Field Recording Report by Kahithe Kiiru Story
…trative areas of Samia district. Ekhunjwe ya Abasamia was formed in April 2008 with common focus on using music as a tool for community development. The group promotes traditional African values and acts in both education and local economy. Members also engage in traditional crafts like basket weaving and jewellery making for exhibition and sale. Their chairman, Mr. Bwire, also chairs the County Culture Committee and says he is “biased towards eth…
Day Three: Bungoma Town to Kakamega Story
…told us the history of the band. The band, Bungoma Roots Band, started in 2005 when all the members were young men at the Kumugui Secondary School, in the Michimeru Village. Wilbert and his school friends formed a band and competed with other school bands. They were quite good and had all their school fees paid for. During breaks from playing at the school they took up ‘Marketing’ and showed up at any events that were being held. After graduation,…
Day Five: February 20, 2020 (DCMA) Story
…– This group was formed by Rajab Suleiman. They have played together for 20 years and all live in the same neighborhood. They play for weddings and festivals in a traditional Taarab style. It was good to see them again on the grounds of the Ngalawa hotel. Performers: Rajab Suleiman (qanun and director), Mohammed Hassan (accordian), Fum Faki (bongo and tabla), Tatu Khamis Haji (singer) Songs: Chungu – means Pot, composed by Said Ali 10 years ago…
Day One: January 18, 2019. Assemble in Tanzania Story
…rage, we do one field visit a year, recording roughly 20-25 groups, and a 100-125 performances. We have roughly 1,000 videos online. Our general setup for a recording is: a) Steve is in charge of audio and we typically have two general mics for the group and 5-6 specific microphones for singers and musicians, b) we have three video cameras operating – one wide shot for full performance, one close up to capture details of instruments and one roving…
Here for Research? Page
…lace. Below you will find all of the research we have collated within our 10 years of experience recording the music of East Africa. Field Reports Our daily reports written from the field during our yearly trips. Head here for detailed information about the performances we record, the musicians we meet and the instruments that they are playing. Alongside this, expect interviews, historical information and first hand accounts of the way East Africa…
Recording, archiving and sharing the traditional music of East Africa Page
…heritage of the region and to help make this legacy relevant and fresh to today’s audiences. As a group of sound and video engineers, producers and musicians, we set out on this mission not to become ‘fossil collectors’ and store the recordings in inaccessible archives. We work with musicians to make sure their music traditions continue to be practiced, can be shared amongst the widest audiences and become a source of inspiration for new musician…
Zam Zam Group
…, in Rahaleo. All male group ranging from age 7 up to 40, ten all together today. They sing Islamic and secular songs for weddings and celebrations. It was mainly an acapello performance with one flute made out of a bamboo stick. The singers included: Ibrahim Ali Hassan (lead singer, flute ), Issa Ali Hassan (lead singer), Mlenge Ali Hassan, Othman Mlenge Ali, Afann Mlenge Ali, Iddi Abdallah Mohd, Abdillah Salum Juma (lead singer), Fesal Sleiman M…
Singing Wells Stories Page
…ar her collaboration with the Watmon Cultural Group – Amari – click here: 2011 – 2013 sampler CD Winyo Winyo Shipton is a singer songwriter from Kenya. He joined us on our first trip to coastal Kenya to record the music of the Mijikenda. On the first session we recorded, in Gede, Winyo helped to create the Influences series by recording with Nyerere Wa Konde and his son Mr Bado. You can read more about the first influences session by clicking here…
Influences songs from Singing Wells Group
…a new generation of musicians and fans who might not consider it relevant today. So, we have developed the Influences series – a fusion of traditional and contemporary styles. Each time the Singing Wells team embarks on a field recording visit we are joined by a talented musician who works with us on ‘Influences’ songs. They work with us in the field and also in the Ketebul Music studios in Nairobi to produce this new material. We believe our Inf…
Day Zero: February 15, 2020 – Assemble in Zanzibar Story
…in Arabic as ‘having joy with music.’ Taarab’s origins are in the late 1800s. Mohamed Ibrahim, studied music in Egypt, where he learned to play the Qanun and returned to Zanzibar to form the Zanzibar Taarab orchestra. Of course, there are a variety of musical styles in Zanzibar, including (every use of quotes in this post are direct quotes from the DCMA): Ngoma: “Ngoma literally translated means drum and is a term to encompass all local tra…
The Revival of the Entongooli Page
…rs. Some of the instruments that Mr Mukadisi has in his position are over 100 years old. Once the correct tree has been found that is of an appropriate age, around 10 years old so the wood is fully formed, it is chopped down and into smaller pieces to begin the drying process. When the wood has appropriate time to dry, it is prepared for chopping and shaping, and the next process of preserving the wood through the use of animal dung. More on that…
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…ovative and exciting this music is. With that in mind, as we approach our 10 year anniversary, we want to truly combine these two missions and celebrate how music in the modern age can transcend global barriers. Alongside our partners, London record label, Abubilla Music, and Kenyan music studios, Ketebul Music, we are launching our Global Influences Project. We have curated a series of musical loops, taken from our field recordings across East Af…
Day Two: February 17, 2020 (Stonetown) Story
…s on a scholarship from the DCMA to study violin and the oud starting in 2000. He’s been teaching at the academy for 18 years. Members of this group include: Mohamed Othman Faki – leader, on violin, Kheri Mizaka Aliy on African Bass, Makame Ali Juma on drum, Buruhami Makame Haji on 2nd drum, Mgeni Seleiman Makame on sticks, Said Ame Othman on shakers, Aikazija Abdala Ame -dancer, Mirianaharus Juma Hamis – dancer. All sang but Mohamed Othman Faki…
Mission Page
…Kenya, a non-profit organisation committed to identifying, preserving and promoting the diverse music traditions of East Africa. The project is supported by our UK charity, The Abubilla Music Foundation. Our goal is to record, archive and share the traditional music of East Africa for two important reasons – to sustain and celebrate the extraordinary cultural music heritage of the region and to help make this legacy relevant and fresh to today’s…
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…no better than the other Batwa so I thank you for choosing me. I am happy 1000 times over. My message represents the rest of the Batwa people. I listened to the recording of my song – it was so nice, so sweet.’ The day ended with her joyfully dancing to her own record, with her newborn baby in her arms. It was a moment that made so much of the work put in by the entire team completely worth it. And it has inspired us to continue searching for more…
What We Do Page
…w generation of musicians and listeners who might not consider it relevant today. So we have developed the Influences series: new compositions comprising a fusion of traditional and contemporary styles, themes, harmonies and instruments. Influences is led by musicians from Ketebul Music or singer/songwriters from the areas we are travelling to during our field visits. “Singing Wells can’t be just about archiving. We can’t be fossil collectors. We…