Mchele Mchele Sanaa Group Group
…This group, from the Sukuma community, was formed in 2010 and performs with a number of styles: Bukomia Lume, Buchheye, Wigashe. Their instruments are: Ng’oma (Drums), Pembe (animal horns, large impala), Firimbi (flute), and Njuga (shakers). …
Day 1 – Saturday 1st July 2017 Story
…from Alego area (Siaya County), who was a part of our team as a fixer and translator. The main objective of this semi‐interview was to define, at least, approximatively, the different stages of nyatiti making before arrival to the field in order to plan on filming economically. According to what was explained by Rapasa, who also makes the instruments, we identified 9 stages of nyatiti making. This would later facilitate following the instrument m…
Day Zero: February 15, 2020 – Assemble in Zanzibar Story
…s of the musical styles originating from Zanzibar is Taarab, which roughly translates in Arabic as ‘having joy with music.’ Taarab’s origins are in the late 1800s. Mohamed Ibrahim, studied music in Egypt, where he learned to play the Qanun and returned to Zanzibar to form the Zanzibar Taarab orchestra. Of course, there are a variety of musical styles in Zanzibar, including (every use of quotes in this post are direct quotes from the DCMA): Ng…
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…s Cookies help to let us see (via Google Analytics) how many people have visited the site and what content is popular, and what isn’t. This is anonymous, so be rest assured that we’re not snooping on your browsing. You can opt out of Google Analytics (with certain browsers) – info on which you can find here: https://tools.google.com/dlpage/gaoptout There is also the chance that other services on our site – such as embedded videos from YouTube, may…
Day One: 7 March 2022 (Shikangania and Mukumu) Story
…os in Nairobi in May that year and recorded a few songs that are yet to be officially released. Going through a narrow winding road we arrived at the Small Matters Park, our first location for the day. The Ketebul Music technical crew is well experienced in field recording routine preparations, having been part of the Singing Wells project for many years. Hence, it did not take long for our sound team to determine the best site for the stage withi…
Here for Research? Page
…t, recording information and any related content we have about them on the site. Group Map The groups we have met, presented on a map so you can see each region that the group is from. A brilliant resource and great for comparing musical styles amongst groups that are local to each other. “Our goal is to record, archive and share the traditional music of East Africa for two important reasons – to sustain and celebrate the extraordinary cultural mu…
3. Background of the Naizungwe drums Story
…ties were and still are organized on clan system. One ethnic society has a number of clans where each clan has a leader – clan leader. Each of those clans had identifying regalia and one of them are drum rhythms that symbolize the general belief of that clan. The Basoga ethnic society from the Eastern region of the country is organized according to clans. Eleven clans are royal; they are the leaders and the rest are not. One of the clans is the ba…
Our Sponsors Page
…ells project, helping to design and put into practice our ideas for our website. Our website is the main repository for all of our recording activities in East Africa, and the we are very proud of the latest version. Thanks to Wes and the team at Nebulo Strata for their continued help and support. To find out more, go to: http://www.nebulostrata.com Clarkson, Wright & Jakes Type of Sponsor: donation in kind Thanks to Clarkson, Wright and Jakes s…
Global Influences Project: Artist Submissions Page
…sical piece from Ethiopian composer, Yohanan Ermias Bekele. We love how he transformed the Hiari Ya Moyo’s driving rhythm’s into something that could be heard in clubs across the world. “I selected the Hiariya Moyo sample as I found the rhythm familiar and similar to some of the 6/8 rhythms found in my home country Ethiopia. As the electric bass is my main instrument, I first tried to identify a root note to play along with the song and build a ba…
Andy Patterson Staff Profile
…eld. He also works on the post production back in the UK and is responsible for the Singing Wells podcasts. For more information, please check out Andy’s site at: http://www.andypatterson.co.uk or follow him on Twitter – @aandypatterson…
Day Zero: 6 March 2022 – Travel To Stream Story
…ing off the main revenue-generating activities of many artists. However, a number of urban-based performers were able to migrate their shows and concerts onto online platforms, reaching their audiences at their homes via live streaming. In doing so, they created new income-generating platforms, as some of these online acts allow audiences to support the musicians via M-pesa and Pay-Pal contributions. Another possibility was to sell tickets with th…
FAQ’s Page
…the recording. This amount varies based on a number of factors such as the number of members in the group and the number of songs we record. In the event of any music we record making money directly (through sales, sync licensing or performance royalties) we will endeavour to channel this money back to the original performers. Can I buy the music you have recorded? A selection of our music is available to download from our site. We have one album…
Page
…) the better! Muwewesi Xylophone Group Unsurprisingly for the Muwewesi Xylophone Group, the Xylophone is the star of the show. A giant xylophone lays across the floor, played by 8 musicians, alongside vocalists, pipe flute players and tube fiddle players. Based in Nakisenye, East Uganda, we visited the group in 2013, and when we arrived we found that the band had been there since morning preparing – they had dug the pit for the xylophone, with the…
Albums Introduction Page
…h the music of the area we were recording in. Each album also contains a number of extra tracks that weren’t strictly part of the archiving recordings we were making. These recordings are of ‘Influences’ sessions – where a popular musical artist has joined us on our trip to collaborate with the groups we record. In the event that we have invited one of the musicians back to the Ketebul Studios in Nairobi to record, we will also include these rec…
Field Recording Report by Kahithe Kiiru Story
…I – leg rattles; EFIRIMBI – a metallic whistle; OLWIKA – antelope horn aerophone; LIKHANGO – another aerophone made out of a reed attached to a wild goat horn; MUTINDI – flat two-skin drum played using two wooden sticks. Their props included spears (lifumo), shields (esikhumba), fly whisks (mukia) and clubs (eskong’o). They were wearing hats and tops made out of leather, leaves and feathers, and most original skirts which were in fact recycled umb…
Conclusion: Challenges and Recomendations Story
…rdingly. I mention this because we have noted that a lot has been ‘lost in translation’, hence data collection objectives and ways of achieving them should be discussed and explicated in advance. Also, the researcher should be involved in filming schedule preparation, so as to give an input on estimated times for completion of certain interviews. I would also want to comment here briefly on the instrument comparison exercise done on day 8 of recor…