology makes it particularly interesting and worth investing in….
3. Background of the Naizungwe drums Story
…ue systems that had come with foreign civilization also took their toll, causing erosion of the traditions. Can you describe the style of this tradition? It is percussive. The central concept is polyrhythms interlocking. Drums play loudly. The louder the better because loud is power, strength. People who have a healthy life are energetic and they often express that through music and dance and more. How are the drums played? The largest drum is the…
Day 1 – Saturday 1st July 2017 Story
…as opposed to nyatiti, is in fact a generic term for music in Luo language) and hypothetical historical explanation; ‐ Mention of “Koblong”, a tune known by almost all players, often used for teaching cause of its strong combinations; ‐ Traditional positioning of player within a homestead when playing at ceremonies; etc….
Day Four: January 21 2019 Mwanza Story
…ale Atabihyala: ‘The boss, who is always wrong, wants to be always right. Just accept it’ Ba Tanzania (Malima): Praising country, encouraging farmers and hard work – this song had an incredible beat. Ng’oma ya Asilia: a traditional song Ali Nilihali: A lady turned down Man 1 because he was poor and settled on Man 2 who was even poorer. Meanwhile Man 1 got rich and lady came back to him and the song asks, “So how did it end up?” Magic Moment on a…
Mchele Mchele Sanaa Group Group
…This group, from the Sukuma community, was formed in 2010 and performs with a number of styles: Bukomia Lume, Buchheye, Wigashe. Their instruments are: Ng’oma (Drums), Pembe (animal horns, large impala), Firimbi (flute), and Njuga (shakers). …