South Teso Jazz Group
Patrick Okodoi and his group – the SOUTH TESO JAZZ are based on the adeudeu– a traditional Teso string instrument. This group plays an interesting folk local sound and is very popular in the area. They combine several adeudeu(arched harps) of various sizes and functions, notably: ADEUDEU BASS – 6-strings instrument played by two people sitting on it; struck as a percussive by player in the back; RHYTHM ADEUDEU – 10-string adeudeu; ADEUDEU SEKETA…
Field Recording Report by Kahithe Kiiru Story
…we met one of our fixers in the area – Patrick Okodoi and his group – the SOUTH TESO JAZZ. Based on the adeudeu– a traditional Teso string instrument, this group plays an interesting folk local sound and is very popular in the area. They combine several adeudeu(arched harps) of various sizes and functions, notably: ADEUDEU BASS – 6-strings instrument played by two people sitting on it; struck as a percussive by player in the back; RHYTHM ADEUDEU…
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…ly for a grant from the IIE to fund our field recording visit to Kisoro in south west Uganda in 2011. Here we visited 6 Batwa communities and recorded their wonderful songs and traditional dance. We were also able to tell the story of their lives since they were moved from their forest homes in order to create a National Park to protect the mountain gorilla population in the area. We would like to thank the IIE for their generous support of the pr…
Singing Wells Stories Page
…e met Tiny Moses during our field trip to record the music of the Batwa in southern Uganda in late 2011. He arrived at the Travellers Rest hotel with the other members of the Micyingo community. He turned up to record with his home made guitar in his hand. We recorded him playing a few tracks with his and then we recorded him playing his guitar with our Influences artist, Winyo. He was then part of the group who travelled by bus to Nairobi to reco…
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…ked to Congolese rumba and West African highlife, but differs sharply from South African kwela, taarab, chakacha and kidumbaak; the most well-known Swahili music forms from the coastal strip of East Africa. The peculiarity of the Benga beat comes from the combination of a sharp lead guitar overriding the rhythm and bass. The pace of the guitars, with a steady rise to a climax or crescendo and an equally quick refrain, together with the arrangement…
Video playlists from Kenya 2018 Story
…ww.youtube.com/watch?v=WZWLQCNVUtE&list=PL6jxUA468Mq9Pd2xlX3D7Ru2MTTuT8KqS South Teso Jazz https://www.youtube.com/watch?v=8VW0wNmuq8I&list=PL6jxUA468Mq_tVAwWIrPTe9FlbEmAWWBb Obasie Palnyang https://www.youtube.com/watch?v=ieNi3J-ky4E&list=PL6jxUA468Mq_807_5aRNd5562pLxoHfIl Omong’oluk Traditional Dancers https://www.youtube.com/watch?v=ILMAhvkRtg0&list=PL6jxUA468Mq9LNfV2MxN2k1JwC-xu5n06 Samuel Namatete https://www.youtube.com/watch?v=JtkGVQFNoPw&l…
Day One: The Iteso People and their Music Story
…ussion and the Etwoo. From Adungosi, we travelled to Obekai, to record the South Teso Jazz group. The group started in 1938 by Charles Olado. It is currently led by Patrick Okodoi. We walked through all the band’s instruments first; these are: The Adeudeu: The Six Stringed Bass, that is big enough for bass player and a percussionist who sits on back to play the ‘kick’ drum. You then have the 9 string ‘rhythm instrument, the Seketa and the 9 String…
Day 1 – Saturday 1st July 2017 Story
…Dispute over which part of the region the instrument first originated in – South Nyanza or Central Nyanza; ‐ Discussion on the nyatiti gender taboo (whether a woman is or is not traditionally allowed to play the nyatiti and the reasons why); ‐ Mention of a Cultural Festival which takes place every year on 27th December and hosts several local nyatiti players; ‐ Discussion on whether a good nyatiti maker needs to be able to play the instrument as w…
Day Four: 10 March 2022 (Rongo) Story
…ere he has also toured extensively. Ontitri has been invited to perform in South Korea and Germany, not mention that he was one of the leading performers at the Smithsonian Folklife Festival in 2014. Ontiri on the obukano and vocals was backed by Leonidah Basbori on tumba and vocals with Lavin Kwamboka, Cliff Mogeni Mogaka, and Omuya Cyprine Moraa all on background vocals. Fiston was on guitar with Dave on bass. Ontiri is married to Ruth Moraa and…
The Music of the Mijikenda Album
…th captured in Kibarani village, further south from Sila, and then further south again, later in the day – Supaki Kalazo and Sengenya recorded in Junda, Mombasa. We then headed to the South Coast and recorded in Vuga, Kwale County. The ZigiDigi Cultural Troupe and Muungano Kayamba providing the music. The album also includes two ‘influences’ recordings – one including Ketebul artist Winyo with Nyerere Wa Konde and his son Mr Bado. The other is Win…
Day 5: Wednesday, February 22nd, 2017 Story
…audience of his supporters. A dance troupe danced in the Segere style for many of the songs. This is a Tanzanian style from the south. Here’s Leo performing:…
The History Of Benga Music: A Report by Ketebul Music Story
…st. The Luo comprise close to 3 million people. Their forefathers migrated south from the Bahr al Ghazal region in what is today know as Southern Sudan in a steady stream until the 19th Century. Some live in neighbouring Uganda and Tanzania. Today, Benga music is played across a fair share of Kenya—from the lake shores in the west, across the vast floor of the Rift Valley to the slopes of the imposing 5,199 metre Mount Kenya and into the plains of…
Central and Eastern Kenya: Days 5-11: Ketebul Studios, Nairobi Story
…chieng’ Nelly Mengo Ochieng’ Nelly was born Nelson Ochieng Orwa in 1943 in South Nyanza. The guitar came to Kenya after WWII and inspired a lot of young men who were steeped in village music. One of these was Ocheieng’ Nelly who got his first guitar in 1961 and his playing was shaped by the Luo Nyatiti and a new musical style being developed in the Congo. Specifically, he was taught and inspired by the pioneering Congolese Musician Adolf Banyore….
Discussions with Peter Cooke: ethnomusicologist and Ugandan music expert News
…eceived my first lesson in playing the Kiganda amadinda xylophone from the South African musicians Andrew and Paul Tracey before their evening show Wait a Minim.” “My work in Uganda led me to begin exploring that country’s traditional music initially with the aim of collecting useful materials for teaching purposes. That exploration has continued since then, apart from during the chaos of the periods of the rule of Amin and the Second Obote regime…
Central Uganda: Day 3 – From Mbale to Iganga to Jinja Story
…or microphones. We drove 117 kilometers from Mbale to Nakisene (from Mbale south toward Inganga, turning East toward the Kenyan border, just before Buggiri, we turned toward Idudi). The Recording Site: The village was far off road, along a dirt path perfectly suited to cows and motorcycles, but slightly more challenging to big vans of the four wheel variety. But, as always, we made it to the location, passing lovely red-mud huts along the way. The…
The repatriation of Kenya’s music heritage News
…gh Tracey. The repatriation of these recordings began in August, during a two-week pilot project in Kenya’s Rift Valley led by Prof Diane Thram, Director of the International Library of African Music (ILAM) in South Africa and the team from Ketebul Music, supported and funded by The Abubilla Music Foundation as part of the Singing Wells project. Read Bill Odidi’s article about the August project here….