77 Search Results for: Bahamasair Reservation 800-299-7264 Official Site Phone Number

Privacy Policy Page

Published on

…s Cookies help to let us see (via Google Analytics) how many people have visited the site and what content is popular, and what isn’t. This is anonymous, so be rest assured that we’re not snooping on your browsing. You can opt out of Google Analytics (with certain browsers) – info on which you can find here: https://tools.google.com/dlpage/gaoptout There is also the chance that other services on our site – such as embedded videos from YouTube, may…

Conclusion: Challenges and Recomendations Story

Published on

…ecording mission is quite satisfactory. Considering the limited time and a number of challenges encountered, I believe we managed to accomplish most of the set objectives and bring back an extensive amount of data and video/sound materials of very good quality. However, there is space for improvement. I think that team work was successful, although division of roles, more particularly on the data collection part on the project, was initially blear…

Global Influences Project: Artist Submissions Page

Published on

…color and vibe.” You can follow Shona on Twitter (@afroshona), Instagram (@officialshonasa) and on Facebook (https://www.facebook.com/afroshona) AMZI ODEK X ALOKA OHANGLA//NYATITI GROUP We really enjoyed this submission from Trombonist and Producer, Amzi Odek. Based in Nairobi, he has been actively learning and embracing his culture through music, and we love how his submission reflects that so clearly. “The song is called “Watu Wetu Ni Kina Nani”…

Here for Research? Page

Published on

…t, recording information and any related content we have about them on the site. Group Map The groups we have met, presented on a map so you can see each region that the group is from. A brilliant resource and great for comparing musical styles amongst groups that are local to each other. “Our goal is to record, archive and share the traditional music of East Africa for two important reasons – to sustain and celebrate the extraordinary cultural mu…

Andy Patterson Staff Profile

Published on

…eld. He also works on the post production back in the UK and is responsible for the Singing Wells podcasts. For more information, please check out Andy’s site at: http://www.andypatterson.co.uk or follow him on Twitter – @aandypatterson…

Day One: 7 March 2022 (Shikangania and Mukumu) Story

Published on

…os in Nairobi in May that year and recorded a few songs that are yet to be officially released. Going through a narrow winding road we arrived at the Small Matters Park, our first location for the day. The Ketebul Music technical crew is well experienced in field recording routine preparations, having been part of the Singing Wells project for many years. Hence, it did not take long for our sound team to determine the best site for the stage withi…

Day Zero: 6 March 2022 – Travel To Stream Story

Published on

…ing off the main revenue-generating activities of many artists. However, a number of urban-based performers were able to migrate their shows and concerts onto online platforms, reaching their audiences at their homes via live streaming. In doing so, they created new income-generating platforms, as some of these online acts allow audiences to support the musicians via M-pesa and Pay-Pal contributions. Another possibility was to sell tickets with th…

Day 9 – Sunday 9th July 2017 Story

Published on

…g to Hornbostel– Sachs(2), all four would be classified as composite chordophones, more precisely under the 321.2 category of: “Yoke lutes or lyres – The strings are attached to a yoke which lies in the same plane as the sound‐table and consists of two arms and a cross‐bar.” Through a group interview, we attempted to compare them in: size (size of resonator; length of arms and per extension of strings); materials of fabrication (types of wood); bo…

The Singing Wells podcast #3 Podcast

Published on

…Here is podcast number 3. In this podcast, we look at the development of Abubilla Music – one of the partners in The Singing Wells project – from initial idea, to music label. There are interviews with members of the SMCC, and music from the SMCC, Louise Calf, Gus Warriner, Tati Kalveks, Chris Kozlowski and Ketebul artist Winyo.   Click here to download the podcast….

Albums Introduction Page

Published on

…h the music of the area we were recording in.   Each album also contains a number of extra tracks that weren’t strictly part of the archiving recordings we were making. These recordings are of ‘Influences’ sessions – where a popular musical artist has joined us on our trip to collaborate with the groups we record. In the event that we have invited one of the musicians back to the Ketebul Studios in Nairobi to record, we will also include these rec…

The Kalenjin of Kenya Album

Published on

…rs and the Kewamoi Women Dancers both featured. The latter – a nice addition to the lineup, as the field day coincided with World Women’s Day. Eddie Grey was part of the team for the recordings, and he joined a number of groups to join them for Influences recordings. Two of these have been included on the album – his guitar playing accompanying The Elimu Cultural Promoters and the Kewamoi Women Dancers….

Our Sponsors Page

Published on

…ells project, helping to design and put into practice our ideas for our website. Our website is the main repository for all of our recording activities in East Africa, and the we are very proud of the latest version. Thanks to Wes and the team at Nebulo Strata for their continued help and support. To find out more, go to: http://www.nebulostrata.com   Clarkson, Wright & Jakes Type of Sponsor: donation in kind Thanks to Clarkson, Wright and Jakes s…

Field Recording Report by Kahithe Kiiru Story

Published on

…I – leg rattles; EFIRIMBI – a metallic whistle; OLWIKA – antelope horn aerophone; LIKHANGO – another aerophone made out of a reed attached to a wild goat horn; MUTINDI – flat two-skin drum played using two wooden sticks. Their props included spears (lifumo), shields (esikhumba), fly whisks (mukia) and clubs (eskong’o). They were wearing hats and tops made out of leather, leaves and feathers, and most original skirts which were in fact recycled umb…

Page

Published on

…) the better! Muwewesi Xylophone Group Unsurprisingly for the Muwewesi Xylophone Group, the Xylophone is the star of the show. A giant xylophone lays across the floor, played by 8 musicians, alongside vocalists, pipe flute players and tube fiddle players. Based in Nakisenye, East Uganda, we visited the group in 2013, and when we arrived we found that the band had been there since morning preparing – they had dug the pit for the xylophone, with the…

Day 1 – Saturday 1st July 2017 Story

Published on

…yatiti’s shape (resembles the traditional Luo hut shape), symbolism of the number (8) of strings of the nyatiti, his tuning techniques and order of string tuning, together with the story of his personal attachment to his instruments collection (owns 14 nyatitis). Upon our arrival to Kisumu City, we had another semi‐formal interview that would birth ideas for other hypothesis and arguments to follow up on. We met Meshack Okoth Okumu, who was to be…

Day Four: January 21 2019 Mwanza Story

Published on

…s group, from the Sukuma community, was formed in 2010 and performs with a number of styles: Bukomia Lume, Buchheye, Wigashe. Their instruments are: Ng’oma (Drums), Pembe (animal horns, large impala), Firimbi (flute), and Njuga (shakers). We recorded five performances: Ntale Atabihyala: ‘The boss, who is always wrong, wants to be always right. Just accept it’ Ba Tanzania (Malima):   Praising country, encouraging farmers and hard work – this song h…