Day Zero: February 15, 2020 – Assemble in Zanzibar Story
…ay the 14th of February and flew to Zanzibar on Kenya Airways on the first flight on Saturday, making our way to the Ngawala Hotel. Temperature 33 degrees centigrade. Partially cloudy. Saturday was about set up, so we’ll use this ‘Day Zero’ post to fill you in on the purpose of the trip. First, Zanzibar is an island off Tanzania, with a long colorful history. Before it was ‘controlled’ by the Portuguese in 1503, it was a base for traders be…
Conclusion: Challenges and Recomendations Story
…ecording mission is quite satisfactory. Considering the limited time and a number of challenges encountered, I believe we managed to accomplish most of the set objectives and bring back an extensive amount of data and video/sound materials of very good quality. However, there is space for improvement. I think that team work was successful, although division of roles, more particularly on the data collection part on the project, was initially blear…
Field Recording Report by Kahithe Kiiru Story
…ginal for his mastery and virtuosity on the drum. These two played a large number of popular Luhya folk songs and marked the perfect end to our stay in Isukha land. DAY 7 – Friday 23rd February 2018 On the seventh day of recording, we moved to yet another county of the Western region of Kenya – Vihiga County. Here we were welcomed by Philip Isilia, our contact for the area who is himself also a musician. In Emativini village of Ebubayi location…
The Kalenjin of Kenya Album
…rs and the Kewamoi Women Dancers both featured. The latter – a nice addition to the lineup, as the field day coincided with World Women’s Day. Eddie Grey was part of the team for the recordings, and he joined a number of groups to join them for Influences recordings. Two of these have been included on the album – his guitar playing accompanying The Elimu Cultural Promoters and the Kewamoi Women Dancers….
Albums Introduction Page
…h the music of the area we were recording in. Each album also contains a number of extra tracks that weren’t strictly part of the archiving recordings we were making. These recordings are of ‘Influences’ sessions – where a popular musical artist has joined us on our trip to collaborate with the groups we record. In the event that we have invited one of the musicians back to the Ketebul Studios in Nairobi to record, we will also include these rec…
Day Zero: 6 March 2022 – Travel To Stream Story
…ing off the main revenue-generating activities of many artists. However, a number of urban-based performers were able to migrate their shows and concerts onto online platforms, reaching their audiences at their homes via live streaming. In doing so, they created new income-generating platforms, as some of these online acts allow audiences to support the musicians via M-pesa and Pay-Pal contributions. Another possibility was to sell tickets with th…
The Singing Wells podcast #3 Podcast
…Here is podcast number 3. In this podcast, we look at the development of Abubilla Music – one of the partners in The Singing Wells project – from initial idea, to music label. There are interviews with members of the SMCC, and music from the SMCC, Louise Calf, Gus Warriner, Tati Kalveks, Chris Kozlowski and Ketebul artist Winyo. Click here to download the podcast….
Day 9 – Sunday 9th July 2017 Story
…ypes of wood); body parts (any specific additional parts and why); strings number; playing techniques (position of instrument; hands positioning and fingers involved in playing; plucking techniques); tuning and sound (central string, sound spectrum, twin strings, accompanying instruments in both traditional context and modern instrumental ensemble, technical innovations and developments); transmission methods; community occasions played in; taboos…
FAQ’s Page
…the recording. This amount varies based on a number of factors such as the number of members in the group and the number of songs we record. In the event of any music we record making money directly (through sales, sync licensing or performance royalties) we will endeavour to channel this money back to the original performers. Can I buy the music you have recorded? A selection of our music is available to download from our site. We have one album…
Day 4 – Tuesday 4th July 2017 Story
…ately a rather difficult interview to conduct because of the interviewee’s reservations, as well as for reasons of bad weather that chased us away before we could complete it. However, we did manage to find out several interesting information, notably, on his beginnings as a player and on the instrument manufacturing itself. Alex Ogwe confirmed our two generation theory and said he only started playing once his father was gone. He also gave us an…
Day 1 – Saturday 1st July 2017 Story
…yatiti’s shape (resembles the traditional Luo hut shape), symbolism of the number (8) of strings of the nyatiti, his tuning techniques and order of string tuning, together with the story of his personal attachment to his instruments collection (owns 14 nyatitis). Upon our arrival to Kisumu City, we had another semi‐formal interview that would birth ideas for other hypothesis and arguments to follow up on. We met Meshack Okoth Okumu, who was to be…
3. Background of the Naizungwe drums Story
…ties were and still are organized on clan system. One ethnic society has a number of clans where each clan has a leader – clan leader. Each of those clans had identifying regalia and one of them are drum rhythms that symbolize the general belief of that clan. The Basoga ethnic society from the Eastern region of the country is organized according to clans. Eleven clans are royal; they are the leaders and the rest are not. One of the clans is the ba…
Page
…in swahili, she practiced and learnt this style of music despite cultural reservations, and in turn paved the way for future female musicians. This is what is said about her at the Dhow Countries Music Academy: “Singer Siti Binti Saad is a trailblazer who revolutionized taarab music in a way the is still felt today…Whereas her predecessors were all male and sang predominately in Arabic, she was the first woman to perform in Swahili…She was born i…
Mchele Mchele Sanaa Group Group
…This group, from the Sukuma community, was formed in 2010 and performs with a number of styles: Bukomia Lume, Buchheye, Wigashe. Their instruments are: Ng’oma (Drums), Pembe (animal horns, large impala), Firimbi (flute), and Njuga (shakers). …
Day Four: January 21 2019 Mwanza Story
…s group, from the Sukuma community, was formed in 2010 and performs with a number of styles: Bukomia Lume, Buchheye, Wigashe. Their instruments are: Ng’oma (Drums), Pembe (animal horns, large impala), Firimbi (flute), and Njuga (shakers). We recorded five performances: Ntale Atabihyala: ‘The boss, who is always wrong, wants to be always right. Just accept it’ Ba Tanzania (Malima): Praising country, encouraging farmers and hard work – this song h…
Uganda: music of the Batwa Gallery
…record the performances of six Batwa communities from the district of Kisoro – Birara, Mpwera, Kanyabukunga, Micyingo, Gatera and Kabahenda….