Group 8: Abutazi Story
…to the inanga and its sound and all it does for them. We loved this double number so much we recorded it twice. Makare (“Call Me Makare”) – This is named for Fox Makare, the rapper of the group, who raps the song about himself. And it goes straight into Amananga (this song is inspired by a South African music style called Amapiano, but they’ve done their own Rwandan version on the inanga, hence “Amananga”). The song Amananga is another ode to the…
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…) the better! Muwewesi Xylophone Group Unsurprisingly for the Muwewesi Xylophone Group, the Xylophone is the star of the show. A giant xylophone lays across the floor, played by 8 musicians, alongside vocalists, pipe flute players and tube fiddle players. Based in Nakisenye, East Uganda, we visited the group in 2013, and when we arrived we found that the band had been there since morning preparing – they had dug the pit for the xylophone, with the…
Day Zero: February 15, 2020 – Assemble in Zanzibar Story
…s of the musical styles originating from Zanzibar is Taarab, which roughly translates in Arabic as ‘having joy with music.’ Taarab’s origins are in the late 1800s. Mohamed Ibrahim, studied music in Egypt, where he learned to play the Qanun and returned to Zanzibar to form the Zanzibar Taarab orchestra. Of course, there are a variety of musical styles in Zanzibar, including (every use of quotes in this post are direct quotes from the DCMA): Ng…
Day Zero: 6 March 2022 – Travel To Stream Story
…ing off the main revenue-generating activities of many artists. However, a number of urban-based performers were able to migrate their shows and concerts onto online platforms, reaching their audiences at their homes via live streaming. In doing so, they created new income-generating platforms, as some of these online acts allow audiences to support the musicians via M-pesa and Pay-Pal contributions. Another possibility was to sell tickets with th…
Group 1: Inganzo Ngari Group Story
…da, Uganda, Burundi and parts of Congo). Then the same dancers performed a number about a community, Intwatwa, formerly known as the Batwa, the group we recorded in November 2012. It was a celebration dance with many steps to honour their rich and historic culture. Next we had the Intore – which means a traditional warrior dance. This was a manifestation of each warrior showing the king what he’s made of – his talent, his weaponry, and judging by…
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…s Cookies help to let us see (via Google Analytics) how many people have visited the site and what content is popular, and what isn’t. This is anonymous, so be rest assured that we’re not snooping on your browsing. You can opt out of Google Analytics (with certain browsers) – info on which you can find here: https://tools.google.com/dlpage/gaoptout There is also the chance that other services on our site – such as embedded videos from YouTube, may…
Global Influences Project: Artist Submissions Page
…sical piece from Ethiopian composer, Yohanan Ermias Bekele. We love how he transformed the Hiari Ya Moyo’s driving rhythm’s into something that could be heard in clubs across the world. “I selected the Hiariya Moyo sample as I found the rhythm familiar and similar to some of the 6/8 rhythms found in my home country Ethiopia. As the electric bass is my main instrument, I first tried to identify a root note to play along with the song and build a ba…
FAQ’s Page
…the recording. This amount varies based on a number of factors such as the number of members in the group and the number of songs we record. In the event of any music we record making money directly (through sales, sync licensing or performance royalties) we will endeavour to channel this money back to the original performers. Can I buy the music you have recorded? A selection of our music is available to download from our site. We have one album…
Here for Research? Page
…t, recording information and any related content we have about them on the site. Group Map The groups we have met, presented on a map so you can see each region that the group is from. A brilliant resource and great for comparing musical styles amongst groups that are local to each other. “Our goal is to record, archive and share the traditional music of East Africa for two important reasons – to sustain and celebrate the extraordinary cultural mu…
Mchele Mchele Sanaa Group Group
…This group, from the Sukuma community, was formed in 2010 and performs with a number of styles: Bukomia Lume, Buchheye, Wigashe. Their instruments are: Ng’oma (Drums), Pembe (animal horns, large impala), Firimbi (flute), and Njuga (shakers). …
Day One: 7 March 2022 (Shikangania and Mukumu) Story
…os in Nairobi in May that year and recorded a few songs that are yet to be officially released. Going through a narrow winding road we arrived at the Small Matters Park, our first location for the day. The Ketebul Music technical crew is well experienced in field recording routine preparations, having been part of the Singing Wells project for many years. Hence, it did not take long for our sound team to determine the best site for the stage withi…
Our Sponsors Page
…ells project, helping to design and put into practice our ideas for our website. Our website is the main repository for all of our recording activities in East Africa, and the we are very proud of the latest version. Thanks to Wes and the team at Nebulo Strata for their continued help and support. To find out more, go to: http://www.nebulostrata.com Clarkson, Wright & Jakes Type of Sponsor: donation in kind Thanks to Clarkson, Wright and Jakes s…
Group 4: Urugangaze Ballet Story
…performed for us today. The translated titles are his explanation (Google Translate told a very different and more confusing story that we ignored after our fixer Jado laughed and shook his head at Google’s work). Please link on the songs to watch the wonderful performances: Umuhororo (“Presentation”) – a mixed gender presentation dance to welcome us, backed by drums and vocals Benimana (“The Goddess”) – a song with just female dancers about how…
Andy Patterson Staff Profile
…eld. He also works on the post production back in the UK and is responsible for the Singing Wells podcasts. For more information, please check out Andy’s site at: http://www.andypatterson.co.uk or follow him on Twitter – @aandypatterson…
Day 9 – Sunday 9th July 2017 Story
…ypes of wood); body parts (any specific additional parts and why); strings number; playing techniques (position of instrument; hands positioning and fingers involved in playing; plucking techniques); tuning and sound (central string, sound spectrum, twin strings, accompanying instruments in both traditional context and modern instrumental ensemble, technical innovations and developments); transmission methods; community occasions played in; taboos…
The Singing Wells podcast #3 Podcast
…Here is podcast number 3. In this podcast, we look at the development of Abubilla Music – one of the partners in The Singing Wells project – from initial idea, to music label. There are interviews with members of the SMCC, and music from the SMCC, Louise Calf, Gus Warriner, Tati Kalveks, Chris Kozlowski and Ketebul artist Winyo. Click here to download the podcast….