Day One: The Iteso People and their Music Story
…leave your village and loved ones. But it also asks the village people to support the young couple and help them have a good marriage. Figuratively, we all need to hold to love and keep everyone close to your heart. Magic moment: Percussion and the Etwoo: Our final song for the day was a ‘Magic Moment’ where we captured the groove of the percussion and the Etwoo. From Adungosi, we travelled to Obekai, to record the South Teso Jazz group. The grou…
Kochia Traditional Dancers Group
…ses (the ostrich, a symbol of beauty and courage, represents the courage they will need to entertain) and monkey fur. They are accompanied by drumming, and the Tung’, the Luo horn. You can contact the Kagan Kochia group for bookings on +254 700 600881 Sources: www.hivisasa.com www.allafrica.com Homa Bay, Kenya Leader: William Odero Ondiek…
Albums Introduction Page
…h the music of the area we were recording in. Each album also contains a number of extra tracks that weren’t strictly part of the archiving recordings we were making. These recordings are of ‘Influences’ sessions – where a popular musical artist has joined us on our trip to collaborate with the groups we record. In the event that we have invited one of the musicians back to the Ketebul Studios in Nairobi to record, we will also include these rec…
The Singing Wells podcast #3 Podcast
…Here is podcast number 3. In this podcast, we look at the development of Abubilla Music – one of the partners in The Singing Wells project – from initial idea, to music label. There are interviews with members of the SMCC, and music from the SMCC, Louise Calf, Gus Warriner, Tati Kalveks, Chris Kozlowski and Ketebul artist Winyo. Click here to download the podcast….
Kiplagat Edwin Kwambai aka Fifty Cows Staff Profile
…he Singing Wells project at the time. Fifty Cows went on to be the main contact person and “fixer” for the project. In 2014, the Singing Wells again called on Fifty Cows for the first Repatriation Project by the International Library of African Music, which was supported by the Singing Wells. This repatriation project involved retracing and locating surviving musicians who had been recorded and their music archived by ethnomusicologist Hugh Tracey…
Day 1 – Saturday 1st July 2017 Story
…yatiti’s shape (resembles the traditional Luo hut shape), symbolism of the number (8) of strings of the nyatiti, his tuning techniques and order of string tuning, together with the story of his personal attachment to his instruments collection (owns 14 nyatitis). Upon our arrival to Kisumu City, we had another semi‐formal interview that would birth ideas for other hypothesis and arguments to follow up on. We met Meshack Okoth Okumu, who was to be…
Day 9 – Sunday 9th July 2017 Story
…ypes of wood); body parts (any specific additional parts and why); strings number; playing techniques (position of instrument; hands positioning and fingers involved in playing; plucking techniques); tuning and sound (central string, sound spectrum, twin strings, accompanying instruments in both traditional context and modern instrumental ensemble, technical innovations and developments); transmission methods; community occasions played in; taboos…
Victoria Denison Staff Profile
…in September 2010 to help establish the Singing Wells project. In order to support the project, Victoria set up The Abubilla Music Foundation, a company limited by guarantee, and then managed the application for charitable status with the Charity Commission for England and Wales. (Charitable status was achieved in June 2011). As well as acting as administrator to the Trustees, Victoria is the UK Project Manager for Singing Wells. Working closely w…
Conclusion: Challenges and Recomendations Story
…ecording mission is quite satisfactory. Considering the limited time and a number of challenges encountered, I believe we managed to accomplish most of the set objectives and bring back an extensive amount of data and video/sound materials of very good quality. However, there is space for improvement. I think that team work was successful, although division of roles, more particularly on the data collection part on the project, was initially blear…
Day Zero: February 15, 2020 – Assemble in Zanzibar Story
…w Countries Musical Academy – they helped us find the groups, hosted many of our recording sessions and provided many musicians. They are keeping Taarab and other music traditions alive (including kidimbak and Ngoma) and deserve our support and yours. For this trip, we had almost the full Ketebul team: The Chairman, Maddo, the CEO, Tabu, and the audio/video team: Stevo, Pado and Drix. From the Abubilla Music Foundation, we were joined by…
Makunga Group
…here she reaches puberty and now must be hidden from village for 40 days (song acts out how girl learns to reject the advances of men, represented by two men playing shakers) Muziki: A song to gain support of the people for the music and dance Muziki: Freestyle Muhongwa: another song from the circumcision ceremony, named after the instrument used (the wooden trough)…
Ekhunjwe Musical Group Group
…A folk group. Led by Stephen Bwire, a local music scholar who acted as our contact person and by the group’s secretary Wilhemina Oduor, this is a very organized group of twenty eight (28) members coming from the different administrative areas of Samia district. Ekhunjwe ya Abasamiawas formed in April 2008 with common focus on using music as a tool for community development. The group promotes traditional African values and acts in both education a…
Day Two: January 19, 2019 From Tarime to Buturi to Bariadi Story
…ut neighbours, where the band remembered times when all neighbours used to support one another Maria: A story about a woman that abandoned her kids Mazingira: a song about the environment and the need to protect the environment. Examples included stopping use of plastics and keeping your waste water away from your drinking water. Magic Moment: We recorded the beats of Majirani, percussion only Magic Moment: Majirani again to record slightly differ…
Field Recording Report by Kahithe Kiiru Story
…I – leg rattles; EFIRIMBI – a metallic whistle; OLWIKA – antelope horn aerophone; LIKHANGO – another aerophone made out of a reed attached to a wild goat horn; MUTINDI – flat two-skin drum played using two wooden sticks. Their props included spears (lifumo), shields (esikhumba), fly whisks (mukia) and clubs (eskong’o). They were wearing hats and tops made out of leather, leaves and feathers, and most original skirts which were in fact recycled umb…
Day Four: January 21 2019 Mwanza Story
…s group, from the Sukuma community, was formed in 2010 and performs with a number of styles: Bukomia Lume, Buchheye, Wigashe. Their instruments are: Ng’oma (Drums), Pembe (animal horns, large impala), Firimbi (flute), and Njuga (shakers). We recorded five performances: Ntale Atabihyala: ‘The boss, who is always wrong, wants to be always right. Just accept it’ Ba Tanzania (Malima): Praising country, encouraging farmers and hard work – this song h…
The Kalenjin of Kenya Album
…rs and the Kewamoi Women Dancers both featured. The latter – a nice addition to the lineup, as the field day coincided with World Women’s Day. Eddie Grey was part of the team for the recordings, and he joined a number of groups to join them for Influences recordings. Two of these have been included on the album – his guitar playing accompanying The Elimu Cultural Promoters and the Kewamoi Women Dancers….