Day Three: February 18, 2020 (Stonetown, Mpendae, Maungani) Story
…h from Zanzibar) with Singeli (a new tribal rhythm). Taarab came from early 1800’s as Egyptian music. In Zanzibar the Mother of Taarab, Siti Binti Saad, made Taarab more popular in the 1920’s to 1950’s. We spoke to Hassan Mahenge, the assistant director of this band. He is a teacher at the DCMA. He teaches the Oud and plays the saxophone. All the students at the DCMA study traditional music such as Taarab as well as Western music. Members of the g…
Day Zero: 6 March 2022 – Travel To Stream Story
…ing off the main revenue-generating activities of many artists. However, a number of urban-based performers were able to migrate their shows and concerts onto online platforms, reaching their audiences at their homes via live streaming. In doing so, they created new income-generating platforms, as some of these online acts allow audiences to support the musicians via M-pesa and Pay-Pal contributions. Another possibility was to sell tickets with th…
Tarajazz Group
…h from Zanzibar) with Singeli (a new tribal rhythm). Taarab came from early 1800’s as Egyptian music. In Zanzibar the Mother of Taarab, Siti Binti Saad, made Taarab more popular in the 1920’s to 1950’s. We spoke to Hassan Mahenge, the assistant director of this band. He is a teacher at the DCMA. He teaches the Oud and plays the saxophone. All the students at the DCMA study traditional music such as Taarab as well as Western music. Members of the g…
Here for Research? Page
…t, recording information and any related content we have about them on the site. Group Map The groups we have met, presented on a map so you can see each region that the group is from. A brilliant resource and great for comparing musical styles amongst groups that are local to each other. “Our goal is to record, archive and share the traditional music of East Africa for two important reasons – to sustain and celebrate the extraordinary cultural mu…
Day One: 7 March 2022 (Shikangania and Mukumu) Story
…os in Nairobi in May that year and recorded a few songs that are yet to be officially released. Going through a narrow winding road we arrived at the Small Matters Park, our first location for the day. The Ketebul Music technical crew is well experienced in field recording routine preparations, having been part of the Singing Wells project for many years. Hence, it did not take long for our sound team to determine the best site for the stage withi…
Andy Patterson Staff Profile
…eld. He also works on the post production back in the UK and is responsible for the Singing Wells podcasts. For more information, please check out Andy’s site at: http://www.andypatterson.co.uk or follow him on Twitter – @aandypatterson…
Our Sponsors Page
…ells project, helping to design and put into practice our ideas for our website. Our website is the main repository for all of our recording activities in East Africa, and the we are very proud of the latest version. Thanks to Wes and the team at Nebulo Strata for their continued help and support. To find out more, go to: http://www.nebulostrata.com Clarkson, Wright & Jakes Type of Sponsor: donation in kind Thanks to Clarkson, Wright and Jakes s…
Global Influences Project: Artist Submissions Page
…color and vibe.” You can follow Shona on Twitter (@afroshona), Instagram (@officialshonasa) and on Facebook (https://www.facebook.com/afroshona) AMZI ODEK X ALOKA OHANGLA//NYATITI GROUP We really enjoyed this submission from Trombonist and Producer, Amzi Odek. Based in Nairobi, he has been actively learning and embracing his culture through music, and we love how his submission reflects that so clearly. “The song is called “Watu Wetu Ni Kina Nani”…
3. Background of the Naizungwe drums Story
…ties were and still are organized on clan system. One ethnic society has a number of clans where each clan has a leader – clan leader. Each of those clans had identifying regalia and one of them are drum rhythms that symbolize the general belief of that clan. The Basoga ethnic society from the Eastern region of the country is organized according to clans. Eleven clans are royal; they are the leaders and the rest are not. One of the clans is the ba…
FAQ’s Page
…the recording. This amount varies based on a number of factors such as the number of members in the group and the number of songs we record. In the event of any music we record making money directly (through sales, sync licensing or performance royalties) we will endeavour to channel this money back to the original performers. Can I buy the music you have recorded? A selection of our music is available to download from our site. We have one album…
The Kalenjin of Kenya Album
…rs and the Kewamoi Women Dancers both featured. The latter – a nice addition to the lineup, as the field day coincided with World Women’s Day. Eddie Grey was part of the team for the recordings, and he joined a number of groups to join them for Influences recordings. Two of these have been included on the album – his guitar playing accompanying The Elimu Cultural Promoters and the Kewamoi Women Dancers….
Page
…ers here (https://www.singingwells.org/partners/) Further Reading UOBDU Website Ford Foundation Website Ten More Singing Wells Stories: The Batwa A Story of Batwa Traditions The Batwa of Kisoro Album Recording in the Travellers Rest Hotel “Studio” Our Field Report: UOBDU & The Birara Dancers #9 – Bigger and Better in Uganda The Giant Instruments of Uganda Our travels across East Africa have shown how each region has their own voice, style and iden…
Day Four: January 21 2019 Mwanza Story
…s group, from the Sukuma community, was formed in 2010 and performs with a number of styles: Bukomia Lume, Buchheye, Wigashe. Their instruments are: Ng’oma (Drums), Pembe (animal horns, large impala), Firimbi (flute), and Njuga (shakers). We recorded five performances: Ntale Atabihyala: ‘The boss, who is always wrong, wants to be always right. Just accept it’ Ba Tanzania (Malima): Praising country, encouraging farmers and hard work – this song h…
Conclusion: Challenges and Recomendations Story
…ecording mission is quite satisfactory. Considering the limited time and a number of challenges encountered, I believe we managed to accomplish most of the set objectives and bring back an extensive amount of data and video/sound materials of very good quality. However, there is space for improvement. I think that team work was successful, although division of roles, more particularly on the data collection part on the project, was initially blear…
Field Recording Report by Kahithe Kiiru Story
…ginal for his mastery and virtuosity on the drum. These two played a large number of popular Luhya folk songs and marked the perfect end to our stay in Isukha land. DAY 7 – Friday 23rd February 2018 On the seventh day of recording, we moved to yet another county of the Western region of Kenya – Vihiga County. Here we were welcomed by Philip Isilia, our contact for the area who is himself also a musician. In Emativini village of Ebubayi location…
Mchele Mchele Sanaa Group Group
…This group, from the Sukuma community, was formed in 2010 and performs with a number of styles: Bukomia Lume, Buchheye, Wigashe. Their instruments are: Ng’oma (Drums), Pembe (animal horns, large impala), Firimbi (flute), and Njuga (shakers). …