Global Influences Project: Loop Library Page
…re a collective of musicians led by Amone Watmon Matthew, who promote the preservation of Ugandan cultural heritage through dance. The group is made up of up to 50 members, the youngest members being only seven years old. You can learn more about the group here. You can watch the full visual performance of this song on our Youtube channel by clicking here. Download the loop singingwells · SW Samples – Watmon Cultural Group 154BPM singingwells · SW…
Global Influences Project: Artist Submissions Page
…ed something magical and we can’t wait to hear from more amazing musicians and creatives who are looking to create their own pieces. Instagram: @sofia.grant._ Check back here soon for more uploads of the submissions from our Global Influences Project!…
Singing Wells Stories Page
…e Marakwet, view the field report. To listen to the music of the Kalenjin, check out the Kalenjin of Kenya. To visit the group page for the Sagat Traditional Dancers, visit their page here. If you haven’t signed up to the Singing Wells mailing list – please do. It is the best way to keep up to date with the project, our plans for recording and our latest content releases. You can do that below in the footer of the page. If you would like to hear m…
Page
…in swahili, she practiced and learnt this style of music despite cultural reservations, and in turn paved the way for future female musicians. This is what is said about her at the Dhow Countries Music Academy: “Singer Siti Binti Saad is a trailblazer who revolutionized taarab music in a way the is still felt today…Whereas her predecessors were all male and sang predominately in Arabic, she was the first woman to perform in Swahili…She was born i…
Andy Patterson Staff Profile
…engineering team in the field. He also works on the post production back in the UK and is responsible for the Singing Wells podcasts. For more information, please check out Andy’s site at: http://www.andypatterson.co.uk or follow him on Twitter – @aandypatterson…
Day 2 – Sunday 2nd July 2017 Story
…al players do not (or only exceptionally) compose new tunes, but replicate existing old ones. Within the nyatiti tradition, tunes remain the same, whereas the lyrics can change, evolve. They are the fruit of a specific player’s imagination and can be adapted to the occasion and/or to tell the praise of a different person. The fact that Meshack picked up the instrument only once his father had passed away brought about several hypothesis on the mea…
Tarajazz Group
…h from Zanzibar) with Singeli (a new tribal rhythm). Taarab came from early 1800’s as Egyptian music. In Zanzibar the Mother of Taarab, Siti Binti Saad, made Taarab more popular in the 1920’s to 1950’s. We spoke to Hassan Mahenge, the assistant director of this band. He is a teacher at the DCMA. He teaches the Oud and plays the saxophone. All the students at the DCMA study traditional music such as Taarab as well as Western music. Members of the g…
The Revival of the Entongooli Page
…2 Creating the Base Part 1 Creating the Base Part 2 Stringing it Together Check back soon for more episodes of our Revival of the Entongooli journey! A Musical Education What makes this project so different from any of the other revival projects we have documented, is how focused this project is on young people. Mr Mukadisi, who is heading up this project, is very aware that to continue the legacy of this dying instrument, children and young peop…
Day Three: February 18, 2020 (Stonetown, Mpendae, Maungani) Story
…h from Zanzibar) with Singeli (a new tribal rhythm). Taarab came from early 1800’s as Egyptian music. In Zanzibar the Mother of Taarab, Siti Binti Saad, made Taarab more popular in the 1920’s to 1950’s. We spoke to Hassan Mahenge, the assistant director of this band. He is a teacher at the DCMA. He teaches the Oud and plays the saxophone. All the students at the DCMA study traditional music such as Taarab as well as Western music. Members of the g…
Day 1: Saturday, 2017 February 18th Story
…spent the evening preparing equipment. After a brief hold up at airport to check documents and buy a chicken burger, we were met by our drivers, Isaac and Abdullah, and drove immediately to our first field visit – to the home of Mzee Morris’s son, Rafael Nyunyusa Morris. “Retracing the lost drums of Mzee Morris Nyunyusa” is the purpose of this trip, so before discussing today’s music, let’s now give you a bit of background. Mzee Morris is Tanzania…
Central and Eastern Uganda: Day 2 – Kampala to Jinja Story
December 1, 2015: Checking the progress of the Bigwala trumpets Today, we travelled 3 hours from Kampala to Jinja, to the village of Bukakaire, to listen to the Bukakaire Bigwala Players, led by the last surviving trumpeter from the Busoga Kingdom, James Lugolole. A woman playing the Bigwala First, why are we here? Well, there’s the obvious: at Singing Wells, we record and share the great music of East African villages. But, there’s another, equa…
Singing Wells Youtube Channel hits 2.5Million views News
…ot trip to Kenya. Seeing the generations of Nyerere’s family performing together was a special moment (his son Mr Bado is also a musician). We captured a great fusion of old and new https://youtu.be/-MU13FLg_io You also need to check out the Elgon Ngoma Troupe, performing a traditional circumcision ritual dance. Please keep following our channel – with new videos going up there’s always something exciting to discover and share. https://youtu.be/m…
The History Of Benga Music: A Report by Ketebul Music Story
…thuli Avenue. Founded by Mzee Daudia in 1963, the name was inspired by the American cowboy TV series of the time and it quickly became a Benga musician’s Mecca. The shop moved to its present location on Tom Mboya Street in 1971, with Daudia renaming it Melodica. He was passionate in his promotion of local artistes. One of his sons, Abdul Karim, now runs the outlet with no less great passion. It is a shrine for many Kenyans who have either been awa…
Central and Eastern Kenya: Days 5-11: Ketebul Studios, Nairobi Story
…the Roasters in Nairobi in the 70’s. The musicians were very influenced by American Country music, and one of his songs was the ‘Yoodle’ which he recorded with Merciiria. He was heavily influenced by Gacungi wa Kamau, a pioneering accordion player who was the first ‘secular player’. He often visited Wanganangu’s homeland and recruited Wangangangu to pursue a musical career. We recorded 6 songs with Wangangangu over two sessions: Cal Wa Kadogo Ngur…
Central and Eastern Kenya: Day 1 – Nairobi to Kiongwe to Muranga Story
…Muranga on the Thika road, arriving at the Nokras Hotel in Muranga at about 1800. Here’s the route: We were all pretty shattered, so had a quick dinner (only quick if you ordered fish or meat, the chickens were apparently hard to catch and took considerably longer), drank the mandatory round of Tuskers and slipped off to bed. Working Practices: Roles and Responsibilities of the Team Each day, we will also bring you a set of ‘working practices’ we…
A Tanzanian Effort to Salvage the Music of the Past News
…Wells, is working to preserve traditional music, but for them the act of preservation is quite literal – the Tanzania Heritage Project is scrambling to digitise reams of reel-to-reel tape recorded between the 1960s and 1980s, which has been literally rotting for decades in the moulding archives of the Tanzanian Broadcasting Corporation. Some has already deteriorated to the point where it’s unplayable, and the rest will suffer the same fate if not…