Day Three: February 18, 2020 (Stonetown, Mpendae, Maungani) Story
…with us Songs: Chapapunga Asili Zarina – rhumba style Magic moment – trumpets and trombone. Once this band started, they played for 25 minutes. When the lead trumpet played a solo, they switched styles. We were able to distinguish between three main styles. The dancers danced and sung throughout. The village joined in the dancing as they continued to play. By the end it felt like a joyous party with many joining in, reminiscent of New Orleans Ma…
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Tarajazz Group
…h from Zanzibar) with Singeli (a new tribal rhythm). Taarab came from early 1800’s as Egyptian music. In Zanzibar the Mother of Taarab, Siti Binti Saad, made Taarab more popular in the 1920’s to 1950’s. We spoke to Hassan Mahenge, the assistant director of this band. He is a teacher at the DCMA. He teaches the Oud and plays the saxophone. All the students at the DCMA study traditional music such as Taarab as well as Western music. Members of the g…
The History Of Benga Music: A Report by Ketebul Music Story
…ns who adapted the genre include Katitu Boys, Kimangu Boys, Kalambia Boys, Peter Mwambi and the current sensation, Ken wa Maria, among others. For the central region, the key shaper is undoubtedly D K Mwai. CDM Kiratu was another success in this genre. Joseph Kamaru’s experimentation with Benga was not as successful as his dalliance with mwomboko. D.K. influenced latter-day musicians like Albert Gacheru, John De Mathew, Timona Mburu, Wamumbe, and…
Central and Eastern Kenya: Days 5-11: Ketebul Studios, Nairobi Story
…the Roasters in Nairobi in the 70’s. The musicians were very influenced by American Country music, and one of his songs was the ‘Yoodle’ which he recorded with Merciiria. He was heavily influenced by Gacungi wa Kamau, a pioneering accordion player who was the first ‘secular player’. He often visited Wanganangu’s homeland and recruited Wangangangu to pursue a musical career. We recorded 6 songs with Wangangangu over two sessions: Cal Wa Kadogo Ngur…
Central and Eastern Kenya: Day 1 – Nairobi to Kiongwe to Muranga Story
…Muranga on the Thika road, arriving at the Nokras Hotel in Muranga at about 1800. Here’s the route: We were all pretty shattered, so had a quick dinner (only quick if you ordered fish or meat, the chickens were apparently hard to catch and took considerably longer), drank the mandatory round of Tuskers and slipped off to bed. Working Practices: Roles and Responsibilities of the Team Each day, we will also bring you a set of ‘working practices’ we…
Kenya’s Amazing Musical Instruments News
…. When well-played, it takes on the role of the “fiddle” found in Irish or American country music. The Orutu is a one-string instrument played with a bow, whose notes are created by finger pressure against the central stick, producing the effect of ‘fretting’ notes. Watch here as the Aloka Ohangla Group plays “Nyar Karapul” (the Orutu is on the far left): Nyangile The Nyangile is a Luo instrument whose name literally means “box.” To play it, a mus…
Central Uganda: Day 3 – From Mbale to Iganga to Jinja Story
…tional African song, Malaika. American Farewell: After this they performed American Farewell (originally called “Wimoweh” and popularised as “A lion sleeps tonight”). Altawale. This was a great combination of heavy brass, traditional drums, marching band drums and a good old fashioned American Marching Band Twirler, straight from Music Man. Here’s their music: We loved what Julius had created. First and foremost he was giving these kids stability…
ILAM, Repatriation and Jimmie Rodgers/Chemirocha News
…immie Rodgers music was inspired by and build upon the influences of Black-American music, and it is only fitting that his work filtered back to Kenya. We find this circular tale in all music we are recording – most notably the massive influence of gospel on East African music, which, in turn was created in large part by Black-American music, directly inspired by early African village music. We listen to the likembe music in Uganda and here the st…
James Isabirye and Tabu Osusa Discuss East African Music News
…sounds vulgar – some Kampala teen-ager singing F this and F that in a bad American accent. Why is this good? Why is it unique? Why is it art? What they should do is learn about their culture, their identity – it is so rich, so wonderful, so new and exciting for others. If I’m an American or English person, when I hear a Ugandan I would want to hear something new from their culture – why do I want to hear t hem cursing about the police in Los Ange…
SWP Uganda 2013 – our proposed itinerary News
…g member of the original Bigwara Group which featured the ‘Olwendo’, a trumpet made from a hollowed gourd. Lugolole still plays but nowadays with the sons and grandson of his old band members, as well as anyone else who is keen to play. From Nabirere it’s a short drive to Bukona to meet Siraji Kirimungo, a talented vocalist from Bukona village whom Steve and Tabu heard much about during the recce but were unable to meet while they were in Uganda….
The origins of Singing Wells Story
…ful record producers end up in a remote Kenyan village, teamed with me, an American businessman, and a sound engineer from Gateshead? The Singing Wells project is a result of a chance meeting between two music labels on two separate continents. Tabu Osusa founded Ketebul Music in 2007 with a goal to record and promote traditional East African music. Tabu laments the fact that the music heritage of the region is being eroded. He says, ‘For reasons…
Day 8: Entebbe to Nairobi and Ketebul Studios Story
…other detector ourselves (#2) Once through this line we lined up for Kenya airlines. We are our own queue and it took a while to check in our 23 bags and convince them to let us carry our 11 carry on bags… Once checked in we then waited in visa line. No issues. By this time the flight is calling for boarding… There’s another line at the gate to go through Kenya security. Big queue and one very angry mzungu who was fed up. We all had to take off ou…
Singing Wells – Origins News
…ful record producers end up in a remote Kenyan village, teamed with me, an American businessman, and a sound engineer from Gateshead? The Singing Wells project is a result of a chance meeting between two music labels on two separate continents. Tabu Osusa founded Ketebul Music in 2007 with a goal to record and promote traditional East African music. Tabu laments the fact that the music heritage of the region is being eroded. He says, ‘For reasons…
Day 3: From Nairobi to Kigali to Kisoro Story
…r equipment (we really wanted to return with it all!). We then took Kenyan Airlines (new plane with movies!) to Kigali, the capital of Rwanda, population roughly a million. We were met by our drivers Arun and John and drove through heavy rains to the Rwanda-Uganda border crossing near Kisoro. After a rather lengthy crossing, we then drove on to our final desitination – the Traveller’s Rest in Kisoro. Five quick things: Rwanda: Beautiful country kn…
Day 1: The very first field recording day for Singing Wells Story
…n music. Bado’s music is great, propelled by his wonderful voice, but it’s American-sounding and could have been produced in LA. We asked him to do a song and he started singing one of his about a guy essentially asking a girl to be his… very urban hip hop and something you’d find in most major cities. Tabu suggested that his dad join him and in traditional voice act as the girl’s father warning her of the danger of seduction. Winyo joined to cont…